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3 books match the query 'Krutnik, Frank'

cover of 'Un-American' Hollywood: Politics and Film in the Blacklist Era

'Un-American' Hollywood

Politics and Film in the Blacklist Era

Stanfield, Peter

Rutgers University Press, 2007

The concept of “un-Americanism,” so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today’s political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated.

            “Un-American” Hollywood  reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry.

            Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.

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cover of Larger Than Life: Movie Stars of the 1950s

Larger Than Life

Movie Stars of the 1950s

Palmer, R. Barton

Rutgers University Press, 2010

The constellation of Hollywood stars burned brightly in the 1950s, even as the industry fell on hard economic times. Major artists of the 1940s--James Stewart, Jerry Lewis, and Gregory Peck--continued to exert a magical appeal but the younger generation of moviegoers was soon enthralled by an emerging cast, led by James Dean and Marlon Brando. They, among others, ushered in a provocative acting style, "the Method," bringing hard-edged, realistic performances to the screen. Adult-oriented small-budget dramas were ideal showcases for Method actors, startlingly realized when Brando seized the screen in On the Waterfront. But, with competition from television looming, Hollywood also featured film-making of epic proportion--Ben-Hur and other cinema wonders rode onto the screen with amazing spectacle, making stars of physically impressive performers such as Charlton Heston.

Larger Than Life offers a comprehensive view of the star system in 1950s Hollywood and also in-depth discussions of the decade's major stars, including Montgomery Clift, Judy Holliday, Jerry Lewis, James Mason, Marilyn Monroe, Kim Novak, Bing Crosby, Gene Kelly, Jayne Mansfield, and Audrey Hepburn.
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cover of Thrillers, Chillers, and Killers: Radio and Film Noir

Thrillers, Chillers, and Killers

Radio and Film Noir

Frank Krutnik

Rutgers University Press, 2025

Film noir is one of the most exciting and most debated products of studio-era Hollywood, but did you know that American radio broadcast many programs in the noir vein through the 1940s and 1950s? These included adaptations of such well-known films as The Maltese Falcon, Murder, My Sweet, and Double Indemnity, detective series devoted to the adventures of private eyes Philip Marlowe and Sam Spade, and the spine-tingling anthology programs Lights Out and Suspense. Thrillers, Chillers, and Killers is the first book to explore in detail noir storytelling on the two media, arguing that radio’s noir dramas played an important role as a counterpart to, influence on, or a spin-off from the noir films. Besides shedding new light on long-neglected radio dramas, and a medium that was cinema’s major rival, this scrupulously researched yet accessible study also uses these programs to challenge conventional understandings of the much-debated topic of noir.
 
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