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“Only in America can you run for office and get elected by people who can’t even pronounce your name.”—Lily Qi 

Thirty years after her solo journey to America, Chinese-born Lily Qi became a Maryland state delegate. It was a gratifying moment she did not take for granted. Qi had overcome a viral WeChat disinformation campaign from her Chinese community and was met with skepticism from the Democratic establishment before being elected.

Elected American tells the inspirational story of Qi’s dreams, setbacks, and achievements with candor and humility. Growing up in Mao’s Shanghai, when “politics meant danger,” she never imagined running for public office. However, living in America, Qi came to see political participation as a missed opportunity for immigrants. As she campaigned to energize her cultural base, Qi realized she had to teach first-time voters how to make their votes count in a system not designed for them.

As the only U.S. state legislator who lived through China’s Cultural Revolution, Qi brings a rare cross-system perspective to American politics and modern-day Asian American identity. Elected American is a political memoir and an immigrant story that emphasizes that democracy doesn’t wait on the sidelines—it favors those who participate.

China's Cultural Revolution (1966-1976) produced propaganda music that still stirs unease and, at times, evokes nostalgia. Lei X. Ouyang uses selections from revolutionary songbooks to untangle the complex interactions between memory, trauma, and generational imprinting among those who survived the period of extremes. Interviews combine with ethnographic fieldwork and surveys to explore both the Cultural Revolution's effect on those who lived through it as children and contemporary remembrance of the music created to serve the Maoist regime. As Ouyang shows, the weaponization of music served an ideological revolution but also revolutionized the senses. She examines essential questions raised by this phenomenon, including: What did the revolutionization look, sound, and feel like? What does it take for individuals and groups to engage with such music? And what is the impact of such an experience over time?

Perceptive and provocative, Music as Mao's Weapon is an insightful look at the exploitation and manipulation of the arts under authoritarianism.

Mao and his policies have long been demonised in the West, with the Cultural Revolution considered a fundamental violation of human rights.

As China embraces capitalism, the Mao era is being surgically denigrated by the Chinese political and intellectual elite. This book tackles the extremely negative depiction of China under Mao in recent publications and argues most people in China, including the rural poor and the urban working class, actually benefited from Mao's policy of a comprehensive welfare system for the urban and basic health and education provision for the rural, which is being reversed in the current rush towards capitalism.

By a critical analysis of the mainstream account of the Mao era and the Cultural Revolution and by revealing what is offered in the unofficial e-media debates this book sets the record straight, making a convincing argument for the positive effects of Mao's policies on the well-being of the Chinese people.

With a keen attention to how culture and elite conflict shape politics, The Great Separation upends deterministic understandings of the Chinese Cultural Revolution and the market reforms that followed. This ambitious posthumous volume by sociologist Xiaohong Xu turns the existing scholarship on China’s “neoliberalism” on its head by demonstrating that the effort to separate mass politics from economic policy had its origins well before the Reform and Opening-up era. 

Over the course of the Cultural Revolution, unfolding factional dynamics and interpretive struggles enabled Chairman Mao and his radical colleagues to mobilize workers to advance their own political goals while neutralizing the masses’ economic demands, symbolically separating the political from the economic. This set the stage for a more thoroughgoing depoliticization of the economy after 1989, when China faced challenges from students and workers whose economic grievances had rapidly morphed into political demands for democracy. The result was what Xu calls ordoeconomism: an ideology that valorizes economic development, rejects mass politics, and views the state as the apolitical guardian of the economy. As Xu demonstrates, while ordoeconomism may share some affinities with neoliberalism, it is a distinctively Chinese approach that must be understood on its own terms.