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An insider history of the Indianapolis Clowns, sometimes referred to as the Harlem Globetrotters of baseball

Bread from Heaven offers a contemporary theological synthesis on the Eucharist that brings together classical and critical biblical exegesis, debates on the early history of the Christian liturgy, patristic doctrine, the teachings offered by the Councils of Florence, Trent and Vatican II, and the Church’s lex orandi, all within a framework provided by the Eucharistic theology of Thomas Aquinas. The volume begins with Christ’s Bread of Life discourse in John 6, in light of the Old Testament theme of the manna, and the Synoptic accounts of the Last Supper. These biblical texts offer solid foundation for a theology of Eucharistic sacrifice, presence and Communion. It then continues with a historical and systematic study of the institution of the Eucharist by Christ, with special attention given to the emergence of the first Eucharistic prayers. Then follows a survey of key Christological and ecclesiological themes which undergird Eucharistic theology. The chapters on Eucharistic sacrifice and presence form the heart of the work. Here, the focus moves to key conciliar, patristic and Thomistic insights on these themes. Bread from Heaven clarifies misunderstandings of Eucharistic sacrifice and renders transubstantiation accessible to beginners. Blankenhorn concludes with a study of the consecration, the minister of the Eucharist and the fruits of communion. The chapter on the debate over the words of institution and the epiclesis gives a fresh perspective that integrates both eastern and western tradition. The study of the Eucharistic celebrant strikes a balance between a spirituality of the priest as acting in persona Christi and of the priest as praying in persona ecclesiae. The concluding chapter centers on the Eucharist’s unitive, mystical fruits in the Church. This textbook is ideal for an advanced undergraduate or graduate course on Eucharistic theology. It also seeks to advance the debate on several controversial historical and speculative issues in sacramental theology.

Eternal Life and Human Happiness in Heaven treats four apparent problems concerning eternal life in order to clarify our thinking about perfect human happiness in heaven. The teachings of St. Thomas Aquinas provide the basis for solutions to these four problems about eternal life insofar as his teachings call into question common contemporary theological or philosophical presuppositions about God, human persons, and the nature of heaven itself. Indeed, these Thomistic solutions often require us to think very differently from our contemporaries. But thinking differently with St. Thomas is worth it: for the Thomistic solutions to these apparent problems are more satisfying, on both theological and philosophical grounds, than a number of contemporary theological and philosophical approaches. Christopher Brown deploys his argument in four sections. The first section lays out, in three chapters, four apparent problems concerning eternal life—Is heaven a mystical or social reality? Is heaven other-worldly or this-worldly? Is heaven static or dynamic? Won’t human persons eventually get bored in heaven? Brown then explains how and why some important contemporary Christian theologians and philosophers resolve these problems, and notes serious problems with each of these contemporary solutions. The second section explains, in five chapters, St. Thomas’ significant distinction between the essential reward of the saints in heaven and the accidental reward, and treats in detail his account of that in which the essential reward consists, namely, the beatific vision and the proper accidents of the vision (delight, joy, and charity). The third section treats, in five chapters, St. Thomas’ views on the multifaceted accidental reward in heaven, where the accidental reward includes, among other things, glorified human embodiment, participation in the communion of the saints, and the joy experienced by the saints in sensing God’s “new heavens and new earth.” Finally, section four argues, in four chapters, that St. Thomas’ views allow for powerful solutions to the four apparent problems about eternal life examined in the first section. These solutions are powerful because, not only are they consistent with authoritative, Catholic Christian Tradition, but they do not raise any of the significant theological or philosophical problems that attend the contemporary theological and philosophical solutions examined in the first section.

Heaven of Drums (Cielo de tambores) is filled with political and personal intrigue. At the core of the novel is the issue of racial discrimination. Belgrano is blinded to the love María has for him and the good counsel she has to offer because of his contempt for blacks. His open contempt for Rivas as a mestizo leads to his death. Rivas becomes María's lover but is always haunted by María's evident adoration of Belgrano. The manner in which the love-hate triangle plays out is filled with surprises and cuts to the heart of Argentina's troubled identity.

Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness.

This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas’ preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals.

With the 2015 publication of Pope Francis’s encyclical Laudato Si’, many people of faith have found themselves challenged to seek new ways of addressing serious ecological questions — issues essential to the flourishing of all creatures and not just human beings. This volume brings together fifteen select scholars to consider pressing contemporary environmental concerns through the lens of Catholic theology. Drawing from the early church fathers and other authoritative voices in the Christian tradition, the contributors to On Earth as It Is in Heaven show how ancient, creedal Christianity offers significant insights into our current ecological dilemmas and speaks powerfully about what it means for us today to care well for God’s good creation.

What happened to Ebenezer Scrooge after the night he was visited by the three spirits?

When we left Ebenezer Scrooge at the end of A Christmas Carol, he appeared to be a man transformed. But did he sincerely repent and earn admission to heaven? The Trial of Ebenezer Scrooge, written in Dickensian style and with tongue firmly lodged in cheek, follows Scrooge through the Court of Heavenly Justice, where his soul’s fate is to be determined. In this courtroom drama, using frequent flashbacks, the author uncovers startling evidence, much of it directly from Dickens’s classic, that reveals Scrooge to have lived a saintly life before being confronted by three Christmas ghosts. Evidence mounts that Mr. Scrooge struck a Faustian bargain with the Ghost of Christmas Yet to Come, a deal to extend his own mortality in exchange for yielding his soul as a tool for the forces of darkness to infiltrate heaven. Readers will enjoy the remaking of some of Dickens’s best-known characters. Tiny Tim emerges as a villain, while little Eppie, borrowed from George Eliot’s Silas Marner, is Scrooge’s protector and source of salvation. This new novel provides the much-needed redemption of Ebenezer Scrooge’s reputation and offers a welcome departure from the standard saccharine fare at Christmastime. Dickens buffs will have a merry time trying to find where Dickens’s voice ends and the author’s begins. All readers will puzzle over how we could have so misjudged Ebenezer Scrooge, or whether we judged Scrooge aright from the start.

This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.

This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.

This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.

This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.

A case study about the formation of American pluralism and religious liberty, The Spires Still Point to Heaven explores why—and more importantly how—the early growth of Cincinnati influenced the changing face of the United States. Matthew Smith deftly chronicles the urban history of this thriving metropolis in the mid-nineteenth century. As Protestants and Catholics competed, building rival domestic missionary enterprises, increased religious reform and expression shaped the city. In addition, the different ethnic and religious beliefs informed debates on race, slavery, and immigration, as well as disease, temperance reform, and education. 

Specifically, Smith explores the Ohio Valley’s religious landscape from 1788 through the nineteenth century, examining its appeal to evangelical preachers, abolitionists, social critics, and rabbis. He traces how Cincinnati became a battleground for newly energized social reforms following a cholera epidemic, and how grassroots political organizing was often tied to religious issues. He also illustrates the anti-immigrant sentiments and anti-Catholic nativism pervasive in this era.

The first monograph on Cincinnati’s religious landscape before the Civil War, The Spires Still Point to Heaven highlights Cincinnati’s unique circumstances and how they are key to understanding the cultural and religious development of the nation.

In The Whites Are Enemies of Heaven Mark W. Driscoll examines nineteenth-century Western imperialism in Asia and the devastating effects of "climate caucasianism"—the white West's pursuit of rapacious extraction at the expense of natural environments and people of color conflated with them. Drawing on an array of primary sources in Chinese, Japanese, and French, Driscoll reframes the Opium Wars as "wars for drugs" and demonstrates that these wars to unleash narco- and human traffickers kickstarted the most important event of the Anthropocene: the military substitution of Qing China's world-leading carbon-neutral economy for an unsustainable Anglo-American capitalism powered by coal. Driscoll also reveals how subaltern actors, including outlaw societies and dispossessed samurai groups, became ecological protectors, defending their locales while driving decolonization in Japan and overthrowing a millennia of dynastic rule in China. Driscoll contends that the methods of these protectors resonate with contemporary Indigenous-led movements for environmental justice.

More than a century after his death in 1910, Mark Twain remains a lightning rod for controversy. Especially in matters of race, class, and gender, the volatile views this iconic American author expressed in classics like Adventures of Huckleberry Finn continue to provoke heated debate among antagonistic culture-war factions. However, when citing his withering attacks on religion, believers and atheists alike are often united in concluding that Twain was either a mocking skeptic or a hostile atheist.

In There is No Humor in Heaven, Dwayne Eutsey challenges the persistent view of Twain as a hostile critic of religion by placing him within the prevailing liberal religious ethos of his time. From Hannibal to the western frontier and from Hartford to the wider world, Eutsey contends Twain’s vocation as a humorist was rooted in his frustrated youthful ambition to become a preacher of the Gospel. Throughout his life, his friendships with several influential liberal ministers, each of them espousing various forms of the era’s diverse progressive theology, informed not only Twain’s evolving religious worldview but his lecture performances and literary output.

There is No Humor in Heaven traces unconventional theological influences on Twain ranging from African-American spirituality, Freemasonry, and frontier Unitarianism to devout Liberal Christianity, radical Free Religion, and esoteric Hinduism. Drawing from Twain’s writings, documents, personal notes, and more, There is No Humor in Heaven offers readers a radical re-examination of the spiritually creative vitality of a controversial literary giant.
 

Peter Fraser revisits stories told onscreen that in different ways all convey clear and ringing truths and touch the deepest human chords. Spanning different time periods and cultures, Twelve Films about Love and Heaven speaks to the hearts of those who cry at old movies and the old abiding Faith, and who believe a well-written book is always worth the time. It is a reminder to both artists and spectators that the pursuit of virtue, and above all in our family roles, is the greatest of adventures and the most glorious of victories.