156 books match the query 'Los Angeles' and 12 start with a

cover of A Divided World: Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948

A Divided World

Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948

Nick Smedley

Intellect Books, 2011

The New Deal introduced sweeping social, political, and cultural change across the United States, which Hollywood embraced enthusiastically. Then, when the heady idealism of the 1930s was replaced by the paranoia of the postwar years, Hollywood became an easy target for the anticommunists. A Divided World examines some of the important programs of the New Deal and the subsequent response of the film community—especially in relation to social welfare, women’s rights, and international affairs. The book also provides an analysis of the major works of three European directors—Billy Wilder, Ernst Lubitsch, and Fritz Lang—compared and contrasted with the products of mainstream Hollywood. This is a new interpretation of an influential period in American film history and it is sure to generate further debate and scholarship.

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cover of A Faith Of Our Own: Second-Generation Spirituality in Korean American Churches

A Faith Of Our Own

Second-Generation Spirituality in Korean American Churches

Kim, Sharon

Rutgers University Press, 2010

Second-generation Korean Americans, demonstrating an unparalleled entrepreneurial fervor, are establishing new churches with a goal of shaping the future of American Christianity.

A Faith of Our Own investigates the development and growth of these houses of worship, a recent and rapidly increasing phenomenon in major cities throughout the United States.

Immigration historians have depicted the second-generation as a transitional generation--on the steady march toward the inevitable decline of ethnic identity and allegiance. Sharon Kim suggests an alternative path. By harnessing religion and innovatively creating hybrid religious institutions, second-generation Korean Americans are assertively defining and shaping their own ethnic and religious futures. Rather than assimilating into mainstream American evangelical churches or inheriting the churches of their immigrant parents, second-generation pastors are creating their own hybrid third space--new autonomous churches that are shaped by multiple frames of reference.

Including data gathered over ten years at twenty-two churches, A Faith of Our Own is the most comprehensive study of this topic that addresses generational, identity, political, racial, and empowerment issues.
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cover of A Rainbow of Gangs: Street Cultures in the Mega-City

A Rainbow of Gangs

Street Cultures in the Mega-City

By James Diego Vigil

University of Texas Press, 2002

Winner, Best Book on Ethnic and Racial Politics in a Local or Urban Setting , Organized Section on Race, Ethnicity, and Politics of the American Political Science Association, 2002

This cross-cultural study of Los Angeles gangs identifies the social and economic factors that lead to gang membership and underscores their commonality across four ethnic groups--Chicano, African American, Vietnamese, and Salvadorian.

With nearly 1,000 gangs and 200,000 gang members, Los Angeles holds the dubious distinction of being the youth gang capital of the United States. The process of street socialization that leads to gang membership now cuts across all ethnic groups, as evidenced by the growing numbers of gangs among recent immigrants from Asia and Latin America.

This cross-cultural study of Los Angeles gangs identifies the social and economic factors that lead to gang membership and underscores their commonality across four ethnic groups—Chicano, African American, Vietnamese, and Salvadorian. James Diego Vigil begins at the community level, examining how destabilizing forces and marginalizing changes have disrupted the normal structures of parenting, schooling, and policing, thereby compelling many youths to grow up on the streets. He then turns to gang members' life stories to show how societal forces play out in individual lives. His findings provide a wealth of comparative data for scholars, policymakers, and law enforcement personnel seeking to respond to the complex problems associated with gangs.

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cover of All for Beauty: Makeup and Hairdressing in Hollywood's Studio Era

All for Beauty

Makeup and Hairdressing in Hollywood's Studio Era

Adrienne L. McLean

Rutgers University Press, 2022

Ever wonder why so many stars and featured players, male or female, in movies of Hollywood’s “Golden Age” look like they just stepped out of a beauty parlor even if the story places them in a jungle, a hospital bed, or the ancient past? All for Beauty examines how and why makeup and hairdressing evolved as crafts designed partly to maintain the white flawlessness of men and women as a value in the studio era. The book pays particular attention to the labor force, exploring the power and influence of cosmetics inventor and manufacturer Max Factor and the Westmore dynasty of makeup artists but also the contributions of others, many of them women, whose names are far less known. At the end of the complex, exciting, and at times dismaying chronicle, it is likely that readers will never again watch Hollywood films without thinking about the roles of makeup and hairdressing in creating both fictional characters and stars as emblems of an idealized and undeniably mesmerizing visual perfection.
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cover of Anatomy of a Trial: Public Loss, Lessons Learned from The People vs. O.J. Simpson

Anatomy of a Trial

Public Loss, Lessons Learned from The People vs. O.J. Simpson

Jerrianne Hayslett

University of Missouri Press, 2008

The People vs. O. J. Simpson ranks indisputably as the trial of the century. It featured a double murder, a celebrity defendant, a perjuring witness, and a glove that didn’t fit. The trial became a media circus of outrageous proportions that led the judge to sequester the jury, eject disruptive reporters, and fine the lawyers thousands of dollars. Now an insider at The People vs. O. J. Simpson reveals the untold story of the most widely followed trial in American history and the indelible impact it has had on the judiciary, the media, and the public.
 
            As the Los Angeles Superior Court’s media liaison, Jerrianne Hayslett had unprecedented access to the trial—and met with Judge Lance Ito daily—as she attempted, sometimes unsuccessfully, to mediate between the court and members of the media and to balance their interests. In Anatomy of a Trial, she takes readers behind the scenes to shed new light on people and proceedings and to show how the media and the trial participants changed the court-media landscape to the detriment of the public’s understanding of the judicial system.
 
            For those who think they’ve already read all there is to know about the Simpson trial, this book is an eye-opener. Hayslett kept a detailed journal during the proceedings in which she recorded anecdotes and commentary. She also shares previously undisclosed information to expose some of the myths and stereotypes perpetuated by the trial, while affirming other stories that emerged during that time. By examining this trial after more than a decade, she shows how it has produced a bunker mentality in the judicial system, shaping media and public access to courts with lasting impact on such factors as cameras in the courtroom, jury selection, admonishments from the bench, and fair-trial/free-press tensions.
 
The first account of the trial written with Judge Ito’s cooperation, Anatomy of a Trial is a page-turning narrative and features photographs that capture both the drama of the courtroom and the excesses of the media. It also includes perspectives of legal and journalism authorities and offers a blueprint for how the courts and media can better meet their responsibilities to the public.
 
Even today, judges, lawyers, and journalists across the country say the Simpson trial changed everything. This book finally tells us why.
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cover of Ancient Carved Ambers in the J. Paul Getty Museum

Ancient Carved Ambers in the J. Paul Getty Museum

Faya Causey

J. Paul Getty Trust, The, 0

First published in 2012, this catalogue presents fifty-six Etruscan, Greek, and Italic carved ambers from the Getty Museum's collection—the second largest body of this material in the United States and one of the most important in the world. The ambers date from about 650 to 300 BC. The catalogue offers full description of the pieces, including typology, style, chronology, condition, and iconography. Each piece is illustrated.
 
The catalogue is preceded by a general introduction to ancient amber (which was also published in 2012 as a stand-alone print volume titled Amber and the Ancient World). Through exquisite visual examples and vivid classical texts, this book examines the myths and legends woven around amber—its employment in magic and medicine, its transport and carving, and its incorporation into jewelry, amulets, and other objects of prestige. This publication highlights a group of remarkable amber carvings at the J. Paul Getty Museum.

This catalogue was first published in 2012 at museumcatalogues.getty.edu/amber/. The present online edition of this open-access publication was migrated in 2019 to www.getty.edu/publications/ambers/; it features zoomable, high-resolution photography; free PDF, EPUB, and Kindle/MOBI downloads of the book; and JPG downloads of the catalogue images.
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cover of Ancient Glass in the J. Paul Getty Museum

Ancient Glass in the J. Paul Getty Museum

Anastassios Antonaras

J. Paul Getty Trust, The, 2024

Illustrated with stunning new photography, this catalogue details the J. Paul Getty Museum’s phenomenal holdings of ancient glass, spanning three millennia.

The J. Paul Getty Museum’s collection of ancient glass—astonishingly delicate, richly hued, and fancifully shaped—is among the most celebrated in the United States. Ranging from the Bronze Age to the medieval period (1500 BCE–1000 CE), the 584 objects included in this publication originated from a wide geographical area, including the Middle East, the Mediterranean, and central Europe.

This catalogue, written by acclaimed scholar Anastassios Antonaras, begins with a fascinating essay on the history of glassmaking—a highly technical art form that is still practiced similarly today—and continues with detailed and informative entries on the works. Each entry is accompanied by vivid photography. The book also includes a history of the collection, glossary of glassmaking terms, technical study, and full bibliography.

The free online edition of this open-access publication is available at getty.edu/publications/ancient-glass/ and includes 360-degree views and zoomable high-resolution photography. Also available are free PDF and EPUB downloads of the book, and JPG downloads of the main catalogue images.
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cover of Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum

Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum

Maria Lucia Ferruzza

J. Paul Getty Trust, The, 2016

In the ancient world, terracotta sculpture was ubiquitous. Readily available and economical—unlike stone suitable for carving—clay allowed artisans to craft figures of remarkable variety and expressiveness. Terracottas from South Italy and Sicily attest to the prolific coroplastic workshops that supplied sacred and decorative images for sanctuaries, settlements, and cemeteries. Sixty terracottas are investigated here by noted scholar Maria Lucia Ferruzza, comprising a selection of significant types from the Getty’s larger collection—life-size sculptures, statuettes, heads and busts, altars, and decorative appliqués. In addition to the comprehensive catalogue entries, the publication includes a guide to the full collection of over one thousand other figurines and molds from the region by Getty curator of antiquities Claire L. Lyons.

Reflecting the Getty's commitment to open content, Ancient Terracottas from South Italy and Sicily in the J. Paul Getty Museum is available online at www.getty.edu/publications/terracottas and may be downloaded for free.
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cover of Angeleno Days: An Arab American Writer on Family, Place, and Politics

Angeleno Days

An Arab American Writer on Family, Place, and Politics

Gregory Orfalea

University of Arizona Press, 2009

Though he has spent half of his life elsewhere, Gregory Orfalea has remained obsessed with Los Angeles. That “brutal, beautiful city along the Pacific sea” shaped him and led to a series of essays originally published in the Los Angeles Times Magazine. These deeply moving pieces are gathered here together for the first time.

Populated with fascinating characters—the Angelenos of Orfalea’s life—these essays tell the story of the author’s trials. He returns to Los Angeles to teach, trying to reconcile the LA of his childhood with the city he now faces. He takes on progressively more difficult and painful subjects, finally confronting the memories of the shocking tragedy that took the lives of his father and sister.

With more than 400,000 Arab Americans in Los Angeles—probably surpassing Detroit as the largest contingent in America—Orfalea also explores his own community and its political and social concerns. He agonizes over another destruction of Lebanon and examines in searing detail a massacre of civilians in Iraq.

Angeleno Days takes the memoir and personal essay to rare heights. Orfalea is a deeply human writer who reveals not only what it means to be human in America now, but also what it will take to remain human in the days to come. These essays soar, confound, reveal, and strike at our senses and sensibilities, forcing us to think and feel in new ways.
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cover of Artifacts to Art: Collecting Ancient America in Midcentury L.A.

Artifacts to Art

Collecting Ancient America in Midcentury L.A.

Andrew D. Turner

J. Paul Getty Trust, The, 2026

This fascinating book reveals the history of how pre-Hispanic artifacts were smuggled into the United States and reconceptualized as works of art.

By the mid-twentieth century, ancient Mexican artifacts had undergone a striking transformation. Once dismissed as anthropological curiosities, sought after more for their ethnographic value than aesthetic merit, they had become prized artworks that were prominently displayed in major US museums, featured in advertisements and Hollywood films, and shown adorning the homes of celebrities.

At the center of this shift was Earl Stendahl, a savvy Los Angeles art dealer who played a pivotal role in shaping public and institutional perceptions of these objects. Through strategic marketing and a keen eye for opportunity, he repositioned these artifacts, selling them to an elite clientele that included movie stars, wealthy collectors, and museum curators. In doing so, he helped define a new canon of “ancient American art.”

Beneath this glamorous facade, however, lies a darker narrative of the looting, smuggling, and forgery that fueled this midcentury craze, exposing how the desire for authenticity and prestige often came at the expense of ethical collecting practices and cultural heritage. This book brings together art history, museum studies, and the politics of the antiquities trade, offering both a social history and a critical examination of how ancient Mexico’s past was sold in twentieth-century America.

This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from June 23 to October 18, 2026.
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cover of Atmospheric Noise: The Indefinite Urbanism of Los Angeles

Atmospheric Noise

The Indefinite Urbanism of Los Angeles

Marina Peterson

Duke University Press, 2021

In Atmospheric Noise, Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise since the 1960s. Exploring spaces shaped by noise around Los Angeles International Airport (LAX), she shows how noise is a way of attuning toward the atmospheric: through noise we learn to listen to the sky and imagine the permeability of bodies and matter, sensing and conceiving that which is diffuse, indefinite, vague, and unformed. In her account, the “atmospheric” encompasses the physicality of the ephemeral, dynamic assemblages of matter as well as a logic of indeterminacy. It is audible as well as visible, heard as much as breathed. Peterson develops a theory of “indefinite urbanism” to refer to marginalized spaces of the city where concrete meets sky, windows resonate with the whine of departing planes, and endangered butterflies live under flight paths. Offering a conceptualization of sound as immanent and non-objectified, she demonstrates ways in which noise is central to how we know, feel, and think atmospherically.
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