19 books match the query 'Friends'
Aarti Ratna
Rutgers University Press, 2024

Alexander G. Dumas and Grace Graham Keen
University of Minnesota Press, 1945
A Psychiatric Primer for the Veteran's Family and Friends was first published in 1945. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
For the individual as for the nation, war is not done with when the guns stop firing and the soldiers come home. Its continuing effects are easily recognized in the lives of the maimed and the disfigured; they are no less distressingly real for those whose injuries are of the mind and emotions and nerves. And of these a half million or more have been discharged from the armed services.
What can families and friends do to help these men on their road back to health? A Psychiatric Primer answers this question in direct and practical terms. Affection and the best of intentions cannot alone tell one how to deal wisely and effectively with war torn nerves in a husband, son, friend, or fellow worker. One needs also intelligent understanding and a sound knowledge of the truly helpful attitude and behavior in a given situation. It is this understanding and this knowledge that A Psychiatric Primer offers to families and friends of returned servicemen.
James Youniss and Jacqueline Smollar
University of Chicago Press, 1987
James Adam Redfield
SBL Press, 2025
Jorge Antonio Renaud
University of North Texas Press, 2002
Lillian Terry
University of Illinois Press, 2017
Drawing on Terry’s long friendships and professional associations, Dizzy, Duke, Brother Ray, and Friends offers readers a rare opportunity to hear intimate conversations with some of the world’s greatest musical figures. Dizzy Gillespie offers his thoughts on playing with “sanctified” rhythm and the all-important personal touch in performance. Duke Ellington discourses on jazz history and concludes an interview to sing a self-written ditty in Italian. Ray Charles gives candid thoughts on race and politics while taking charge of Terry’s tape recorder. Abbey Lincoln, Max Roach, Horace Silver, Bill Evans—all provide Terry and her readers with unforgettable encounters. The result is a collection of profiles, some stretching over a decade or more, that reveal these performers in ways that illuminate their humanity and expand our appreciation of their art.

Sally Gardner Reed
American Library Association, 2008
Edited by Rachel Rosen and Katherine Twamley
University College London, 2018
Stam, Robert
Rutgers University Press, 2006
Elizabeth Bowen
University of Chicago Press, 2012
In his introduction to a collection of criticism on the Anglo-Irish author Elizabeth Bowen, Harold Bloom wrote, “What then has Bowen given us except nuance, bittersweet and intelligent? Much, much more.” Born in 1899, Bowen became part of the famous Bloomsbury scene, and her novels have a much-deserved place in the modernist canon. In recent years, however, her work has not been as widely read or written about, and as Bloom points out, her evocative and sometimes enigmatic prose requires careful parsing. Yet in addition to providing a fertile ground for criticism, Bowen’s novels are both wonderfully entertaining, with rich humor, deep insight, and a tragic sense of human relationships.
Friends and Relations follows the exploits of four wealthy families whose lives are changed forever by a torrid affair. The Studdart sisters each take a husband; for beautiful Laurel there is Edward Tilney, and for the introverted Janet there is Rodney Meggatt. But the marriages are complicated by changeable passions, and each character must navigate the conflict between familial piety and individual desire. With Bowen’s signature blend of tragedy and comedy, Friends and Relations is truly an investigation into the human heart, and the book is as beautiful, mysterious, and moving as its subject.

Sheila Rowbotham
Pluto Press, 1986
Stewart Davenport
University of Chicago Press, 2008
William Whalen
QuakerPress, 1982
Nikolai Vasilevich Gogol
Vanderbilt University Press, 1969
Claude S. Fischer
Russell Sage Foundation, 2011
Clarke, Peter
Rutgers University Press, 1998
R. K. Narayan
University of Chicago Press, 1980

Alan Peshkin
University of Chicago Press, 1991
Anthony Scaduto
University of Minnesota Press, 2021
The raw material and interviews behind Anthony Scaduto’s iconic biography of Bob Dylan draw an intimate and multifaceted portrait of the singer-songwriter who defined his era
When Anthony Scaduto’s Bob Dylan: An Intimate Biography was first published in 1971, the Nobel Prize–winning songwriter, at thirty, had already released some of the most iconic albums of the 1960s, including Highway 61 Revisited and Blonde on Blonde. Scaduto’s book was one of the first to take an investigative journalist’s approach to its subject and set the standard for rock music biography. The Dylan Tapes, compiled from thirty-six hours of interviews, is a behind-the-scenes look at the making of Scaduto’s landmark book—and a close-up encounter with pivotal figures in Dylan’s life. These reel-to-reel tapes, found in a box in Scaduto’s basement, are a never-bootlegged trove of archival material about Dylan, drawn from conversations with those closest to him during the early years of his career.
In the era of ten-second takes, these interviews offer uncommon depth and immediacy as we listen to friends and lovers recall the Dylan they knew as he created his professional persona and perfected his craft—from folk music, protest songs, and electric rock through the traumatic impact of a motorcycle crash to his later, more self-reflecting songwriting. Echo Helstrom, Dylan’s “Girl from the North Country,” is here, as are Suze Rotolo, who graced the cover of the Freewheelin’ album, and Joan Baez, remembering her relationship “to Bobby.” We hear from Mike Porco, who gave Dylan his first gig in New York City; Sid and Bob Gleason, who introduced him to his hero Woody Guthrie; folk artists from Greenwich Village, like Phil Ochs and Ramblin’ Jack Eliot; John Hammond Sr., who gave him his first record contract; plus a host of musicians, activists, folk historians, and archivists—and, of course, Dylan himself.
From these reflections and frank conversations, many published here for the first time, a complex, finely observed picture emerges of one of the best known yet most enigmatic musicians of our time.