Results by title

It was a cold, gray morning in northeast France when Pfc. Silvestre Herrera's unit came under heavy fire from a Nazi artillery barrage. Armed with only a hand grenade and his M1 rifle, Herrera fixed his bayonet and mounted a one-man charge, single-handedly capturing eight German soldiers, then killing two more and pinning down the enemy despite having had both feet blown off by a mine. A few months later he was back home in Phoenix when the telegram arrived notifying him that he was to be awarded the Congressional Medal of Honor. Herrera was just one of Arizona's sons and daughters who answered their country's call in World War II. Their exploits—and the adventures of those on the home front—are now celebrated in a book that brings that era engagingly to life.

Arizona Goes to War takes readers back to a time when military installations sprang up all over the state as thousands of airmen arrived to train in Arizona's clear desert skies, and when soldiers destined for North Africa came to get their first taste of desert sands. In its pages, readers will learn not only of the green recruits who passed through Arizona, but also of the state's Native Americans who registered for the draft in record numbers, of Japanese Americans unjustly incarcerated in desert detention centers, and of ordinary citizens who did their bit for the war effort. Included in the book are some of World War II's most incredible stories, such as the testing of tank engines in Arizona dust storms for the North Africa campaign, the interrogation of Japanese consular diplomats from Honolulu at the Triangle T Guest Ranch near Dragoon, and the escape of 25 German POWs from a detention camp outside of Phoenix—called the greatest escape by Axis prisoners from a U.S. compound during the war. A separate chapter pays tribute to Arizona's war heroes: not only Silvestre Herrera, but also fighter ace Grant Turley, Midway hero John C. Butler, and Pima Indian Ira Hayes, who helped raise the flag on Iwo Jima. A host of profiles and sidebars bring people and events of the wartime era to life, and a useful appendix provides a traveler's guide to Arizona's World War II sites.

World War II may have transformed Arizona more than it did any other state; not only did Arizona's industry blossom, its population did as well when servicemen who had been stationed there returned to put down stakes. Arizona Goes to War recaptures the glory and spirit of that era and reminds us that the people who lived through those years are well worth commemorating.

Most literature on the Civil War focuses on soldiers, battles, and politics. But for every soldier in the United States Army, there were nine civilians at home. The war affected those left on the home front in many ways. Westward expansion and land ownership increased. The draft disrupted families while a shortage of male workers created opportunities for women that were previously unknown.

The war also enlarged the national government in ways unimagined before 1861. The Homestead Act, the Land Grant College Act, civil rights legislation, the use of paper currency, and creation of the Internal Revenue Service to collect taxes to pay for the war all illustrate how the war fundamentally, and permanently, changed the nation.

The essays in this book, drawn from a wide range of historical expertise and approaching the topic from a variety of angles, explore the changes in life at home that led to a revolution in American society and set the stage for the making of modern America.

Contributors: Jean H. Baker, Jenny Bourne, Paul Finkelman, Guy Gugliotta, Daniel W. Stowell, Peter Wallenstein, Jennifer L. Weber.

Carl Lavin was a high school senior when Pearl Harbor was attacked. The Canton, Ohio, native was eighteen when he enlisted, a decision that would take him with the US Army from training across the United States and Britain to combat with the 84th Infantry Division in the Battle of the Bulge. Home Front to Battlefront is the tale of a foot soldier who finds himself thrust into a world where he and his unit grapple with the horrors of combat, the idiocies of bureaucracy, and the oddities of life back home—all in the same day. The book is based on Carl’s personal letters, his recollections and those of the people he served beside, official military history, private papers, and more.

Home Front to Battlefront contributes the rich details of one soldier’s experience to the broader literature on World War II. Lavin’s adventures, in turn disarming and sobering, will appeal to general readers, veterans, educators, and students of the war. As a history, the book offers insight into the wartime career of a Jewish Ohioan in the military, from enlistment to training through overseas deployment. As a biography, it reflects the emotions and the role of the individual in a total war effort that is all too often thought of as a machine war in which human soldiers were merely interchangeable cogs.

Carl Lavin was a high school senior when Pearl Harbor was attacked. The Canton, Ohio, native was eighteen when he enlisted, a decision that would take him with the US Army from training across the United States and Britain to combat with the 84th Infantry Division in the Battle of the Bulge. Home Front to Battlefront is the tale of a foot soldier who finds himself thrust into a world where he and his unit grapple with the horrors of combat, the idiocies of bureaucracy, and the oddities of life back home—all in the same day. The book is based on Carl’s personal letters, his recollections and those of the people he served beside, official military history, private papers, and more.

Home Front to Battlefront contributes the rich details of one soldier’s experience to the broader literature on World War II. Lavin’s adventures, in turn disarming and sobering, will appeal to general readers, veterans, educators, and students of the war. As a history, the book offers insight into the wartime career of a Jewish Ohioan in the military, from enlistment to training through overseas deployment. As a biography, it reflects the emotions and the role of the individual in a total war effort that is all too often thought of as a machine war in which human soldiers were merely interchangeable cogs.

More than one hundred and fifty years after Confederates fired on Fort Sumter, the Civil War still occupies a prominent place in the national collective memory. Paintings and photographs, plays and movies, novels, poetry, and songs portray the war as a battle over the future of slavery, often focusing on Lincoln’s determination to save the Union, or highlighting the brutality of brother fighting brother. Battles and battlefields occupy us, too: Bull Run, Antietam, and Gettysburg all conjure up images of desolate landscapes strewn with war dead. Yet the frontlines were not the only landscapes of the war. Countless civilians saw their daily lives upended while the entire nation suffered.

Home Front: Daily Life in the Civil War North reveals this side of the war as it happened, comprehensively examining the visual culture of the Northern home front. Through contributions from leading scholars from across the humanities, we discover how the war influenced household economies and the cotton economy; how the absence of young men from the home changed daily life; how war relief work linked home fronts and battle fronts; why Indians on the frontier were pushed out of the riven nation’s consciousness during the war years; and how wartime landscape paintings illuminated the nation’s past, present, and future.

A companion volume to a collaborative exhibition organized by the Newberry Library and the Terra Foundation for American Art, Home Front is the first book to expose the visual culture of a world far removed from the horror of war yet intimately bound to it.

The Great War challenged all who were touched by it. Italian immigrants, torn between their country of origin and country of relocation, confronted political allegiances that forced them to consider the meaning and relevance of Americanization. In his engrossing study, Little Italy in the Great War, Richard Juliani focuses on Philadelphia’s Italian community to understand how this vibrant immigrant population reacted to the war as they were adjusting to life in an American city that was ambivalent toward them. 

Juliani explores the impact of the Great War on many immigrant soldiers who were called to duty as reservists and returned to Italy, while other draftees served in the U.S. Army on the Western Front. He also studies the impact of journalists and newspapers reporting the war in English and Italian, and reactions from civilians who defended the nation in industrial and civic roles on the home front. 

Within the broader context of the American experience, Little Italy in the Great War examines how the war affected the identity and cohesion of Italians as a population still passing through the assimilation process.

Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly.
 

Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. 

 

Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era. 

Before Franklin Roosevelt declared December 7 to be a “date which will live in infamy”; before American soldiers landed on D-Day; before the B-17s, B-24s, and B-29s roared over Europe and Asia, there was Willow Run. Located twenty-five miles west of Detroit, the bomber plant at Willow Run and the community that grew up around it attracted tens of thousands of workers from across the United States during World War II. Together, they helped build the nation’s “Arsenal of Democracy,” but Willow Run also became the site of repeated political conflicts over how to build suburbia while mobilizing for total war.

The final book by Marquette University historian Frank L. Klement (1905-1994), this is a vivid chronological narrative of Wisconsin's role in the pivotal event in American history. In this volume, Klement greatly expanded his 1962 booklet on this topic, adding new material on each of Wisconsin's fifty-three infantry regiments, political and constitutional issues, soldiers voting, women and the war, and Wisconsin's black soldiers.