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There is now fairly widespread acknowledgment that the Vietnam War shattered many of the traditional narratives central to formerly prevailing vision of the United States and its history. Some people regret this and seek to restore old narratives that they consider essential to a unifying national identity, but their mighty efforts are unlikely to put Humpty Dumpty together again. Others see this shattering as a liberation from dangerous illusions, a wake-up call that forced millions of Americans toward more truthful and beneficial narratives about American history and culture. There is a third view, one that has gained considerable influence in intellectual circles, that sees any “master narrative” or “meta-narrative”—or, for that matter, any coherently structured narrative—as a socially constructed fantasy that radically falsifies the fragmentary, conflicted, and de-centered character of social experience. Although in this book the author does not engage in overt arguments about narrative theory, he does operate from a theoretical position that highly values narratives, especially coherently structures narratives—including some forms of fantasy—as crucial to comprehending, within our human limits, human reality.

In 1982, John Newman, curator of the Vietnam War Literature Collection at Colorado State University, said of W.D. Ehrhart: “As a poet and editor, Bill Ehrhart is clearly one of the major figures in Vietnam War literature.” This autobiographical account of the war, the author's first extended prose work, demonstrates Ehrhart's abilities as a writer of prose as well. Vietnam–Perkasie is grim, comical, disturbing, and accurate. The presentation is novelistic—truly, a “page-turner”—but the events are all real, the atmosphere intensely evocative.

In this new and expanded edition of an already classic work, H. Bruce Franklin brings the epic story of the superweapon and the American imagination into the ominous twenty-first century, demonstrating its continuing importance both to comprehending our current predicament and to finding ways to escape from it. 

Sweeping through two centuries of American culture and military history, Franklin traces the evolution of superweapons from Robert Fulton's eighteenth-century submarine through the strategic bomber, atomic bomb, and Star Wars to a twenty-first century dominated by “weapons of mass destruction,” real and imagined. Interweaving culture, science, technology, and history, he shows how and why the American pursuit of the ultimate defensive weapon—guaranteed to end all war and bring universal triumph to American ideals—has led our nation and the world into an epoch of terror and endless war.