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39 books match the query 'Gospel'

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A Change Is Gonna Come

Craig Werner

University of Michigan Press, 2006

". . . extraordinarily far-reaching. . . . highly accessible."
—Notes

"No one has written this way about music in a long, long time. Lucid, insightful, with real spiritual, political, intellectual, and emotional grasp of the whole picture. A book about why music matters, and how, and to whom."
—Dave Marsh, author of Louie, Louie and Born to Run: The Bruce Springsteen Story

"This book is urgently needed: a comprehensive look at the various forms of black popular music, both as music and as seen in a larger social context. No one can do this better than Craig Werner."
—Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard University

"[Werner has] mastered the extremely difficult art of writing about music as both an aesthetic and social force that conveys, implies, symbolizes, and represents ideas as well as emotion, but without reducing its complexities and ambiguities to merely didactic categories."
—African American Review

A Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On."

Originally published in 1998, A Change Is Gonna Come drew the attention of scholars and general readers alike. This new edition, featuring four new and updated chapters, will reintroduce Werner's seminal study of black music to a new generation of readers.

Craig Werner is Professor of Afro-American Studies at the University of Wisconsin, and author of many books, including Playing the Changes: From Afro-Modernism to the Jazz Impulse and Up Around the Bend: An Oral History of Creedence Clearwater Revival. His most recent book is Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul.

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A City Called Heaven

Chicago and the Birth of Gospel Music

Robert Marovich

University of Illinois Press, 2015

In A City Called Heaven, Robert M. Marovich follows gospel music from early hymns and camp meetings through its growth into the sanctified soundtrack of the city's mainline black Protestant churches. Marovich mines print media, ephemera, and hours of interviews with artists, ministers, and historians--as well as relatives and friends of gospel pioneers--to recover forgotten singers, musicians, songwriters, and industry leaders. He also examines the entrepreneurial spirit that fueled gospel music's rise to popularity and granted social mobility to a number of its practitioners. As Marovich shows, the music expressed a yearning for freedom from earthly pains, racial prejudice, and life's hardships. Yet it also helped give voice to a people--and lift a nation.

A City Called Heaven celebrates a sound too mighty and too joyous for even church walls to hold.

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Can I Get a Witness!

Faith, Family, and Chicago Gospel Music

Steven B. Dolins with Gregory Donald Gay

University of Chicago Press, 2026

The remarkable story of pastor Donald Gay and his family’s lasting contributions to gospel music and Chicago culture.

When the preacher Gregory Donald Gay joined his sisters onstage at Carnegie Hall in 1950, on a sold-out bill they shared with Mahalia Jackson and the Clara Ward Singers, he became a participant in a landmark moment: the first concert in the venue to feature entirely gospel music. He was just five years old.

The Gay Sisters—Evelyn, Geraldine, and Mildred—were key figures in gospel’s Golden Age, and their youngest brother had a front-row seat. Evelyn and Geraldine each innovated singular approaches to gospel piano, while Mildred sang. Together, they toured and performed on a series of influential gospel recordings from 1948 to 1973, playing the Apollo Theatre and crossing paths with musical luminaries like Sister Rosetta Tharpe, Sam Cooke, Pops Staples, and Dizzy Gillespie. But despite a hit record and prodigious talent, the Gay Sisters faded from the limelight. In the ensuing years, they weathered personal trials while their mother, Fannie, devoted her attention to another family undertaking: starting a church.

Can I Get a Witness! is a call-and-response between Steven B. Dolins, founder of The Sirens Records, and Donald Gay, who vividly describes his boyhood in Chicago’s Woodlawn neighborhood, his family’s remarkable place in gospel history, his mother’s work as a faith leader, and his own calling as a pastor. The book spotlights the rich contributions of a family remembered not only for the songs they recorded but also for their unwavering kindness to others, a legacy that the legendary Sonny Rollins recounts in a moving foreword.

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Commentary on the Gospel of John, Books 1-10

Catholic University of America Press, 1989

No description available

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Commentary on the Gospel of John, Chapters 6-12

Thomas Aquinas

Catholic University of America Press, 2010

No description available

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Commentary on the Gospel of John

Chapters 1-5

Thomas Aquinas

Catholic University of America Press, 2010

No description available

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Commentary on the Gospel of John

Chapters 13-21

Thomas Aquinas

Catholic University of America Press, 2010

No description available

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Communication, Pedagogy, and the Gospel of Mark

Elizabeth E. Shively

SBL Press, 2016

Reflections on the relationship between research and teaching

Using Mark as a test case, scholars address questions like: How should my research and my approach to the text play out in the classroom? What differences should my academic context and my students' expectations make? How should new approaches and innovations inform interpretation and teaching? This resource enables biblical studies instructors to explore various interpretative approaches and to begin to engage pedagogical issues in our changing world.

Features:

Ideas that may be adapted for teaching any biblical text
Diverse perspectives from nine experts in their fields
Essays include tips, ideas, and lesson plans for the classroom

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Embracing the Nonhuman in the Gospel of Mark

Dong Hyeon Jeong

SBL Press, 2023

In Embracing the Nonhuman in the Gospel of Mark, Dong Hyeon Jeong approaches the Gospel of Mark through the lens of nonhuman studies with an eye toward ecological consciousness. Drawing on the fields of nonhuman studies and postcolonial ecocriticism, Jeong disrupts nthropocentric readings of Mark by engaging animality, vegetality, and animacy theories in light of (colonized) ethnicity. His intersectional reading of Mark highlights the importance of engaging nonhuman biblical interpretation while being sensitive to the issue of racism arising from animalizing the other. By doing so, this book reimagines the Markan Jesus as the colonized messiah who embraces the nonhuman. Jeong encourages readers to consider the interconnectedness of humans, animals, and the environment, while also addressing issues of power, oppression, and marginalization.

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Glory

The Gospel of Judas, A Novel

Giuseppe Berto

Rutgers University Press, 2024

Christ’s nemesis Judas Iscariot remains a shadowy figure in the four canonical gospels, which give contradictory reasons for why this rogue disciple betrays Christ. But how would Judas himself explain his motives?

In Glory, Italian modernist Giuseppe Berto’s final novel, Judas finally tells his side of the story. From his perspective, Jesus is the betrayer, a would-be political activist and social reformer who fails to live up to his promises. And by fulfilling his predestined role in the drama of Christ’s death and resurrection, Judas himself is partly responsible for humanity’s salvation, enabling them to be redeemed by Christ’s sacrifice. As the novel probes into the psychological motivations behind his rejection of Jesus’ authority, Judas emerges as a compelling conflicted character, a man who seeks to have agency even when he knows his actions are being scripted by a higher power. Through Judas’s searing tortured monologues, this late masterpiece from one of Italy’s greatest writers investigates deep questions about the nature of faith, rebellion, fate, and free will.

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Harmonic Function in Chromatic Music

A Renewed Dualist Theory and an Account of Its Precedents

Daniel Harrison

University of Chicago Press, 1994

The highly chromatic music of the late 1800s and early 1900s includes some of the best-known works by Gustav Mahler, Richard Strauss, Cesar Franck, and Hugo Wolf. Yet until now, the harmonic complexity of this repertory has resisted the analytic techniques available to music theorists and historians. In this book, Daniel Harrison builds on nineteenth-century music theory to provide an original and illuminating method for analyzing chromatic music.

One of Harrison's central innovations is his reconstruction of the notion of harmony. Harrison understands harmonic power to flow not from chords as such but from the constituents of chords, reckoned for the most part as scale degrees of a key. This insight proves especially useful in analyzing the unusual progressions and key relations that characterize chromatic music.

Complementing the theoretical ideas is a critical history of nineteenth-century German harmonic theory in which Harrison traces the development of Hugo Riemann's ideas on dualism and harmonic function and examines aspects of Riemannian theory in the work of later theorists. Combining theoretical innovations with a sound historical understanding of those innovations, Harmonic Function in Chromatic Music will aid anyone studying this pivotal period of Western music history.

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Homer Rodeheaver and the Rise of the Gospel Music Industry

Kevin Mungons and Douglas Yeo

University of Illinois Press, 2021

From tent revivals to radio and records with a gospel music innovator

Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel.

Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.

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Interpreting the Gospel of John in Antioch and Alexandria

Miriam DeCock

SBL Press, 2020

A nuanced study of early Christian exegesis

Miriam DeCock analyzes four important early Christian treatments of the Gospel of John, including commentaries by Origen and Cyril from the Alexandrian tradition and the homilies of John Chrysostom and the commentary of Theodore of Mopsuestia, which represent Antiochian traditions. DeCock maintains that the traditional distinction between nonliteral and literal interpretations in these two early Christian centers remains helpful despite recent challenges to the paradigm. She argues that a major and abiding distinction between the two schools lies in the manner in which Alexandrian and Antiochian authors apply the gospel text to their respective communities. DeCock demonstrates that the Antiochenes find primarily literal moral examples and doctrinal teachings in John's Gospel, whereas the Alexandrians find both these and nonliteral teachings concerning the immediate situation of the church and of its individual members.

Features

An examination of each author's interpretations of a selection of texts
Focused explorations of John 2; 4; and 9-11 in early Christian exegesis
A study of early literal non-literal interpretations of John's Gospel

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Jonathan Edwards and the Gospel of Love

Ronald Story

University of Massachusetts Press, 2012

Jonathan Edwards has long epitomized the Puritan preacher as fiery scold, fixated on the inner struggle of the soul and the eternal flames of hell. In this book, Ronald Story offers a fundamentally different view of Edwards, revealing a profoundly social minister who preached a gospel of charity and community bound by love.

The first chapters trace Edwards's life and impact, examine his reputation as an intellectual, Calvinist, and revivalist, and highlight the importance for him of the gentler, more compassionate concepts of light, harmony, beauty, and sweetness. Story then explains what Edwards means by the “Gospel of Love”—a Christian faith that is less individual than interpersonal, and whose central feature is the practice of charity to the poor and the quest for loving community in this world, the chief signs of true salvation. As Edwards preached in his sermon “Heaven Is a World of Love,” the afterlife itself is social in nature because love is social.

Drawing on Edwards's own sermons and notebooks, Story reveals the minister's belief that divine love expressed in the human family should take us beyond tribalism, sectarianism, provincialism, and nationality. Edwards offers hope, in the manner of Walter Rauschenbusch, Karl Barth, Martin Luther King Jr., and other great “improvers,” for the coming of a world without want and war. Gracefully and compellingly written, this book represents a new departure in Edwards studies, revising the long-standing yet misleading stereotype of a man whose lessons of charity, community, and love we need now more than ever.

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Let Freedom Swing

Collected Writings on Jazz, Blues, and Gospel

Howard Reich

Northwestern University Press, 2010

A swing note is, to the listener of the rhythm, an unexpected note, and it is the spark of life in jazz and its relatives. Whether playing the standards or the most experimental piece, it is how a musician handles these notes—fearlessly or safely—that determines the fate of the performance. Howard Reich’s critical writing is similarly unexpected and fearless, and Let Freedom Swing is a collection of the articles from the past three decades that best capture this spirit.

Each section of Let Freedom Swing composes a suite, focusing on either a person, place, or scene. Reich gives new life to the standards with his profiles and elegies for such giants as Gershwin, Ellington, and Sinatra. A profile of Louis Armstrong brings out the often angry side of Satchmo but also reveals a more remarkable musician and human being.

His open-mindedness makes Reich a particularly astute observer of the experimental and new, from Ornette Coleman to Chicago experimentalist Ken Vandermark. And his observations about street music open our ears to the songs of everyday life. Reich’s fearlessness is evident in his writing about daunting subjects, such as the New Orleans music scene after Katrina, the lost legacy of jazz in Panama, and the complicated legacy of "race music" in America.

Howard Reich combines a deep enthusiasm for music, a breadth of knowledge, and an ability to share his world with his readers, and Let Freedom Swing is essential reading for anyone interested in the continuing vitality of jazz, gospel, blues, and American music in general.

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Painting the Gospel

Black Public Art and Religion in Chicago

Kymberly Pinder

University of Illinois Press, 2016

Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery.

Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.

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Peace Be Still

How James Cleveland and the Angelic Choir Created a Gospel Classic

Robert M. Marovich

University of Illinois Press, 2021

A Choice Outstanding Academic Title for 2022

In September of 1963, Reverend Lawrence Roberts and the Angelic Choir of the First Baptist Church of Nutley, New Jersey, teamed with rising gospel star James Cleveland to record Peace Be Still. The LP and its haunting title track became a phenomenon. Robert M. Marovich draws on extensive oral interviews and archival research to chart the history of Peace Be Still and the people who created it. Emerging from an established gospel music milieu, Peace Be Still spent several years as the bestselling gospel album of all time. As such, it forged a template for live recordings of services that transformed the gospel music business and Black worship. Marovich also delves into the music's connection to fans and churchgoers, its enormous popularity then and now, and the influence of the Civil Rights Movement on the music's message and reception.

The first in-depth history of a foundational recording, Peace Be Still shines a spotlight on the people and times that created a gospel music touchstone.

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Peter Comestor's Lectures on the Gospel of Luke and its Glosses

Peter Comestor

Catholic University of America Press, 0

Through a partial critical edition and study of Peter Comestor’s lectures, this volume recontextualizes the biblical exegesis of the twelfth-century Latin cathedral schools within the frameworks of the study of ars grammatica, underscoring the importance of the master-disciple relationship in forming medieval exegetical schools of thought. This study critically examines the Latin biblical lectures of Peter Comestor, a twelfth-century scholar based in Paris, focusing on his commentary on the Gospel of Luke and its glossing tradition. The study positions Comestor’s lectures among Latin biblical commentaries produced in the cathedral schools of Laon and Paris, a vital intellectual movement shaped by well-known figures such as Anselm of Laon and Peter Lombard, and which provided the foundations for the University of Paris. Recent scholarship has sought to bridge the gap between biblical commentaries and systematic theological treatises by highlighting the shared didactic methodologies between the medieval study of the liberal arts and sacred scripture. This study of Comestor’s Luke lectures expands these efforts, underscoring the role of classical philology and liberal arts pedagogy in shaping medieval theological thought. The volume highlights how the cathedral school scholars of northern France approached Christian theology as a work of textual criticism, exploring a wide range of subjects—from geometry to canon law—through biblical interpretation. By tracing these intellectual traditions, the study uncovers the pedagogical practices that informed the understanding of Christian biblical exegesis in the Latin Middle Ages, particularly in the period leading up to the establishment of Europe’s first universities and theology faculties.

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Randy Travis

Storms of Life

Diane Diekman

University of Illinois Press, 2025

Randy Travis’s 1986 breakthrough put him at the forefront of Nashville’s new traditionalist sound and, in the words of Garth Brooks, saved country music. The singer’s warm baritone and all-time classic songs like “Forever and Ever, Amen” landed him atop the charts sixteen times. His cross-genre appeal brought a level of multiplatinum success that no country artist before him had ever achieved.

Diane Diekman’s biography follows the life and career of one of country music’s most beloved figures. Steered from a troubled path as a teen, Travis served a long apprenticeship under manager and future wife Lib Hatcher before being rejected by the Nashville music industry as “too country.” The single “On the Other Hand” and his smash debut album did away with the doubters and began a dominant four-year run that stretched into ongoing success as a recording artist, trailblazing live performer, and actor in film and television. Diekman uses dozens of interviews and in-depth research to fill in the details of Travis’s pre-fame life and his enormous impact on country, popular, and gospel music. From there, she pivots to telling the story of the singer’s difficult divorce from Hatcher, subsequent problems with alcohol and run-ins with the law, and the challenges he overcame in the aftermath of a devastating 2013 stroke.

Informed by a wealth of new research and interviews, Randy Travis is the first in-depth biography of the country music legend.

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Redescribing the Gospel of Mark

Barry S. Crawford

SBL Press, 2017

A collaborative project with a variety of critical essays

This final volume of studies by members of the Society of Biblical Literature’s consultation, and later seminar, on Ancient Myths and Modern Theories of Christian Origins focuses on Mark. As with previous volumes, the provocative proposals on Christian origins offered by Burton L. Mack are tested by applying Jonathan Z. Smith's distinctive social theorizing and comparative method. Essays examine Mark as an author’s writing in a book culture, a writing that responded to situations arising out of the first Roman-Judean war after the destruction of the Jerusalem temple in 70 CE. Contributors William E. Arnal, Barry S. Crawford, Burton L. Mack, Christopher R. Matthews, Merrill P. Miller, Jonathan Z. Smith, and Robyn Faith Walsh explore the southern Levant as a plausible provenance of the Gospel of Mark and provide a detailed analysis of the construction of Mark as a narrative composed without access to prior narrative sources about Jesus. A concluding retrospective follows the work of the seminar, its developing discourse and debates, and the continuing work of successor groups in the field.

Features

A thorough examination of the relation between structure and event in social and anthropological theory that provides conceptual tools for representing the project of the author of Mark
An exploration of the southern Levant as a plausible provenance of the Gospel, a permanent site of successive imperial regimes and culturally related peoples
A detailed analysis of the construction of Mark as a narrative composed without access to prior narrative sources about Jesus

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Risen Indeed? Resurrection and Doubt in the Gospel of Mark

Austin Busch

SBL Press, 2022

Risen Indeed? Resurrection and Doubt in the Gospel of Mark traces the literary dynamics and explores the theological dimensions of the Gospel of Mark’s thematization of skepticism regarding resurrection. In every place where it seems to depict resurrection—Jesus's and others'—Mark evades the issue of whether resurrection actually occurs. Austin Busch argues that, despite Mark's abbreviated and ambiguous conclusion, this gospel does not downplay resurrection but rather foregrounds it, imagining Jesus’s death and restoration to life as a divine plot to overcome Satan through cunning deception. Risen Indeed? constitutes a careful literary reading of Mark's Gospel, as well as an assessment of Mark's impact on the traditions of Christian literature and theology that emerged in its wake.

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Sallie Martin, Mother of Gospel Music

Kay Norton

University of Illinois Press, 2026

Sallie Martin combined fame as a performer with a far-sighted business acumen that brought Black gospel music to a national audience and laid the foundation for the industry that followed. Kay Norton’s biography follows Martin’s parallel careers from her early plans to grow the genre through her celebrity in the 1960s–1970s and eventful retirement. “Same old Sallie Martin, same old Jesus,” she once told audiences, a reflection of both her musical style and unapologetic approach to life. Cofounder of the National Conference of Gospel Choirs and Choruses, Martin also co-established the pioneering Black music publisher Martin and Morris Music Studio. Her group the Sallie Martin Singers took Chicago gospel to all points of the compass and Martin mentored and employed dozens of aspiring vocalists and instrumentalists. Norton looks at Martin’s important relationships and the challenges she faced, while placing her accomplishments and legacy on the arc of gospel music history. In-depth and powerful, Sallie Martin, Mother of Gospel Music tells the story of one woman’s role in shaping the music and business of Black gospel.

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Spirituals and the Birth of a Black Entertainment Industry

Sandra Jean Graham

University of Illinois Press, 2018

Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/

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The Glory Road

A Gospel Gypsy Life

Anita Faye Garner

University of Alabama Press, 2021

“This is a story central to the origins of country music: the marriage of Saturday night and Sunday morning, and the literal marriage of two musicians, sometimes at odds with each other creatively and personally.” —Rosanne Cash

An essential memoir of music, memory, and the American South.

Anita Faye Garner grew up in the South—just about every corner of it. She and her musical family lived in Texarkana, Bossier City, Hot Springs, Jackson, Vicksburg, Hattiesburg, Pascagoula, Bogalusa, Biloxi, Gulfport, New Orleans, and points between, picking up sticks every time her father, a Pentecostal preacher known as “Brother Ray,” took over a new congregation.

In between jump-starting churches, Brother Ray took his wife and kids out on the gospel revival circuit as the Jones Family Singers. Ray could sing and play, and “Sister Fern” (Mama) was a celebrated singer and songwriter, possessed of both talent and beauty. Rounding out the band were the young Garner (known as Nita Faye then) and her big brother Leslie Ray. At all-day singings and tent revivals across the South, the Joneses made a joyful noise for the faithful and loaded into the car for the next stage of their tour.

But growing up gospel wasn’t always joyous. The kids practically raised and fended for themselves, bonding over a shared dislike of their rootless life and strict religious upbringing. Sister Fern dreamed of crossing over from gospel to popular music and recording a hit record. An unlikely combination of preacher’s wife and glamorous performer, she had the talent and presence to make a splash, and her remarkable voice brought Saturday night rock and roll to Sunday morning music. Always singing, performing, and recording at the margins of commercial success, Sister Fern shared a backing band with Elvis Presley and wrote songs recorded by Johnny Cash and many other artists.

In her touching memoir The Glory Road, Anita Faye Garner re-creates her remarkable upbringing. The story begins with Ray’s attempts to settle down and the family’s inevitable return to the gospel circuit and concludes with Sister Fern’s brushes with stardom and the family’s journey west to California where they finally landed—with some unexpected detours along the way. The Glory Road carries readers back to the 1950s South and the intersections of faith and family at the very roots of American popular music.

For more information about the book and Anita Garner, visit www.thegloryroad.com or www.anitagarner.com

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The Golden Age of Gospel

Text by Horace Clarence BoyerPhotography by Lloyd Yearwood

University of Illinois Press, 1995

Professional gospel performer, composer, and scholar Horace Clarence Boyer presents the first definitive history of the vibrant, visceral tradition of black gospel music. Originally published as How Sweet the Sound, this authoritative work is beautifully illustrated with Lloyd Yearwood's arresting photographs of gospel's greatest performers backstage and in the heat of performance.

Skillfully blending music history and social context, Boyer traces the development of gospel from its earliest beginnings through the Golden Age (1945-55) and into the 1960s when gospel entered the concert hall. He introduces dozens of the genre's most gifted contributors, from Thomas A. Dorsey and Mahalia Jackson to the Soul Stirrers and Aretha Franklin, evoking their distinctive styles and distinguishing among the characteristic sounds of gospel music in Chicago, Philadelphia, Detroit, St. Louis, and other locations.

Capturing the essence of a thrilling performance tradition, The Golden Age of Gospel clearly establishes gospel's importance as an authentic American art form and a musical statement of profound belief.

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The Gospel of Family Planning

An Intimate Global History

Nicole C. Bourbonnais

University of Chicago Press, 2025

An engaging, insightful history of the family planning movement and its connection to broader social and political developments across the globe.

In the twentieth century, the idea that people should consciously plan (and limit) the size of their families became a global cause. Historical accounts of the global family planning movement have largely focused on the most prominent activists and those at the helm of international organizations, philanthropic foundations, and government programs. In The Gospel of Family Planning, however, historian Nicole C. Bourbonnais shifts our attention to frontline workers—doctors, social workers, nurses, fieldworkers, consultants, church groups, and volunteers—who, she compellingly shows, played a central (if complicated) role in preaching contraception around the world.

Through a mix of collective biography and microhistory, Bourbonnais visits clinics, doorsteps, and bedrooms, revealing the everyday, ground-level workings of grassroots family planning campaigns, state population control programs, and the movements for reproductive rights and justice that arose to contest them. Throughout the book, Bourbonnais invites readers to consider how the intertwined histories of missionary work, humanitarianism, feminism, decolonization, and international development shaped intimate interventions into people’s reproductive lives around the world.

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The Gospel of Happiness

How Secular Psychology Points to the Wisdom of Christian Practice

Christopher Kaczor

St. Augustine's Press, 2019

Just as Aristotelian metaphysics provided a new basis for the natural theology of Aquinas’s time, so too, positive psychology provides a basis for a natural moral theology in our own time. this book marshals the empirically verifiable findings of positive psychology that show the wisdom of the Christian tradition. Christian warnings about the dangers of greed, coveting a neighbor’s goods (social comparison), and pride find an empirical verification. Likewise, positive psychology vindicates the wisdom of Christian teaching on the importance of forgiveness, of gratitude, of humility, and of serving one’s neighbor. moreover, positive psychology also can be a service to Christian believers by helping them in their struggles with willpower, by providing new motivations for prayer, and by helping them identify their signature strengths. Finally, this book argues, in a variety of ways, that it is folly to think that even the best of psychology can serve as a replacement for Christianity.

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The Gospel of John Marrant

Conjuring Christianity in the Black Atlantic

Alphonso F. Saville IV

Duke University Press, 2024

The Reverend John Marrant (1755–91) was North America’s first Black ordained minister and one of America’s earliest Black authors and preachers. In The Gospel of John Marrant, Alphonso F. Saville IV examines how Protestantism and West African indigenous religious practices deeply informed his life and ministry. Saville follows Marrant from his time evangelizing the Cherokee in Georgia to meeting with Black Freemasons in Boston to engaging with diasporic communities along the Eastern Seaboard and in England. Using the Black folk magic tradition of conjure as a lens for understanding Marrant’s religious imagination, Saville outlines the importance of Africana religious and cultural themes, symbols, and cosmologies in the biblical interpretation and ritual culture of early Black North American Christian communities. Marrant’s life and work, Saville contends, reveal the diverse religious cultures that contributed to the formation of African American Christianity and its evolution into a prominent institution during the colonial and early history of the United States. In so doing, he demonstrates the need to recenter both religion and Africa in the study of African American cultural and intellectual history.

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The Gospel of Progressivism

Moral Reform and Labor War in Colorado, 1900-1930

R. Todd Laugen

University Press of Colorado, 2010

Chronicling the negotiations of Progressive groups and the obstacles that constrained them, The Gospel of Progressivism details the fight against corporate and political corruption in Colorado during the early twentieth century. While the various groups differed in their specific agendas, Protestant reformers, labor organizers, activist women, and mediation experts struggled to defend the public against special-interest groups and their stranglehold on Colorado politics.

Sharing enemies like the party boss and corporate lobbyist who undermined honest and responsive government, Progressive leaders were determined to root out selfish political action with public exposure. Labor unions defied bosses and rallied for government protection of workers. Women's clubs appealed to other women as mothers, calling for social welfare, economic justice, and government responsiveness. Protestant church congregations formed a core of support for moral reform. Labor relations experts struggled to prevent the outbreak of violence through mediation between corporate employers and organized labor. Persevering through World War I, Colorado reformers faced their greatest challenge in the 1920s, when leaders of the Ku Klux Klan drew upon the rhetoric of Protestant Progressives and manipulated reform tools to strengthen their own political machine. Once in power, Klan legislators turned on Progressive leaders in the state government.

A story of promising alliances never fully realized, zealous crusaders who resisted compromise, and reforms with unexpected consequences, The Gospel of Progressivism will appeal to those interested in Progressive Era reform, Colorado history, labor relations, and women's activism.

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The Gospel of Sustainability

Media, Market and LOHAS

Monica M. Emerich

University of Illinois Press, 2014

From organic produce and clothing to socially conscious investing and eco-tourism, the lifestyles of health and sustainability, or LOHAS, movement encompasses diverse products and practices intended to contribute to a more sustainable lifestyle for people and the planet. In The Gospel of Sustainability, Monica M. Emerich explores the contemporary spiritual expression of this green cultural shift at the confluence of the media and the market.

This is the first book to qualitatively study the LOHAS marketplace and the development of a discourse of sustainability of the self and the social and natural worlds. Emerich draws on myriad sources related to the notions of mindful consumption found throughout the LOHAS marketplace, including not just products and services but marketing materials, events, lectures, regulatory policies, and conversations with leaders and consumers. These disparate texts, she argues, universally project a spiritual message about personal and planetary health that is in turn reforming capitalism by making consumers more conscious.

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The Gospel of the Working Class

Labor's Southern Prophets in New Deal America

Erik S. Gellman and Jarod Roll

University of Illinois Press, 2011

In this exceptional dual biography and cultural history, Erik S. Gellman and Jarod Roll trace the influence of two southern activist preachers, one black and one white, who used their ministry to organize the working class in the 1930s and 1940s across lines of gender, race, and geography. Owen Whitfield and Claude Williams, along with their wives Zella Whitfield and Joyce Williams, drew on their bedrock religious beliefs to stir ordinary men and women to demand social and economic justice in the eras of the Great Depression, New Deal, and Second World War.

Williams and Whitfield preached a working-class gospel rooted in the American creed that hard, productive work entitled people to a decent standard of living. Gellman and Roll detail how the two preachers galvanized thousands of farm and industrial workers for the Southern Tenant Farmers Union and the Congress of Industrial Organizations. They also link the activism of the 1930s and 1940s to that of the 1960s and emphasize the central role of the ministers' wives, with whom they established the People's Institute for Applied Religion.

This detailed narrative illuminates a cast of characters who became the two couples' closest allies in coordinating a complex network of activists that transcended Jim Crow racial divisions, blurring conventional categories and boundaries to help black and white workers make better lives. In chronicling the shifting contexts of the actions of Whitfield and Williams, The Gospel of the Working Class situates Christian theology within the struggles of some of America's most downtrodden workers, transforming the dominant narratives of the era and offering a fresh view of the promise and instability of religion and civil rights unionism.

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The Sound of Light

A History of Gospel Music

Don Cusic

University of Wisconsin Press, 1990

Don Cusic presents gospel music as part of the history of contemporary Christianity. From the psalms of the early Puritans through the hymns of Isaac Watts and the social activism of the Wesleys, gospel music was established in eighteenth-century America. With the camp meetings songs of the Kentucky Revival and the spirituals and hymns that stemmed from the Civil War and beyond, gospel music grew through the nineteenth century and expanded through new technologies in the twentieth century.

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Then Sings My Soul

The Culture of Southern Gospel Music

Douglas Harrison

University of Illinois Press, 2012

In this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Harrison explores how listeners and consumers of southern gospel integrate its lyrics and music into their own religious experience, building up individual--and potentially subversive--meanings beneath a surface of evangelical consensus.

Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, Then Sings My Soul traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. His discussion includes the "gay-gospel paradox"--the experience of non-heterosexuals in gospel music--as a cipher for fundamentalism's conflict with the postmodern world.

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