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32 books match the query 'Heroes'

cover of A Farewell to Heroes

A Farewell to Heroes

Frank Graham Jr. Foreword by W.C. Heinz

Southern Illinois University Press, 2003

Originally published in 1981 and long out of print, this dual autobiography covers five unforgettable decades of the New York sporting life from 1915 to 1965. Told initially from the point of view of Frank Graham, premier sportswriter for TheNew York Sun, A Farewell to Heroes also includes the chronicles of Frank, Jr., who picks up the narrative as he becomes a sports journalist in his own right.  

Frank Graham, Sr., was a self-taught writer known for his uncanny ability to capture the high drama of a game-winning play or the color of a fight mob’s conversation in spare, straightforward prose. As a reporter, he covered the rough-and-tumble Giants of John McGraw’s day and continued through boxing’s greatest era, spanning the reigns of Jack Dempsey and Joe Louis.

As the younger Frank tells more of the story, we watch Lou Gehrig take Babe Ruth’s place as the Yankees’ star and then trace his glorious career to its tragic conclusion. We see firsthand the legendary Branch Rickey and Jackie Robinson and boxing’s brief but golden age on television in the 1950s.

Aided by sixteen photographs and preserving the most masterful of his father’s writing while adding to it the best of his own, Frank Graham, Jr., has given the sports fan A Farewell to Heroes, perhaps the ultimate sports reminiscence of a time when the romance of sport gave life a golden hue, when heroes still roamed the earth.

“In what he calls this ‘kind of dual autobiography,’ he is his father’s son, having learned to look and listen as his father did and still go his own way,” says W. C. Heinz, longtime sportswriter for The New York Sun, in his new foreword to this paperback edition.

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cover of All New, All Different?: A History of Race and the American Superhero

All New, All Different?

A History of Race and the American Superhero

By Allan W. Austin and Patrick L. Hamilton

University of Texas Press, 2019

Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019
MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020

Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television.

Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.

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cover of Baby and Child Heroes in Ancient Greece

Baby and Child Heroes in Ancient Greece

Corinne Ondine Pache

University of Illinois Press, 2004

In addition to their famous gods and goddesses, the ancient Greeks also worshiped deceased human beings, including child and baby heroes. Although these heroes played an essential role in Greek religion, Corinne Ondine Pache's Baby and Child Heroes in Ancient Greece is the first systematic study of the considerable number of Greek babies and children who became enduring myths, objects of worship, and the recipients of sacrifice.
 
Examining literary, pictorial, and numismatic representations, Pache opens up a vast territory once occupied by children such as Charila, Opheltes, Melikertes, and the children of Herakles and Medea. She elegantly argues that the stories, songs, and sanctuaries honoring these heroes express parental fears and guilt about children's death. Pache further demonstrates that while the myths and rituals articulate basic human anxieties, their emphasis is ultimately on the beauty that transcends the gruesomeness of the narrative, turning their dread into poetry. By showing the continuity of child heroes in Greek religion, she is able to throw new light on iconographies that have previously defied explanation.
 
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cover of Black Camelot: African-American Culture Heroes in Their Times, 1960-1980

Black Camelot

African-American Culture Heroes in Their Times, 1960-1980

William L. Van Deburg

University of Chicago Press, 1997

In the wake of the Kennedy era, a new kind of ethnic hero emerged within African-American popular culture. Uniquely suited to the times, burgeoning pop icons projected the values and beliefs of the Civil Rights and Black Power movements, and reflected both the possibility and the actuality of a rapidly changing American landscape.

In Black Camelot, William Van Deburg examines the dynamic rise of these new black champions, the social and historical contexts in which they flourished, and their powerful impact on the African-American community.

"Van Deburg manages the enviable feat of writing with flair within a standardized academic framework, covering politics, social issues and entertainment with equal aplomb."—Jonathan Pearl, Jazz Times

"[A] fascinating, thorough account of how African-American icons of the 1960s and '70s have changed the course of American history. . . . An in-depth, even-tempered analysis. . . . Van Deburg's witty, lively and always grounded style entertains while it instructs."—Publishers Weekly
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cover of Children of the Series and How They Grew: or A Century of Heroines & Heroes, Romantic, Comic, Moral

Children of the Series and How They Grew

or A Century of Heroines & Heroes, Romantic, Comic, Moral

Faye Riter Kensinger

University of Wisconsin Press, 1987

Children’s series fiction comprises tales incorporating innocence and hard reality along with romance, wit, and character. Heavy streaks of morality diminished as the entertainment element increased. Heroes performed in a wide range of adventures, but restrictions often kept heroines close to home. Series fiction peaked, then waned, but such writers as Beverly Cleary and Madeleine L’Engle carried on the style.
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cover of Faces of Resistance: Maya Heroes, Power, and Identity

Faces of Resistance

Maya Heroes, Power, and Identity

Edited by S. Ashley Kistler

University of Alabama Press, 2018

Fosters a holistic understanding of the roles of Maya heroic figures as cornerstones of cultural identity and political resistance and power
 
In the sixteenth century, Q’eqchi’ Maya leader Aj Poop B’atz’ changed the course of Q’eqchi’ history by welcoming Spanish invaders to his community in peace to protect his people from almost certain violence. Today, he is revered as a powerful symbol of Q’eqchi’ identity. Aj Poop B’atz’ is only one of many indigenous heroes who has been recognized by Maya in Mexico and Guatemala throughout centuries of subjugation, oppression, and state-sponsored violence.
 
Faces of Resistance: Maya Heroes, Power, and Identity explores the importance of heroes through the analyses of heroic figures, some controversial and alternative, from the Maya area. Contributors examine stories of hero figures as a primary way through which Maya preserve public memory, fortify their identities, and legitimize their place in their country’s historical and political landscape. Leading anthropologists, linguists, historians, and others incorporate ethnographic, ethnohistoric, and archival material into their chapters, resulting in a uniquely interdisciplinary book for scholars as well as students.
 
The essays offer the first critical survey of the broad significance of these figures and their stories and the ways that they have been appropriated by national governments to impose repressive political agendas. Related themes include the role of heroic figures in the Maya resurgence movement in Guatemala, contemporary Maya concepts of “hero,” and why some assert that all contemporary Maya are heroes.
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cover of Finished Business: My Fifty Years of Headlines, Heroes, and Heartaches

Finished Business

My Fifty Years of Headlines, Heroes, and Heartaches

Ray Didinger

Temple University Press, 2021

Ray Didinger opens his lively memoir Finished Business with the Philadelphia Eagles’ upset win in Super Bowl LII. When the Eagles finally hoist the Lombardi Trophy, Didinger does his best to straddle the emotions of a working reporter and a long-suffering Philly fan. His ability to do that is why he has built up such a loyal following.

Didinger began following the Eagles as a kid, hanging out in his grandfather’s bar in Southwest Philadelphia. He spent his summers at the team's training camp in Hershey. It was there he met his idol, flanker Tommy McDonald. He would later write a play, Tommy and Me, about their friendship and his efforts to see McDonald enshrined in the Pro Football Hall of Fame.

Didinger has been covering the Eagles as a newspaper columnist or TV analyst since 1970. Over the years, he wrote sports for the Philadelphia Bulletin and the Philadelphia Daily News. He later produced Emmy Award–winning documentaries for NFL Films before transitioning to sports talk radio and TV analysis.

In five decades, across multiple media platforms, he has interviewed everyone from Hank Aaron, Wayne Gretzky, Muhammad Ali, Julius Erving, Jack Nicklaus, to Mike Schmidt, as well as writing film scripts for Hollywood stars such as Bruce Willis and Alec Baldwin. He went to the White House with the U.S. Olympic team and even explored the bizarre world of professional wrestling.

His stories, told in his familiar, breezy style, capture his enthusiasm for sports and his affection for the fans who still mourn the pennant that eluded the Phillies in 1964. Didinger has become synonymous with Philadelphia sports, and his memoir is as passionate as an autumn Sunday at Lincoln Financial Field.

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cover of From Home Guards to Heroes: The 87th Pennsylvania and Its Civil War Community

From Home Guards to Heroes

The 87th Pennsylvania and Its Civil War Community

Dennis W. Brandt

University of Missouri Press, 2007

The soldiers of the 87th Pennsylvania Infantry fought in the Overland campaign under Grant and in the Shenandoah valley under Sheridan, notably at the Battle of Monocacy. But as Dennis Brandt reveals in From Home Guards to Heroes, their real story takes place beyond the battlefield. The 87th drew its men from the Scotch-Irish and German populations of York and Adams counties in south-central Pennsylvania—a region with closer ties to Baltimore than to Philadelphia—where some citizens shared Marylanders’ southern views on race while others aided the Underground Railroad.
Brandt’s unique regimental history investigates why these “boys from York” enlisted and why some deserted, the ways in which soldiers reflected their home communities, and the area’s attitudes toward the war both before and after hostilities broke out. Brandt takes a humanistic approach to the Civil War, revealing the more personal aspects of the struggle in a book that focuses on the soldiers themselves.
Using their own words to describe action both on and off the battlefield, he sheds light on the lives of ordinary men: the comparative values of farm and city boys, their motives and concerns, the effect of battle on soldiers and their families, and the suffering that veterans took to the grave. Brandt also looks at soldiers’ racial views, illuminating their deepest worries about the war, and at community politics and problems of discipline surrounding this ideologically divided unit.
Grounded in more than a decade of research into nearly two thousand military records, this is one of the few regimental histories based on more than one thousand pension records for the entire regiment, plus nearly eight hundred additional record sets for other area soldiers. Brandt tapped regional newspapers and a cache of unpublished letters and diaries—some from private collections not previously known—to provide an invaluable account of Civil War sensibilities in a northern area bordering a slave state.
From Home Guards to Heroes is a book about war in which humanity rather than troop movement takes center stage. Engagingly written for a wide audience and meticulously researched, it offers a distinctive image of a community and the intimate lives of the men it sent off to fight—and a story that will intrigue any Civil War aficionado.
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cover of Gods and Heroes of the Greeks: The "Library" of Apollodorus

Gods and Heroes of the Greeks

The "Library" of Apollodorus

Michael Simpson

University of Massachusetts Press, 1976

The immortal characters of Greek mythology enact their dramas, conflicts, and passions in the Library of Apollodorus. Probably composed in the first century A.D., it is the only Greek handbook of mythology to survive antiquity, and is a major source of our knowledge of Greek myths. 

Beginning with the birth of the gods and ending with the death of Odysseus, the Library traces the destinies of such great mythic figures as Prometheus, Oedipus, Heracles, Daedalus, and the heroes of the Trojan War. Sir James G. Frazer called the Library “an accurate record of what the Greeks in general believed about the origin an early history of the world and their race.” 

Michael Simpson’s new translation captures the fine simplicity and straightforwardness of the original. Leonard Baskin’s drawings throw a unique contemporary light on this ancient world. 

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cover of Heroes In Hard Times

Heroes In Hard Times

Neal King

Temple University Press, 1999

According to Neal King, cop action movies point both an accusatory finger and homoerotically murderous race at powerful white men. A close look at a massive and hugely popular fictional culture, Heroes in Hard Times considers the over 190 cop action movies released  between 1980 and 1997; examines the generic moral logic that they offer; and  explores the crisis in American masculinity that, King argues, propels the action in their stories.

King studies how, in the cop action genre, working-class police officers weigh in on such topics as racial justice, homosexuality, misogyny, unemployment, worker resistance, affirmative action, drug use, poverty, divorce, and the use of violence to deal with social problems. Facing their enemies with wisecracks and firepower, these men prove themselves at once complicitous in a system of violence and corruption and worthy to "blow away," with neither hesitation nor remorse, their -- society's -- menacing threats. The central male figures in these stories are heroes in their fight against criminals, but, as individuals, they fell undervalued by women, unappreciated by their bosses, and out of place in a society where fat cats and liberals have all the power. Such "hard times," King's study reveals, position them to simultaneously long for, disdain, and heroically -- if violently -- stake their frustrated claim to white male privilege.

Discussing such topics as white male guilt and the rage of the oppressed and examining such films as Lethal Weapon, Die Hard, and Silence of the Lambs, King's book notes the socially-charged roles given to American culture's fictional police heroes. The last artisan in a culture that has become increasingly corporate and bureaucratized, the movie cop is the last 'real man' in a world that has emasculated men and the last non-conforming patriot in a world that  pays more attention to rules than what is morally right.

A book that shows how modern mythology makes sense of rampant corruption (and provides entertainment in its punishment), Heroes in Hard Times will educate and provoke those interested in American popular culture, film, and gender studies.
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cover of Heroes and Hero Cults in Latin America

Heroes and Hero Cults in Latin America

Edited by Samuel Brunk and Ben Fallaw

University of Texas Press, 2006

Latin American history traditionally has been defined by larger-than-life heroes such as Símon Bolívar, Emiliano Zapata, and Evita Perón. Recent scholarship, however, tends to emphasize social and cultural factors rather than great leaders. In this new collection, Samuel Brunk and Ben Fallaw bring heroes back to the center of the debate, arguing that heroes not only shape history, they also "tell us a great deal about the places from which they come."

The original essays in this collection examine ten modern Latin American heroes whose charisma derived from the quality of their relationships with admirers, rather than their innate personal qualities. The rise of mass media, for instance, helped pave the way for populists such as radio actress-turned-hero Evita Perón. On the other hand, heroes who become president often watch their images crumble, as policies replace personality in the eyes of citizens. In the end, the editors argue, there is no formula for Latin American heroes, who both forge, and are forged by, unique national events. The conclusion points toward Mexico, where the peasant revolutions that elevated Miguel Hidalgo and, later, Emiliano Zapata are so revered that today's would-be heroes, such as the EZLN's Subcomandante Marcos, must link themselves to peasant mythology even when their personal roots are far from native ground. The enduring (or, in some cases, fading) influence of those discussed in this volume validates the central placement of heroes in Latin American history.

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cover of Heroes and Humanities: Detective Fiction and Culture

Heroes and Humanities

Detective Fiction and Culture

Ray B. Browne

University of Wisconsin Press, 1986

Mystery fiction, although essentially the same in all its national varieties, nevertheless comes in several types and several wrappings.
    The present study of American, Australian, and Canadian detective fiction concerns literature which speaks in the ways of heroes and humanities about the human condition. All authors studied here, to one degree or another, demonstrate their concern with human society, some more strongly than others, but all with their eyes on the human situation and human existence. At times these studies lean toward the tragic in their outlook and development. In all instances they center on the humanistic.
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cover of Heroes and Scoundrels: The Image of the Journalist in Popular Culture

Heroes and Scoundrels

The Image of the Journalist in Popular Culture

Matthew C. Ehrlich and Joe Saltzman

University of Illinois Press, 2015

Whether it's the rule-defying lifer, the sharp-witted female newshound, or the irascible editor in chief, journalists in popular culture have shaped our views of the press and its role in a free society since mass culture arose over a century ago.
 
Drawing on portrayals of journalists in television, film, radio, novels, comics, plays, and other media, Matthew C. Ehrlich and Joe Saltzman survey how popular media has depicted the profession across time. Their creative use of media artifacts provides thought-provoking forays into such fundamental issues as how pop culture mythologizes and demythologizes key events in journalism history and how it confronts issues of race, gender, and sexual orientation on the job.
 
From Network to The Wire, from Lois Lane to Mikael Blomkvist, Heroes and Scoundrels reveals how portrayals of journalism's relationship to history, professionalism, power, image, and war influence our thinking and the very practice of democracy.
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cover of Heroes and Villains: Creating National History in Contemporary Ukraine

Heroes and Villains

Creating National History in Contemporary Ukraine

David R. Marples

Central European University Press, 2007

Certain to engender debate in the media, especially in Ukraine itself, as well as the academic community. Using a wide selection of newspapers, journals, monographs, and school textbooks from different regions of the country, the book examines the sensitive issue of the changing perspectives – often shifting 180 degrees – on several events discussed in the new narratives of the Stalin years published in the Ukraine since the late Gorbachev period until 2005. These events were pivotal to Ukrainian history in the 20th century, including the Famine of 1932–33 and Ukrainian insurgency during the war years.
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cover of Heroes of Their Own Lives: The Politics and History of Family Violence--Boston, 1880-1960

Heroes of Their Own Lives

The Politics and History of Family Violence--Boston, 1880-1960

Linda Gordon

University of Illinois Press, 2002

In this unflinching history of family violence, Linda Gordon traces policies on child abuse and neglect, wife beating, and incest from 1880 to 1960. Gordon begins with the so-called discovery of family violence in the 1870s, when experts first identified it as a social rather than personal problem. From there, Gordon chronicles the changing visibility of family violence as gender, family, and political ideologies shifted and the women’s and civil rights movements gained strength. Throughout, she illustrates how public perceptions of issues like marriage, poverty, alcoholism, mental illness, and responsibility worked for and against the victims of family violence, and looks at the link between family violence and larger social problems.

Powerful and moving, Heroes of Their Own Lives offers an honest understanding of a persistent problem and a realistic view of the difficulties in stopping it.

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cover of Heroes, Hero Worship, and Brigham Young

Heroes, Hero Worship, and Brigham Young

Ronald W. Walker

Utah State University Press, 0

Volume 20 in the Leonard J. Arrington Lecture Series, sponsored by the Utah State University special collections and archives division.
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cover of Indiana Political Heroes

Indiana Political Heroes

Geoff Paddock

Indiana Historical Society Press, 2008

Politics has always played an important role in Indiana, and the state itself at one time furnished candidates for national office for an assortment of American political parties. From 1840, when Whig William Henry Harrison captured the White House with his “Tippecanoe and Tyler too” campaign, to 1940, when Wendell Willkie won the Republican presidential nomination and challenged incumbent President Franklin D. Roosevelt's try for a third term in office, approximately 60 percent of the elections had Hoosiers on a party’s national ticket. Indiana Political Heroes features essays on eight Hoosier politicians who have made a difference in Indiana and in the nation’s capital.
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cover of Lermontov's Narratives of Heroism

Lermontov's Narratives of Heroism

Vladimir Golstein

Northwestern University Press, 2012

This is the first study of Russian writer Mikhail Lermontov (1814-41) that attempts to integrate the in-depth interpretations of all his major texts--including his famous A Hero of Our Time, the novel that laid the foundation for the Russian psychological novel.

Lermontov's explorations of the virtues and limitations of heroic, self-reliant conduct have subsequently become obscured or misread. This new book focuses upon the peculiar, disturbing, and arguably most central feature of Russian culture: its suspicion of and hostility toward individual achievement and self-assertion. The analysis and interpretation of Lermontov's texts enables Golstein to address broader cultural issues by exploring the reasons behind the persistent misreading of Lermontov's major works and by investigating the cultural attitudes that shaped Russia's reaction to the challenges of modernity.
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cover of Masada Myth: Collective Memory and Mythmaking in Israel

Masada Myth

Collective Memory and Mythmaking in Israel

Nachman Ben-Yehuda

University of Wisconsin Press, 1996

    In 73 A.D., legend has it, 960 Jewish rebels under siege in the ancient desert fortress of Masada committed suicide rather than surrender to a Roman legion. Recorded in only one historical source, the story of Masada was obscure for centuries. In The Masada Myth, Israeli sociologist Nachman Ben-Yehuda tracks the process by which Masada became an ideological symbol for the State of Israel, the dramatic subject of movies and miniseries, a shrine venerated by generations of Zionists and Israeli soldiers, and the most profitable tourist attraction in modern Israel.
    Ben-Yehuda describes how, after nearly 1800 years, the long, complex, and unsubstantiated narrative of Josephus Flavius was edited and augmented in the twentieth century to form a simple and powerful myth of heroism. He looks at the ways this new mythical narrative of Masada was created, promoted, and maintained by pre-state Jewish underground organizations, the Israeli army, archaeological teams, mass media, youth movements, textbooks, the tourist industry, and the arts. He discusses the various organizations and movements that created “the Masada experience” (usually a ritual trek through the Judean desert followed by a climb to the fortress and a dramatic reading of the Masada story), and how it changed over decades from a Zionist pilgrimage to a tourist destination.
    Placing the story in a larger historical, sociological, and psychological context, Ben-Yehuda draws upon theories of collective memory and mythmaking to analyze Masada’s crucial role in the nation-building process of modern Israel and the formation of a new Jewish identity. An expert on deviance and social control, Ben-Yehuda looks in particular at how and why a military failure and an enigmatic, troubling case of mass suicide (in conflict with Judaism’s teachings) were reconstructed and fabricated as a heroic tale.
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cover of Milwaukee Braves: Heroes and Heartbreak

Milwaukee Braves

Heroes and Heartbreak

William Povletich

Wisconsin Historical Society Press, 2009

During their thirteen years in Wisconsin, the Milwaukee Braves never endured a losing season, won two National League pennants, and in 1957 brought Milwaukee its only World Series championship. With a lineup featuring future Hall of Famers Henry Aaron, Warren Spahn, Eddie Matthews, Red Schoendienst, and Phil Niekro, the team immediately brought Milwaukee "Big League" credentials, won the hearts of fans, and shattered attendance records. The Braves' success in Milwaukee prompted baseball to redefine itself as a big business—resulting in franchises relocating west, multi-league expansion, and teams leveraging cities for civically funded stadiums. But the Braves' instant success and accolades made their rapid fall from grace after winning the 1957 world championship all the more stunning, as declining attendance led the team to Atlanta in one of the ugliest divorces between a city and baseball franchise in sports history.

Featuring more than 100 captivating photos, many published here for the first time, Milwaukee Braves preserves the Braves' legacy for the team's many fans and introduces new generations to a fascinating chapter in sports history.

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cover of On the Origin of Superheroes: From the Big Bang to Action Comics No. 1

On the Origin of Superheroes

From the Big Bang to Action Comics No. 1

Chris Gavaler

University of Iowa Press, 2015

Most readers think that superheroes began with Superman’s appearance in Action Comics No. 1, but that Kryptonian rocket didn’t just drop out of the sky. By the time Superman’s creators were born, the superhero’s most defining elements—secret identities, aliases, disguises, signature symbols, traumatic origin stories, extraordinary powers, self-sacrificing altruism—were already well-rehearsed standards. Superheroes have a sprawling, action-packed history that predates the Man of Steel by decades and even centuries. On the Origin of Superheroes is a quirky, personal tour of the mythology, literature, philosophy, history, and grand swirl of ideas that have permeated western culture in the centuries leading up to the first appearance of superheroes (as we know them today) in 1938.

From the creation of the universe, through mythological heroes and gods, to folklore, ancient philosophy, revolutionary manifestos, discarded scientific theories, and gothic monsters, the sweep and scale of the superhero’s origin story is truly epic. We will travel from Jane Austen’s Bath to Edgar Rice Burroughs’s Mars to Owen Wister’s Wyoming, with some surprising stops along the way. We’ll meet mad scientists, Napoleonic dictators, costumed murderers, diabolical madmen, blackmailers, pirates, Wild West outlaws, eugenicists, the KKK, Victorian do-gooders, detectives, aliens, vampires, and pulp vigilantes (to name just a few). Chris Gavaler is your tour guide through this fascinating, sometimes dark, often funny, but always surprising prehistory of the most popular figure in pop culture today. In a way, superheroes have always been with us: they are a fossil record of our greatest aspirations and our worst fears and failings.
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cover of Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil

Public Enemies, Public Heroes

Screening the Gangster from Little Caesar to Touch of Evil

Jonathan Munby

University of Chicago Press, 1999

In this study of Hollywood gangster films, Jonathan Munby examines their controversial content and how it was subjected to continual moral and political censure.

Beginning in the early 1930s, these films told compelling stories about ethnic urban lower-class desires to "make it" in an America dominated by Anglo-Saxon Protestant ideals and devastated by the Great Depression. By the late 1940s, however, their focus shifted to the problems of a culture maladjusting to a new peacetime sociopolitical order governed by corporate capitalism. The gangster no longer challenged the establishment; the issue was not "making it," but simply "making do."

Combining film analysis with archival material from the Production Code Administration (Hollywood's self-censoring authority), Munby shows how the industry circumvented censure, and how its altered gangsters (influenced by European filmmakers) fueled the infamous inquisitions of Hollywood in the postwar '40s and '50s by the House Committee on Un-American Activities. Ultimately, this provocative study suggests that we rethink our ideas about crime and violence in depictions of Americans fighting against the status quo.
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cover of Ramesses III: The Life and Times of Egypt's Last Hero

Ramesses III

The Life and Times of Egypt's Last Hero

Edited by Eric H. Cline and David O'Connor

University of Michigan Press, 2012

In the tumultuous and vivid history of New Kingdom Egypt, Ramesses III's reign was prosperous and culturally rich. He fended off attacks by the "Sea Peoples" and others who threatened the state, he built the great temple of Medinet Habu, and he left wonderfully complete documents describing contemporary social structure and the economy. Amazingly, we even have an account from a contemporary judicial document that describes events leading to Ramesses III's assassination. This edited collection presents a detailed and informative look at the life, career, and world of one of Egypt's most important pharaohs, providing insight both on his reign and its aftermath and on the study of the political and cultural history of ancient Egypt. This collection offers the best new scholarship on Ramesses III, with contributions from Christopher J. Eyre; Ogden Goelet, Jr.; Peter W. Haider; Carolyn R. Higginbotham; Kenneth A. Kitchen; Bojana Mojsov; Steven R. Snape; Emily Teeter; and James M. Weinstein, as well as from David O'Connor and Eric H. Cline. It will be of interest to those with an informed amateur's interest in Egyptology as well as to scholars of Egyptian and biblical archaeology.
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cover of Revolution in the City of Heroes: A Memoir of the Battle that Sparked Indonesia's National Revolution

Revolution in the City of Heroes

A Memoir of the Battle that Sparked Indonesia's National Revolution

Suhario Padmodiwiryo

National University of Singapore Press, 2016

The diary of 24-year-old Indonesian medical student Suhario Padmodiwiryo,
alias ‘Hario Kecik,” Revolution in the City of Heroes is an evocative first-hand
account of the popular uprising in Surabaya. It vividly portrays the chaotic swirl
of events and the heady emotion of young people ready to sacrifice their lives
for independence.


Newly liberated from nearly four brutal years under Japanese control, the
people of Indonesia faced great uncertainty in October 1945. As the British
Army attempted to take control of the city of Surabaya, maintain order and
deal with surrendered Japanese personnel, their actions were interpreted by
the young residents of Surabaya as a plan to restore Dutch colonial rule. In
response, the youth of the city seized Japanese arms and repelled the force sent
to occupy the city. They then held off British reinforcements for two weeks,
battling tanks and heavy artillery with little more than light weapons and sheer
audacity. Though eventually defeated, Surabaya’s defenders had set the stage
for Indonesia’s national revolution.
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cover of Tall Tale America: A Legendary History of our Humorous Heroes

Tall Tale America

A Legendary History of our Humorous Heroes

Walter Blair

University of Chicago Press, 1987

"Johnny Appleseed, Davy Crockett, Pecos Bill, Paul Bunyan and John Henry have all become heroes of American folklore. Some of them, like Crokett, were real, but all have become the subject of tall tales. This is a folksy history of the United States, told as if the characters were all real. This panoramic (if completely untrue) history begins with Columbus. . . . En route to its end in the 1940s (where traditional American heroes are enlisted to fight in World War II), it covers the great and small events of our national history, including the overlooked, but important ones, such as the invention of the prairie dog."—Washington Post Book World
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cover of The Agony of Heroes: Medical Care for America's Besieged Legions from Bataan to Khe Sanh

The Agony of Heroes

Medical Care for America's Besieged Legions from Bataan to Khe Sanh

Thomas S. Helling

Westholme Publishing, 2024

The inspiring story of the men and women who risked their lives alongside the soldiers fighting some of the most desperate actions in American history
Bataan, Anzio, Bastogne, Chosin, Khe Sanh: names that define the American spirit. They are synonymous with courage, resilience, and determination against great odds. At each of these battles American soldiers and Marines weathered desperation and fear to survive, advance, and triumph. Along with these heroes of the battlefield were no less determined and courageous providers of medical care. From the heat and disease-ridden jungles of Bataan, the precarious beachhead of Anzio, the encircled town of Bastogne, the frozen fields of Chosin, and the forsaken plateau of Khe Sanh, doctors and nurses worked under intense conditions with whatever means at hand, to staunch bleeding, repair damage, and resurrect the dying. In so doing they gave a glimmer of hope for the warriors facing possible death or capitulation. Often completely cut off from vital supplies and modern technology, and under the threat of enemy fire, these medical professionals—men and women—never lost sight of their passionate commitment to the sick and wounded. As noncombatants, this took extraordinary resolve to ignore the mortal threats of explosions and gunfire to focus on the mission of relieving pain, dragging from the brink of death damaged soldiers completely dependent on their resourcefulness. Some of these brave men and women would suffer the same fate as their fighting comrades, cut down by enemy fire in the prime of life, many times in the very task of rendering the bottomless compassion that was their hallmark and sometimes their only tonic. 
In The Agony of Heroes: Medical Care for America’s Besieged Legions from Bataan to Khe Sanh, distinguished surgeon Thomas S. Helling relates the inspirational and compelling stories of the doctors, nurses, corpsmen, aides, and others who braved the most frightening conditions in order to save lives. Their experiences testify to the indomitable human grit that, when asked, transforms ordinary behavior into extraordinary achievements.
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cover of The Crown Games of Ancient Greece: Archaeology, Athletes, and Heroes

The Crown Games of Ancient Greece

Archaeology, Athletes, and Heroes

David Lunt

University of Arkansas Press, 2022

The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Nemean Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms.

The Crown Games of Ancient Greece examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits—as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states.

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cover of The Dream of Civilized Warfare: World War I Flying Aces and the American Imagination

The Dream of Civilized Warfare

World War I Flying Aces and the American Imagination

Linda R. Robertson

University of Minnesota Press, 2005

Analyzes the link between “civilized warfare” and the American self-image

Linda R. Robertson argues that the development of the United States as a global military power arose from the influence of an image of air combat carefully constructed during World War I to mask the sordid realities of modern ground warfare. The Dream of Civilized Warfare carries this trajectory to its logical end, tracing the long history of the American desire to exert the nation’s will throughout the world without having to risk the lives of ground soldiers—a theme that continues to reverberate in public discussions, media portrayals, and policy decisions today.

Histories of American air power usually focus on World War II, when the air force became the foundation for the military strength of the United States. The equally fascinating story of World War I air combat is often relegated to a footnote, but it was the earlier war that first inspired the vision of the United States attaining dominance in world affairs through a massive air force. In The Dream of Civilized Warfare, Robertson presents the compelling story of the creation of the first American air force—and how, through the propaganda of the flying ace, a vision of “clean” or civilized combat was sold to politicians and the public. During World War I, air combat came to epitomize American ingenuity, technological superiority, adventure, leadership, and teamwork. Robertson reveals how the romantic and chivalric imagery associated with flying aces was a product of intentional propaganda and popular culture. Examining aviation history, military battles, films, literature, and political events, she looks at how the American public’s imagination was shaped—how flying aces offered not only a symbol of warfare in stark contrast to the muddy, brutal world of the trenches, but also a distraction to an American public resistant to both intervention in a European conflict and the new practice of conscription.
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cover of The Hero in Transition

The Hero in Transition

Ray B. Browne

University of Wisconsin Press, 1983

An investigation of society’s heroes during any time period will reveal the personnel deemed worthy of being emulated at that particular time by that particular society. There will be many old and time-tested figures, sometimes with new faces and new profiles; there will also be a mix of new faces. Thus the hero—like history itself—is constantly in transition, and both the hero and the transition are fundamental to the study of a culture. These essays turn the pantheon of heroes around before our eyes and reveal the many complicated aspects of hero worship.
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The Quiet Hero

A Life of Ryan White

Nelson Price

Indiana Historical Society Press, 2015

In 1985 the eyes of the world turned to the Hoosier State and the attempt by a thirteen-year-old Kokomo, Indiana, teenager to do what seemed to be a simple task—join his fellow classmates at Western Middle School in Russiaville, the school to which his Kokomo neighborhood was assigned. The teenager, Ryan White, however, had been diagnosed with Acquired Immune Deficiency Syndrome from contaminated blood-based products used to treat his hemophilia. “It was my decision,” White said, “to live a normal life, go to school, be with friends, and enjoying day to day activities. It was not going to be easy.” White's words were an understatement, to say the least. His wish to return to school was met with panic by parents and some school officials. The controversy about White and the quiet courage he and his mother, Jeanne, displayed in their battle to have him join his classmates is explored in the eleventh volume in the Indiana Historical Society Press’s Youth Biography Series. The Quiet Hero is written by Nelson Price, who wrote about White’s odyssey during his days as a reporter and columnist for the Indianapolis News. Price goes behind the scenes and brings to light stories and individuals who might have been lost in the media spotlight. After a nine-month court battle, White won the right to return to school, but with concessions. These were not enough for parents of twenty children, who responded by starting their own school. At school, White became the target of slurs and lies, and his locker was vandalized. Although the White family received support from citizens and celebrities around the world, particularly rock singer Elton John, the situation grew so controversial in Kokomo that they moved to Cicero, Indiana—a community that greeted them much differently. In Price’s book, White, who succumbed to his disease in 1990, comes across as a normal teenager who met an impossible situation with uncommon grace, courage, and wisdom. “It was difficult at times, to handle; but I tried to ignore the injustice, because I knew the people were wrong,” White said. “My family and I held no hatred for those people because we realized they were victims of their own ignorance.”
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cover of Trickster and Hero: Two Characters in the Oral and Written Traditions of the World

Trickster and Hero

Two Characters in the Oral and Written Traditions of the World

Harold Scheub

University of Wisconsin Press, 2012

The trickster and the hero, found in so many of the world’s oral traditions, are seemingly opposed but often united in one character. Trickster and Hero provides a comparative look at a rich array of world oral traditions, folktales, mythologies, and literatures—from The Odyssey, The Epic of Gilgamesh, and Beowulf to Native American and African tales. Award-winning folklorist Harold Scheub explores the “Trickster moment,” the moment in the story when the tale, the teller, and the listener are transformed: we are both man and woman, god and human, hero and villain.
    Scheub delves into the importance of trickster mythologies and the shifting relationships between tricksters and heroes. He examines protagonists that figure centrally in a wide range of oral narrative traditions, showing that the true hero is always to some extent a trickster as well. The trickster and hero, Scheub contends, are at the core of storytelling, and all the possibilities of life are there: we are taken apart and rebuilt, dismembered and reborn, defeated and renewed.
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cover of Warring over Valor: How Race and Gender Shaped American Military Heroism in the Twentieth and Twenty-First Centuries

Warring over Valor

How Race and Gender Shaped American Military Heroism in the Twentieth and Twenty-First Centuries

Wendt, Simon

Rutgers University Press, 2019

By focusing on how the idea of heroism on the battlefield helped construct, perpetuate, and challenge racial and gender hierarchies in the United States between World War I and the present, Warring over Valor provides fresh perspectives on the history of American military heroism. The book offers two major insights into the history of military heroism. First, it reveals a precarious ambiguity in the efforts of minorities such as African Americans, Asian Americans, Native Americans, women, and gay men to be recognized as heroic soldiers. Paradoxically, America’s heroism discourse allowed them to press their case for full membership in the nation, but doing so simultaneously validated the dichotomous interpretations of race and gender they repudiated. The ambiguous role of marginalized groups in war-related hero-making processes also testifies to this volume’s second general insight: the durability and tenacity of the masculine warrior hero in U.S. society and culture. Warring over Valor bridges a gap in the historiography of heroism and military affairs. 
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