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French trade unions played a historical role in the 1930s quite unlike that of any other labor movement. Against a backdrop of social unrest, parliamentary crisis, and impending world war, industrial unionists in the great metal-fabricating plants of the Paris Region carried out a series of street mobilizations, factory occupations, and general strikes that were virtually unique in Western history.

The unionization of the metal industry, following a series of anti-fascist demonstrations and plant seizures, would constitute the defining episode in modern French labor history and one of the great chapters in European social history. Yet little is known of these extraordinary events.

With a style that captures the vivid character of these experiences, Every Factory a Fortress tells the story of the Paris metal workers, who succeeded in organizing the largest Communist union in the Western world, reshaping the parameters of French social relations, and, ultimately, altering the course of French destinies.

In Every Home a Fortress, Thomas Bishop details the remarkable cultural history and personal stories behind an iconic figure of Cold War masculinity—the fallout shelter father, who, with spade in hand and the canned goods he has amassed, sought to save his family from atomic warfare. Putting policy documents and presidential addresses into conversation with previously unmined personal letters, diaries, local media coverage, and antinuclear ephemera, Bishop demonstrates that the nuclear crisis years of 1957 to 1963 were not just pivotal for the history of international relations but were also a transitional moment in the social histories of the white middle class and American fatherhood. During this era, public concerns surrounding civil defense shaped private family conversations, and the fallout shelter emerged as a site at which ideas of nationhood, national security, and masculinity collided with the complex reality of trying to raise and protect a family in the nuclear age.

Jana Renée Friesová was fifteen when she was imprisoned by the Nazis in the Czech ghetto town of Terezín. Her memoir tells the poignantly familiar story of a young girl who, even under the most abominable circumstances, engages in intense adolescent friendships, worries with her companions over her looks, and falls in love.
Anne Frank’s diary ends with deportation to a concentration camp; Fortress of My Youth, in contrast, takes the reader deep into the horrors of daily life in a camp that were faced by a young girl and her family. But Friesová also tells of love, joy, sacrifice, and the people who shared in the most profound experiences of her life.

The Fortress is one of the most significant and fascinating novels to come out of the former Yugoslavia. Published as Tvrđava in Serbian, it is the tenth and among the best-known novels by Mesa Selimovic (1910–1982). In the novel, Ahmet Shabo returns home to seventeenth-century Sarajevo from the war in Russia, numbed by the death in battle or suicide of nearly his entire military unit. In time he overcomes the anguish of war, only to find that he has emerged a reflective and contemplative man in a society that does not value, and will not tolerate, the subversive implications of these qualities.

Set in Bosnia in the late 1700s, the novel sometimes functions as an artful metaphor for the communist Yugoslavia of Selimovic's day. At other times, the author explores the nuances of Ottoman rule in the Balkans. Muslim Ahmet's sustaining marriage to a young Christian woman provides a multicultural tension that strongly resonates with contemporary readers and sensibilities.