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6 books match the query 'Latin American History'

cover of Centering Animals in Latin American History

Centering Animals in Latin American History

Martha Few and Zeb Tortorici, eds.

Duke University Press, 2013

Centering Animals in Latin American History writes animals back into the history of colonial and postcolonial Latin America. This collection reveals how interactions between humans and other animals have significantly shaped narratives of Latin American histories and cultures. The contributors work through the methodological implications of centering animals within historical narratives, seeking to include nonhuman animals as social actors in the histories of Mexico, Guatemala, the Dominican Republic, Puerto Rico, Cuba, Chile, Brazil, Peru, and Argentina. The essays discuss topics ranging from canine baptisms, weddings, and funerals in Bourbon Mexico to imported monkeys used in medical experimentation in Puerto Rico. Some contributors examine the role of animals in colonization efforts. Others explore the relationship between animals, medicine, and health. Finally, essays on the postcolonial period focus on the politics of hunting, the commodification of animals and animal parts, the protection of animals and the environment, and political symbolism.

Contributors. Neel Ahuja, Lauren Derby, Regina Horta Duarte, Martha Few, Erica Fudge, León García Garagarza, Reinaldo Funes Monzote, Heather L. McCrea, John Soluri, Zeb Tortorici, Adam Warren, Neil L. Whitehead

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cover of Latin American History: A Teaching Atlas

Latin American History

A Teaching Atlas

Cathryn L. Lombardi

University of Wisconsin Press, 1983

Conference on Latin American History series
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cover of Minor Omissions: Children in Latin American History and Society

Minor Omissions

Children in Latin American History and Society

Edited by Tobias Hecht

University of Wisconsin Press, 2002

Latin American history—the stuff of wars, elections, conquests, inventions, colonization, and all those other events and processes attributed to adults—has also been lived and partially forged by children. Taking a fresh look at Latin American and Caribbean society over the course of more than half a millennium, this book explores how the omission of children from the region's historiography may in fact be no small matter.
    Children currently make up one-third of the population of Latin America and the Caribbean, and over the centuries they have worked, played, worshipped, committed crimes, and fought and suffered in wars. Regarded as more promising converts to the Christian faith than adults, children were vital in European efforts to invent loyal subjects during the colonial era. In the contemporary economies of Latin America and the Caribbean—where 23 percent of people live on a dollar per day or less—the labor of children may spell the difference between survival and starvation for millions of households.
    Minor Omissions brings together scholars of history, anthropology, religion, and art history as well as a talented young author who has lived in the streets of a Brazilian city since the age of nine. The book closes with the prophetic dystopian tale "The Children's Rebellion" by the noted Uruguayan writer Cristina Peri Rossi.

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cover of New Approaches to Latin American History

New Approaches to Latin American History

Edited by Richard Graham and Peter H. Smith

University of Texas Press, 1974

New Approaches to Latin American History incorporates methods and concepts from the social sciences without abandoning a distinctively historical approach. A collection of original essays by distinguished younger scholars, it proposes original concepts and methods for analyzing crucial problems in Latin American history.

Using as examples such subjects as salvery, dictatorship, immigration, and the relationship between land ownership and political power, the contributors show how approaches and techniques from psychology, political science, economics. and sociology can be applied to historical studies. The papers attempt to explain the thematic and substantive importance of the particular problems at hand; describe and evaluate standard approaches to them; propose original hypotheses; suggest methods for testing the hypotheses; or indicate major methodological or conceptual difficulties that have so far hampered such work.

Despite their diversity of content, the papers show strong underlying unities. First, they all point to the need for placing institutions and actions in a broad societal context. The authurs present an implicit, cumulative argument against the excessive isolation of historical phenomena. Second, they demonstrate the utility of interdisciplinary research. Third, they issue an implicit call for rigorous comparative analysis. The propositions formulated in these essays can best tested and modified in comparative fashion.

Ultimately this book deals with the exposition of a research style: a style based on systematic doubt, an awareness of the need for conceptual rigor, and a willingness to try new methodologies. For this reason it is of interest to historians in every field as well as to students of Latin America.

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cover of Reclaiming the Political in Latin American History: Essays from the North

Reclaiming the Political in Latin American History

Essays from the North

Gilbert M. Joseph, ed.

Duke University Press, 2001

Reclaiming the Political in Latin American History is a collection that embraces a new social and cultural history of Latin America that is not divorced from politics and other arenas of power. True to the intellectual vision of Brazilian historian Emilia Viotti da Costa, one of Latin America’s most distinguished scholars, the contributors actively revisit the political—as both a theme of historical analysis and a stance for historical practice—to investigate the ways in which power, agency, and Latin American identity have been transformed over the past few decades.

Taking careful stock of the state of historical writing on Latin America, the volume delineates current historiographical frontiers and suggests a series of new approaches that focus on several pivotal themes: the construction of historical narratives and memory; the articulation of class, race, gender, sexuality, and generation; and the historian’s involvement in the making of history. Although the book represents a view of the Latin American political that comes primarily from the North, the influence of Viotti da Costa powerfully marks the contributors’ engagement with Latin America’s past. Featuring a keynote essay by Viotti da Costa herself, the volume’s lively North-South encounter embodies incipient trends of hemispheric intellectual convergence.

Contributors. Jeffrey L. Gould, Greg Grandin, Daniel James, Gilbert M. Joseph, Thomas Miller Klubock, Mary Ann Mahony, Florencia E. Mallon, Diana Paton, Steve J. Stern, Heidi Tinsman, Emilia Viotti da Costa, Barbara Weinstein
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cover of The Visual in Latin American History

The Visual in Latin American History

Edited by Ernesto Capello and Jessica Stites Mor

University of Texas Press, 2026

A collection of essays examining the role of visual materials in shaping Latin American lives, historical thought, and worldmaking.

Historians have long valued visual media as a source of documentation and illustration. More recently, scholars have also been turning to visual media for another purpose: to directly observe historical processes. Paintings, maps, visual narratives, graffiti, photography—these objects do not simply transmit information about events; they are events. They imbue the historical change we seek to understand.

The Visual in Latin American History is a collection of essays that applies cutting-edge visual-studies methodology to the history of Central and South America and the Caribbean. Contributors focus on the visual production of postcolonial national imaginaries across Latin America—mythologies that purposely omitted Indigenous groups, African diasporic communities, and new migrants from Europe and Asia. The essays range across a vast territory, including erasure in archeology and Afro-Colombian portraiture; image making in domestic spaces and social movements; the visual vocabularies of urban planning and agrarian reform; military “performance” and anti-imperial Cold War exchanges; and humanitarian documentary along the US border.Collectively, the authors show how visual methods can radically transform our understanding of power and culture in Latin America and beyond.

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