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2 books match the query 'Kanor, Fabienne'
Old World
Fabienne Kanor
Seagull Books, 2024
Born in Cameroon and raised in the suburbs of Paris, Nathan feels unmoored, as if he does not belong in France. His mother tells him about his great-grandfather who left Cameroon for New Orleans to seek his fortune shortly after World War II. Nathan travels there to search for the vestiges of his ancestor’s passage in America. To him, New Orleans is the promised land for the Black man.
However, renting a room in a shotgun house in the Tremé district, he discovers a different reality. This storied neighborhood testifies to the strength of a people who have survived slavery, segregation, and the struggle for civil rights with a strong sense of community. But the relentless inequities, capped by Hurricane Katrina and its aftermath, have taken a toll. As Nathan comes to understand this fraught history, he also plumbs his own past, including his sense of abandonment by his father in Cameroon. In this coming-of-age novel, Nathan is coming to be.
The evocative, poetic language of Fabienne Kanor’s novel confers a brutal beauty in incidents of violence and moments of joy, holding the reader in a constant state of tension. Peopled by flawed human beings trying to find their way and grow a life under the constant threat of violence, Old World chronicles the deep trauma and long-term effects of systemic racism in the United States and people’s efforts to rise above it.
Poetics of the Hold
Variations on the Slave ShipFabienne Kanor
University of Chicago Press, 0
An essential reflection on the haunting legacy of the transatlantic slave trade from award-winning French filmmaker and writer Fabienne Kanor.
A century and a half after the passage of the last known slave ship, the hold—in which captives were imprisoned together under inhuman conditions—still haunts collective memory, particularly that of Afro-descendant artists, thinkers, and writers. With The Poetics of the Hold, scholar, writer, and filmmaker Fabienne Kanor offers a series of meditations on the transatlantic slave trade and on how the experience of the Middle Passage has been represented in modern culture of the United States, Francophone Africa, and the French West Indies.
In this important book, Kanor draws from a multitude of sources—history, literature, art, philosophy, the Négritude tradition, and Caribbean thinkers—to take readers on a journey from colonial archives to public spaces, museums, and other places of commemoration. Throughout, the image of the hold serves as a spectral monument, the traumatic reverberations of which can be felt in both the texts Kanor examines and in her own writing. While archives, logbooks, and sea reports provide information about slave ships, the stories of the slaves themselves too often remain shrouded in silence. This powerful and poetic book seeks to rectify that amnesia and to wrestle with these neglected histories and their afterlives.