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Hegel and Deleuze cannily examines the various resonances and dissonances between these two major philosophers. The collection represents the best in contemporary international scholarship on G. W. F. Hegel and Gilles Deleuze, and the contributing authors inhabit the as-yet uncharted space between the two thinkers, collectively addressing most of the major tensions and resonances between their ideas and laying a solid ground for future scholarship.

The essays are organized thematically into two groups: those that maintain a firm but nuanced disjunction or opposition between Hegel and Deleuze, and those that chart possible connections, syntheses, or both. As is clear from this range of texts, the challenges involved in grasping, appraising, appropriating, and developing the systems of Deleuze and Hegel are varied and immense. While neither Hegel nor Deleuze gets the last word, the contributors ably demonstrate that partisans of either can no longer ignore the voice of the other.

A deep exploration of the many possibilities inherent in linking Gilles Deleuze’s philosophy to contemporary science, John Protevi’s Life, War, Earth demonstrates how Deleuze’s ontology of the virtual, intensive, and actual can enhance our understanding of important issues in cognitive science, biology, and geography. Protevi illustrates how a Deleuzian approach can illuminate a wide range of concerns and subjects, including ancient and contemporary warfare, human individuation processes, the “granularity problem,” panpsychism, the E. coli bacterium, the assassination attempt on U.S. representative Gabrielle Giffords, and the affective dimensions of the Occupy movement.

Frequently ambitious but always rooted in the empirical, Life, War, Earth shows how the social and the somatic are not opposed to each other but are interwoven on three time scales—the evolutionary, the developmental, and the behavioral—and on three political scales—the geopolitical, the bio-neuro-political, and the technopolitical.

Deeply attuned to the internalities of the thought of Deleuze, the book offers a unique reading of his corpus and a useful method for applying Deleuzian techniques to the natural sciences, the social sciences, political phenomena, and contemporary events.

An extraordinary collaboration between contemporary art and critical discourse, Narrating the Catastrophe guides readers through unfamiliar textual landscapes where “being” is defined as an act rather than a form. Drawing on Paul Ricoeur’s notion of intersubjective narrative identity as well as the catastrophe theory of Gilles Deleuze, Jac Saorsa establishes an alternative perspective from which to interpret and engage with the world around us. A highly original—and visually appealing—take on a high-profile issue in contemporary critical debate, this book will appeal to all those interested in visual arts and philosophy.