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8 books match the query 'Mahābhārata'

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Boundaries of the Text

Epic Performances in South and Southeast Asia

Joyce Burkhalter Flueckiger and Laurie Sears, Editors

University of Michigan Press, 1991

When the Mahabharata and Ramayana are performed in South and Southeast Asia, audiences may witness a variety of styles. A single performer may deliver a two-hour recitation, women may meet in informal singing groups, shaddow puppets may host an all-night play, or professional theaters may put on productions lasting thirty nights. Performances often celebrate ritual passages: births, deaths, marriages, and religious observances. The stories live and are transmitted through performance; their characters are well known and well loved.

Yet written versions of the Mahabharata and Ramayana have existed in both South and Southeast Asia for hundreds of years. Rarely have these texts been intended for private reading. What is the relationship between written text and oral performance? What do performers and audiences mean when they identify something as “Ramayana” or “Mahabharata”? How do they conceive of texts? What are the boundaries of the texts?

By analyzing specific performance traditions, Boundaries of the Text addresses questions of what happens to written texts when they are preformed and how performance traditions are affected when they interact with written texts. The dynamics of this interaction are of particular interest in South and Southeast Asia where oral performance and written traditions share a long, interwoven history. The contributors to Boundaries of the Text show the difficulty of maintaining sharp distinctions between oral and written patterns, as the traditions they consider defy a unidirectional movement from oral to written. The boundaries of epic traditions are in a state of flux, contracting or expanding as South and Southeast Asian societies respond to increasing access to modern education, print technology, and electronic media.

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Mahabharata

Adapted and edited by David R. Slavitt

Northwestern University Press, 2015

Within its 200,000 verse lines in Sanskrit the Mahabharata takes on many roles: epic poem, foundational text of Hinduism, and, more broadly, the engaging story of a dynastic struggle and the passing of an age when man and gods intermingled. David R. Slavitt’s sparkling new edition condenses the epic for the general reader.

At its core, the Mahabharata is the story of the rivalry between the Pandavas and the Kauravas, two related noble families who are struggling for control of a kingdom in ancient northern India. Slavitt’s readable, plot-driven, single-volume account describes an arc from the conception and birth of Bhishma to that hero's death, while also introducing the four goals of life at the center of Hinduism: dharma (righteousness, morality, duty), artha (purpose), kāma (pleasure), and moksa (spiritual liberation). The Mahabharata is engaging, thrilling, funny, charming, and finally awesome, with a range in timbre from the impish naivete of fairy tales to the solemnity of our greatest epics, and this single-volume edition is the best introduction available.

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Rethinking India's Oral and Classical Epics

Draupadi among Rajputs, Muslims, and Dalits

Alf Hiltebeitel

University of Chicago Press, 1999

Throughout India and Southeast Asia, ancient classical epics—the Mahabharata and the Ramayana—continue to exert considerable cultural influence. Rethinking India's Oral and Classical Epics offers an unprecedented exploration into South Asia's regional epic traditions.

Using his own fieldwork as a starting point, Alf Hiltebeitel analyzes how the oral tradition of the south Indian cult of the goddess Draupadi and five regional martial oral epics compare with one another and tie in with the Sanskrit epics. Drawing on literary theory and cultural studies, he reveals the shared subtexts of the Draupadi cult Mahabharata and the five oral epics, and shows how the traditional plots are twisted and classical characters reshaped to reflect local history and religion. In doing so, Hiltebeitel sheds new light on the intertwining oral traditions of medieval Rajput military culture, Dalits ("former Untouchables"), and Muslims.

Breathtaking in scope, this work is indispensable for those seeking a deeper understanding of South Asia's Hindu and Muslim traditions.

This work is the third volume in Hiltebeitel's study of the Draupadi cult. Other volumes include Mythologies: From Gingee to Kuruksetra (Volume One), On Hindu Ritual and the Goddess (Volume Two), and Rethinking the Mahabharata (Volume Four).

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Rethinking the Mahabharata

A Reader's Guide to the Education of the Dharma King

Alf Hiltebeitel

University of Chicago Press, 2001

The ancient Indian Sanskrit tradition produced no text more intriguing, or more persistently misunderstood or underappreciated, than the Mahabharata. Its intricacies have waylaid generations of scholars and ignited dozens of unresolved debates. In Rethinking the Mahabharata, Alf Hiltebeitel offers a unique model for understanding the great epic. Employing a wide range of literary and narrative theory, Hiltebeitel draws on historical and comparative research in an attempt to discern the spirit and techniques behind the epic's composition. He focuses on the education of Yudhisthira, also known as the Dharma King, and shows how the relationship of this figure to others-especially his author-grandfather Vyasa and his wife Draupadi-provides a thread through the bewildering array of frames and stories embedded within stories. Hiltebeitel also offers a revisionist theory regarding the dating and production of the original text and its relation to the Veda. No ordinary reader's guide, this volume will illuminate many mysteries of this enigmatic masterpiece.

This work is the fourth volume in Hiltebeitel's study of the Draupadi cult. Other volumes include Mythologies: From Gingee to Kuruksetra (Volume One), On Hindu Ritual and the Goddess (Volume Two), and Rethinking India's Oral and Classical Epics (Volume Three).

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The Cult of Draupadi, Volume 1

Mythologies: From Gingee to Kuruksetra

Alf Hiltebeitel

University of Chicago Press, 1988

This is the first volume of a three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit Mahābhārata, takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.

Volume 1 focuses on the Draupadī cult’s own double mythology, moving from its stories about Draupadī’s “primal temple” near the capital of the medieval South Indian Kingdom of Gingee to its version of the Mahābhārata war on the North Indian plain of Kurukṣetra. Throughout, Hiltebeitel intertwines “regional” data, gathered from both oral and written sources, with the “epic,” drawn from the cult’s own performative traditions as well as from classical versions of the Mahābhārata in both Tamil and Sanskrit. Pivotal to the overlap of these Gingee and Kurukṣetra mythologies are two folk figures unknown to classical epic traditions: Draupadī’s two guardians, Pōttu Rāja and Muttāl Rāvuttaṉ.

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The Cult of Draupadi, Volume 2

On Hindu Ritual and the Goddess

Alf Hiltebeitel

University of Chicago Press, 1991

A groundbreaking work in the history of popular devotional Hinduism

This is the second volume of a two-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit Mahabharata, takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.

Volume 2 looks at the cultic rituals and argues that these rituals cannot be interpreted independent of other Hindu traditions. Hiltebeitel draws upon his recent fieldwork to demonstrate the remarkable regional and local variations in the practice of the Draupadī cult rituals, from the core area around the ancient center of gingee to the thanjavur area just to the south. He brings to the forefront the differences between the complex rituals of cities, towns, and villages and discusses variations related to their proximity to the central temple in gingee and to the castes from which their customs are derived. using as its model the festival of the Tindivanam temple, Hiltebeitel’s study follows the order of the festival itself and investigates in turn the festival’s four interrelated arenas: the Draupadī temple, a drama stage, a ritual battlefield (paṭukaḷam), and a firewalking area. He explains how the Draupadī festival orchestrates movements back and forth between these arenas to produce a “ritual of battle” in which Draupadī emerges as the victorious goddess.

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