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64 books match the query 'Haiti' and 3 start with a

cover of A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti

A Day for the Hunter, a Day for the Prey

Popular Music and Power in Haiti

Gage Averill

University of Chicago Press, 1997

The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused.

Averill explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum.

With firsthand accounts by musicians, photos, song texts, and ethnographic descriptions, this book explores the profound manifestations of power and song in the day-to-day efforts of ordinary Haitians to rise above political repression.
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cover of A Promise in Haiti: A Reporter's Notes on Families and Daily Lives

A Promise in Haiti

A Reporter's Notes on Families and Daily Lives

Mark Curnutte

Vanderbilt University Press, 2011

When a devastating earthquake struck near Port-au-Prince, Haiti, on January 12, 2010, the world reacted with a collective, yet distant, horror. For Cincinnati Enquirer reporter Mark Curnutte, hearing the news provoked a far more visceral response. Curnutte had grown to love Haiti and its people as only someone who had lived with Haiti's families could.


A Promise in Haiti is Curnutte's story of his time, spanning the last decade, living among several families in Gonaives, a city of 200,000 people a hundred kilometers north of Port-au-Prince. He began traveling to Haiti as a volunteer with the aid organization Hands Together, eventually building trust and credibility with many Haitians. Curnutte introduces the reader to the Cenecharles family, strained by entrenched unemployment and the need to continually travel for work. He is invited into the home of the Henrisma family, and is forced to reconcile journalistic detachment with basic compassion as he contributes financially to help them. The reader is confronted with a complicated, conflicted written and photographic record of a worldview that evolves right on the page. As a reporter, Curnutte found parallels between the lives he encountered in Gonaives and the world of the Great Depression recounted in James Agee and Walker Evans's Let Us Now Praise Famous Men. Agee and Evans loom large as a challenge and inspiration to Curnutte.


The result is equal parts homage to that historic chronicle, on-the-ground reporting, and introspective narrative on the lessons Gonaives taught Curnutte about his own life and family. In late February 2010, Curnutte went back to Haiti on assignment, but conditions made it impossible for him to return to Gonaives. The resulting frustration provoked a meditation on the monumental challenges that face Haiti -- and on the destructive cycle of international attention that constantly moves on to "The Next Big Story."

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cover of An Historical Account of the Black Empire of Hayti

An Historical Account of the Black Empire of Hayti

Marcus Rainsford

Duke University Press, 2013

As the first complete narrative in English of the Haitian Revolution, Marcus Rainsford's An Historical Account of the Black Empire of Hayti was highly influential in establishing nineteenth-century world opinion of this momentous event. This new edition is the first to appear since the original publication in 1805. Rainsford, a career officer in the British army, went to Haiti to recruit black soldiers for the British. By publishing his observations of the prowess of black troops, and recounting his meetings with Toussaint Louverture, Rainsford offered eyewitness testimonial that acknowledged the intelligence and effectiveness of the Haitian rebels. Although not an abolitionist, Rainsford nonetheless was supportive of the independent state of Haiti, which he argued posed no threat to British colonial interests in the West Indies, an extremely unusual stance at the time. Rainsford's account made an immediate impact upon publication; it was widely reviewed, and translated twice in its first year. Paul Youngquist's and Grégory Pierrot's critical introduction to this new edition provides contextual and historical details, as well as new biographical information about Rainsford. Of particular interest is a newly discovered miniature painting of Louverture attributed to Rainsford, which is reproduced along with the twelve engravings that accompanied his original account.
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