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8 books match the query 'Dispute'
Communities in Dispute
Current Scholarship on the Johannine EpistlesR. Alan Culpepper
SBL Press, 2014
Presenting the best work on the Johannine Epistles from a world-class gathering of scholars
This anthology includes papers presented at the McAfee School of Theology Symposium on the Johannine Epistles (2010). Contributions on the relationship between the Gospel of John and the Letters of John, Johannine theology and ethics, the concept of the Antichrist, and the role of the elder round out the collection. This is a must-have book for libraries and New Testament scholars.
Features:
- Introductory essay places the collection in context
- Articles engage the work of Raymond Brown and J. Louis Martyn
- Sixteen essays from the Book of Psalms Consultation group and invited scholars
Cultural Transfers in Dispute
Representations in Asia, Europe and the Arab World since the Middle AgesEdited by Jörg Feuchter, Friedhelm Hoffmann, and Bee Yun
Campus Verlag, 2011
Our conception of cultures and cultural change has altered dramatically in recent decades: no longer do we understand cultures as isolated units; rather, we see them as hybrid formations constantly engaged in a multidirectional process of exchange and influence with other cultures. Yet the very process by which we represent these cultural transfers is itself subject to cultural, political, and ideological conditions that affect our understanding, acknowledgment, and representation of them. Built around concrete examples of controversial representations of cultural transfer from Asia, the Arab world, and Europe, Cultural Transfers in Dispute presents a critical self-reflection on the scholarly practices that underpin our attempts to study and describe other cultures.
Differend
Phrases in DisputeJean-Francois Lyotard
University of Minnesota Press, 1989
Peace and Mind
Part 3: Seriatim Symposium on Dispute, Conflict, and Enmity, Volume 8Jeffrey M. Perl, ed.
Duke University Press, 0
One contributor, a longtime president of the American Council of Learned Societies, calls for "intellectual philanthropy" and suggests that academics should transcend their ideological differences and form cooperative partnerships in the public service. A pair of essays, by key figures of the 1989 Velvet Revolution in Eastern Europe, analyze the ways that self-confidence and self-regard undercut efforts toward the resolution of complex social problems. The qualities of ideological self-subversion and even weakness, Common Knowledge maintains, are essential if the intellectual community is to become an agent for peace in a time of war.
Contributors. Wayne Andersen, Sissela Bok, Yves Bonnefoy, Caroline Walker Bynum, Clare Cavanagh, Charles-Albert Cingria, Caryl Emerson, Clifford Geertz, Stanley N. Katz, Aileen Kelly, Adam Michnik, Péter Nádas, Eugene Ostashevsky, Jeffrey M. Perl, Marjorie Perloff, Nina Pelikan Straus, Rei Terada, Gianni Vattimo, William Vesterman, Aleksandr Vvedensky, Adam Zagajewski.
Settling a Dispute
Toward a Legal Anthropology of Late Antique EgyptTraianos Gagos and Peter van Minnen
University of Michigan Press, 1994
Traianos Gagos and Peter van Minnen offer an English translation and a clear Greek text of the two papyrus fragments, as well as an important discussion of the nature of such mediation, its role in contemporary society, a consideration of the town of Aphrodito and its social and political elite, as well as many other topics that spring from this kind of document.
The use of methodologies from modern jurisprudence and anthropology together with an accessible style of writing mean that Settling a Dispute will be of interest to persons in many fields, including history, Classics, and Near Eastern studies. All Greek is translated, and an extensive commentary offers much helpful information on the text.
Traianos Gagos is Associate Archivist of the University of Michigan's papyri collection. Peter van Minnen is Senior Research Associate in the papyri collection at Duke University.
The Image in Dispute
Art and Cinema in the Age of PhotographyEdited by Dudley Andrew
University of Texas Press, 1997
Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism.
In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays that evoke specific aspects and moments of the visual culture he would have known. Part II focuses on precise instances of friction within the traditional arts brought on by this century's changes in the value and mission of images. Part III goes straight to the image technologies themselves—photography, cinema, and video—to isolate distinctive features of the visual cultures they help constitute.
As we advance into the postmodern era, in which images play an ever more central role in conveying perceptions and information, this anthology provides a crucial context for understanding the apparently irreversible shift from words to images that characterized the modernist period. It will be important reading for everyone in cultural studies, film and media studies, and art history.
The Names of Minimalism
Authorship, Art Music, and Historiography in DisputePatrick Nickleson
University of Michigan Press, 2023
Expanding the place of Jacques Rancière’s philosophy within musicology, Nickleson draws attention to disciplinary practices of guarding compositional authority against artists who set out to undermine it. The book reimagines the canonic artists and works of minimalism as “(early) minimalism,” to show that art music histories refuse to take seriously challenges to conventional authorship as a means of defending the very category “art music.” Ultimately, Nickleson asks where we end up if we imagine the early minimalist project—artists forming bands to perform their own music, rejecting the score in favor of recording, making extensive use of magnetic type as compositional and archival medium, hosting performances in lofts and art galleries rather than concert halls—not as a utopian moment within a 1960s counterculture doomed to fail, but as the beginning of a process with a long and influential afterlife.
The Opuscula and the Dispute with Pyrrhus
The Theological and Polemical WorksKevin M. St. Maximus the Confessor
Catholic University of America Press, 2026