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Following desperate characters in desperate circumstances in the rural Midwest

In these colorful, darkly comic stories, veteran journalist and crime reporter John Counts takes readers to an often-ignored part of the country: a fictional Great Lakes coastal town in northern Michigan defined by beauty and bleakness. The cast of characters in these connected stories ranges from addicts to backwoods misfits to ruined lumber families, all bound together by their desire to obtain something just out of reach. Big Frank breaks out of a rehab facility trying to outrun grief. The women in the village of Brotherhood grapple with sterility resulting from an environmental calamity. A local politician must convince her mother to leave a nudist colony. And in the final, sweeping story, a splinter group from the local tribe attempts to reclaim its ancestral land by force. The people of Bear County and their predicaments encompass the wildly original and yet totally ordinary truths about American life off the beaten track.

It is 1979 and patriarch Bud relocates his family to his conservative hometown of Greenhill, Connecticut. Despite dubious restaurant experience, he uses his wife’s inheritance to purchase a diner in hopes of proving himself. Things begin to fall apart when police find an all-too-literal skeleton in the family’s basement. A series of misfortunes, accidents, and comedic events follow, including the creation of a vending-machine-sandwich/drug-dealing business and a protest-turned-siege at the local hospital.

Charting one family’s rise to subversive glory in a genteel New England town, this colonial gothic novel is told through found documents and multiple perspectives, including those of Bud; Victor, the middle son; and Herman, the ahead-of-their time, nonbinary, eldest child whose journal entries serve as a kind of Greek chorus throughout. In this breathless, exuberant work, Keith Stahl brilliantly captures the foundational dichotomies at the heart of the American experience: a puritanical distrust of anything fun and a nearly anarchic love of pleasure and freedom. Moving and bitterly humorous, Dear Future Occupants is a paean to the working class and the diversity that holds a family together.

Heir to the FIBA button factory in Lombardy, Augustus is profiting from Italy’s postwar industrial boom. Yet the dreamy young man is far from your stereotypical industrialist. He is less interested in making money than in talking to the birds in the surrounding garden and in making love to a beautiful factory worker named Palmira. But when the money-hungry Palmira schemes to have him institutionalized, Augustus finds a new love among his fellow mental patients: flute-playing flower child Serafina. Can Augustus and Serafina find a way to break free and express their love of each other and of nature in this crazy world? 
 
Newly translated into English, Giuseppe Berto’s charming 1973 novel Oh, Serafina! was one of the first works of Italian literature to deal with ecological themes while also questioning the destructive effects of industrial capitalism, the many forms spirituality might take, and the ways our society defines madness. This translation includes a foreword from literary scholar Matteo Gilebbi that provides biographical, historical, and philosophical context for appreciating this whimsical fable of ecology, lunacy, and love. 
 

With his tenth book, celebrated author Brock Clarke once again demonstrates his mastery of the story form.

In Special Election, ingenious fictions target our all-too-familiar preoccupations and vulnerabilities—belonging, (dis)engagement, the struggle for self-worth, the difficulty of loving and being loved, the banality and absurdity of existence. Brock Clarke’s rapier wit, inexhaustible imagination, and brilliant leaps of illogic transform his characters’ desperation and distress into tragicomic delight. In the title story, Lawrence Welk is ousted from heaven to run for governor in present-day North Dakota. In “One Goes Where One Is Needed,” we follow the former Provisional Coalition Administrator of post-liberation Iraq, now a youth ski instructor at Okemo Mountain in Vermont. In “The Slim Jim,” the protagonist finds himself (literally and figuratively) very slowly choking to death on a frozen microwavable burrito.

“There is something wrong with me,” states the narrator of “The Big Book of Useless Saturdays.” This could be said of all the characters in Special Election, and through loopy misdirection and mordant observation, Clarke devotes himself to showing his characters and his readers exactly what is wrong. Yet the sharpness of his attention and lavish ludicrousness of his storylines belie a sneaking affection for this imperfect, disappointing world filled with imperfect, disappointing humans. Though Clarke has been compared to such greats as Barthelme, Bellow, and Saunders, the nine stories in Special Election vibrate at a frequency all his own, showcasing the strengths of one of our most gifted comic writers.

A budding journalist and a housing advocate join forces to investigate a series of crimes spurred by an act of vandalism at the Boston Holocaust Memorial. 

On the eve of the “Summer of Hate,” Mark Bergman, a young struggling Bar Mitzvah photographer trying to break into serious journalism, meets fellow tenant Annie Holt, a Catholic housing activist. The same night, across town, someone vandalizes the Boston Holocaust Memorial, which at first appears to be an isolated event, but when Mark joins Annie at an eviction protest across town, they soon discover it was a part of a more sinister and coordinated series of attacks. From the Vilna Shul in Beacon Hill down to South Carolina low country, Mark and Annie’s relationship deepens as they hunt the perpetrators and ultimately reach a point, both with each other and the crimes they’re investigating, where they must make the most difficult decisions they ever faced. Told from alternating points of view, Last People follows both Mark and Annie and a series of humorous minor characters, all of whom are searching for identity and a place in a fractured, volatile, and dangerous America. Part love story, part mystery, part coming of age, Last People is a novel about homelessness—literally, metaphorically—and the ways in which people grasp onto labels in order to find meaning and purpose in their lives even when those labels fail to adequately define them.