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3 books match the query 'Humanity in literature'

cover of Animate Literacies: Literature, Affect, and the Politics of Humanism

Animate Literacies

Literature, Affect, and the Politics of Humanism

Nathan Snaza

Duke University Press, 2019

In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.
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cover of Human: Babylonian Reflections on Labor

Human

Babylonian Reflections on Labor

Sophus Helle

University of Chicago Press, 2026

Acclaimed author and translator Sophus Helle considers an ancient creation story with themes of humanity, class warfare, and catastrophic climate change.
 
The Babylonian poem Atra-hasis is a forgotten masterpiece of political thought. Written in Akkadian in what is now southern Iraq during the early second millennium BCE, Atra-hasis gives us a glimpse of how ancient poets understood the society growing around them. This radical history of the world told from the perspective of the mother goddess conveys the complexity and contradictions that lie at the heart of the human experience. Atra-hasis tells how humanity was created as part of a bargain to resolve the world’s first labor strike, in which the lower gods rebelled against the excessive work imposed on them by the higher gods. It depicts humans as workers endowed with defiant intelligence. They multiply and become too loud, so the gods decide to quiet them with a cataclysmic flood.
 
Looking to Atra-hasis, Sophus Helle reveals an ancient story with reflections on power and history that invite comparison to topics of contemporary relevance, including labor, inequality, climate change, artificial intelligence, threats to democracy, disability, care work, sexual consent, and more. Helle considers Atra-hasis as a foundational document of “pasthumanism,” a term he uses to describe the study of how cultural conceptions of humanity have changed across centuries. He argues that ancient and non-Western texts remind us that cultural assumptions we now take for granted are neither natural nor necessary.
 
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cover of Universes without Us: Posthuman Cosmologies in American Literature

Universes without Us

Posthuman Cosmologies in American Literature

Matthew A. Taylor

University of Minnesota Press, 2013

During the nineteenth and early twentieth centuries, a wide variety of American writers proposed the existence of energies connecting human beings to cosmic processes. From varying points of view—scientific, philosophical, religious, and literary—they suggested that such energies would eventually result in the perfection of individual and collective bodies, assuming that assimilation into larger networks of being meant the expansion of humanity’s powers and potentialities—a belief that continues to inform much posthumanist theory today.

Universes without Us explores a lesser-known countertradition in American literature. As Matthew A. Taylor’s incisive readings reveal, the heterodox cosmologies of Edgar Allan Poe, Henry Adams, Charles Chesnutt, and Zora Neale Hurston reject the anthropocentric fantasy that sees the universe as a kind of reservoir of self-realization. For these authors, the world can be made neither “other” nor “mirror.” Instead, humans are enmeshed with “alien” processes that are both constitutive and destructive of “us.” By envisioning universes no longer our own, these cosmologies picture a form of interconnectedness that denies any human ability to master it.

Universes without Us demonstrates how the questions, possibilities, and dangers raised by the posthuman appeared nearly two centuries ago. Taylor finds in these works an untimely engagement with posthumanism, particularly in their imagining of universes in which humans are only one category of heterogeneous thing in a vast array of species, objects, and forces. He shows how posthumanist theory can illuminate American literary texts and how those texts might, in turn, prompt a reassessment of posthumanist theory. By understanding the posthuman as a materialist cosmology rather than a technological innovation, Taylor extends the range of thinkers who can be included in contemporary conversations about the posthuman.

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