24 books match the query 'Make'
John P. Schaefer
University of Arizona Press, 2025
Southwest Books of the Year Top Pick
John P. Schaefer was only thirty-six years old when he assumed the role of fifteenth president of the University of Arizona in 1971. The son of hardworking German immigrants, Schaefer grew up in Queens, New York, where childhood centered on sports, academics, and the great outdoors.
Earning a PhD in chemistry in 1958, Dr. Schaefer’s career skyrocketed through the ranks of academia, moving him from junior faculty to university president in a mere decade. As president, he led the University of Arizona through a transformational period of growth and is credited with securing the university’s status as a top-tier research institution.
A Chance to Make a Difference recounts poignant, eye-opening, and often humorous stories from childhood to presidency, revealing the characteristics of an inspiring university leader.

David Probert
The Institution of Engineering and Technology, 1997
Edward J. McCaffery
University of Chicago Press, 2002
Barry Barnes and John Dupré
University of Chicago Press, 2008
W. Heath Robinson (1872-1944) is best known for his hilarious drawings of outlandish contraptions, though his work ranged across a wide variety of topics covering many aspects of British life.
Bodleian Library Publishing, 2016
Karl Steel
University of Minnesota Press, 2019
From pet keeping to sky burials, a posthuman and ecocritical interrogation of and challenge to human particularity in medieval texts
Mainstream medieval thought, like much of mainstream modern thought, habitually argued that because humans alone had language, reason, and immortal souls, all other life was simply theirs for the taking. But outside this scholarly consensus teemed a host of other ways to imagine the shared worlds of humans and nonhumans. How Not to Make a Human engages with these nonsystematic practices and thought to challenge both human particularity and the notion that agency, free will, and rationality are the defining characteristics of being human.
Recuperating the Middle Ages as a lost opportunity for decentering humanity, Karl Steel provides a posthuman and ecocritical interrogation of a wide range of medieval texts. Exploring such diverse topics as medieval pet keeping, stories of feral and isolated children, the ecological implications of funeral practices, and the “bare life” of oysters from a variety of disanthropic perspectives, Steel furnishes contemporary posthumanists with overlooked cultural models to challenge human and other supremacies at their roots.
By collecting beliefs and practices outside the mainstream of medieval thought, How Not to Make a Human connects contemporary concerns with ecology, animal life, and rethinkings of what it means to be human to uncanny materials that emphasize matters of death, violence, edibility, and vulnerability.
Madeline Uraneck
Wisconsin Historical Society Press, 2018
Raymond Postgate
Westholme Publishing, 2018
Jerald Walker
The Ohio State University Press, 2020
Eric G. Wilson
Northwestern University Press, 2015
In this innovative hybrid of biography, memoir, and criticism, Eric G. Wilson describes how John Keats gave him solace during a bout of mental illness in spring 2012. While on a tour of the principal sites in Keats’s life—ranging from his London medical school to the small room in Rome where he died—Wilson discovered analogies between the poet’s troubles and his own. He was most struck by Keats’s enlivening vision of the soul.
For Keats, we don’t possess but rather make a soul. We do this by imaginatively transforming our suffering into empathy toward humans and nature alike. Tracking this idea in Keats’s tumultuous yet exhilarating life and work, Wilson struggles to envision his depression anew, desperate to overcome the apathy alienating him from his family.
How to Make a Soul offers fresh perspectives on Keats’s pragmatism, irony, comedy, ethics, and aesthetics, but is above all a lyrical celebration of those galvanizing instances when life springs into art.
John Rhodes
University of Chicago Press, 2021
Maya Salameh
University of Arkansas Press, 2022
“We need a new poetry lexicon—a new way of moleculing the poem on the page, even—and Maya Salameh brings it. We need all the strange Arabic-diasporic ways we can find for being in this terrible and joyful and often frighteningly banalizing world, and Salameh’s poems are a generous find. Her writing is an unexpected cousin in the colonized and capitalism-razed city, bewildering and divining things you’ve never heard but want to learn. . . . Prepare to be stretched and delighted.”
—Mohja Kahf, from the Foreword
The divine and the digital achieve a distinct corporality in Maya Salameh’s HOW TO MAKE AN ALGORITHM IN THE MICROWAVE, winner of the 2022 Etel Adnan Poetry Prize. Layering prayer with code, Salameh brings supposedly unassailable technological constructs like algorithm, recursion, and loop into conversation with the technologies of womanhood, whether liner, lipstick, or blood. Exploring the relationships we have with our devices, she speaks back to the algorithm (“a computer’s admission to blood”), which acts simultaneously as warden, confidant, and data thief.
Here Salameh boldly examines how an Arab woman survives the digitization of her body—experimenting with form to create an intimate collage of personal and neocolonial histories, fearlessly insinuating herself into the scripts that would otherwise erase her, and giving voice to the full mess of ritual.
Amanda Moss Struckmeyer
American Library Association, 2025
Judy Soloway Kay
University of Michigan Press, 2005
Adubato, Steve
Rutgers University Press, 2006
In this collection of compelling and practical essays, Emmy Award–winning broadcaster, newspaper columnist, and motivational speaker Steve Adubato shares concrete tips and tools that will help you connect more effectively at work, at home, under pressure, in leadership roles, and in high-tech environments. From avoiding unnecessary arguments with your spouse to coaching a valuable, yet difficult employee, Adubato’s essays delve into the key factors that motivate people to act and respond the way that they do.
You will find answers to some of the most common questions about public speaking as well as advice on overcoming its anxieties. Whether the forum is a PTA meeting or a large professional function, essays explore topics such as:
You will learn essential skills for interacting in the workplace, including:
Drawing on examples set by public figures, including Bill Clinton, Rudy Giuliani, Mario Cuomo, Martha Stewart, Jack Welch, Joe Torre, and many others, Adubato addresses the unique communication challenges that those in leadership positions face. Essays examine:
· What ordinary people can learn from leaders in high-profile positions
· Why so many leaders have difficulty taking responsibility and apologizing for their actions
As technology continues to provide opportunities for quicker and more visual communication, Adubato also lets you know when hi-tech bells and whistles get in the way of making a more personal and human connection. For instance,
· Why do we hide behind e-mail messages when we have something very difficult to say?
· How does communication deteriorate when cell phones and e-mail are competing for our attention?
Finally, Adubato reminds us that communicating at home is no less important or any less difficult than communicating in public or at work. From contemporary challenges to age-old questions, essays explore:
· How you can more effectively talk with your kids about war and terrorism
· What forms of persuasion are more effective than nagging
Filled with timely examples and practical suggestions, Make the Connection is a must-read for everyone looking to improve their professional and personal relationships.
T.J. Anderson III
University of Arkansas Press, 2004
David Grazian
University of Chicago Press, 2007
David Grazian’s riveting tour of downtown Philadelphia and its newly bustling nightlife scene reveals the city as an urban playground where everyone dabbles in games of chance and perpetrates elaborate cons. Entertainment in the city has evolved into a professional industry replete with set designers, stage directors, and method actors whose dazzling illusions tempt even the shrewdest of customers. As entertaining and illuminating as the confessional stories it recounts, On the Make is a fascinating exposé of the smoke and mirrors employed in the city at night.
Joseph Turow
University of Chicago Press, 2026
A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse.
Whether you’re intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, politics, age, location, medical conditions, and tastes in clothing, food, and romantic partners. As advertising firms use predictive AI to discover your hot buttons and generative AI to push them, your online world becomes an increasingly bespoke—and isolated—place. The fervid competition around personalization in digital marketing has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data while threatening the health of our media, discourse, and sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.
The Problem with Personalization shatters common beliefs about advertising history by showing that individualized ads are not new. Today’s AI-enabled advertisers draw on past aspirations and assumptions about personalization while weaponizing data in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts through our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy.
A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we’re seen and what we see in return.
Joseph Turow
University of Chicago Press, 2026
A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse.
Whether you’re intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, your tastes in clothing, food, location, politics, age, medical conditions, and romantic partners. As predictive AI tells firms what your hot buttons are and generative AI produces messages tailored to those buttons, your online world becomes an increasingly comfortable—and isolated—place. The fervid competition around personalization in digital marketing, now ubiquitous, has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data, while threatening the health of our media, our discourse, and our sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.
The Problem with Personalization shatters common beliefs about advertising history by showing that individualizing ads is not new. Today’s high-velocity AI versions draw on past aspirations and assumptions about personalization while weaponizing it in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy.
A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we’re seen and what we see in return.
Maxine Kumin
University of Michigan Press, 1980

Olivia Harris
University of London Press, 1999
Edited by Alex Ungprateeb Flynn, María Iñigo Clavo, Beatriz Lemos, and Florencia Portocarrero
University College London, 2026
An examination of art's evolving role in theorizing decolonization, with Afro-diasporic and Indigenous perspectives in Latin America at its center.
Unmaking to Make reorients global conversations on decolonization by centering Afro-diasporic and Indigenous perspectives from across Latin America. Through a wide-ranging selection of texts, including critical essays, curatorial reflections, and interviews, it explores how artistic practice actively theorizes, models, and enacts alternative modes of living. Showcases cutting-edge work of emerging artists and curators, currently under-recognized in North American and European contexts. The volume establishes new reference points, methodologies, and institutional models for the next generation of scholars. By mapping forthcoming debates and potential institutional shifts, the book provides forward-looking insights into where and how decolonial thought will unfold in the years to come.
John Schwille
Michigan State University Press, 2023
Edited by Amanda Dahling and Mary Kay Blakely
University of Missouri Press, 2016
Newspapers and magazines have been steadily shrinking, and more and more former subscribers have gone to digital and internet sources for the news. Yet it has become increasingly clear that “short takes” don’t satisfy many readers, who still long for nuanced, long form journalism. By providing examples of classic magazine articles by professional writers, all of whom are graduates of the Missouri School of Journalism, this book fulfills the need for more sophisticated, thought-provoking essays that will resonate with both the general reader and students.
The book is divided into three broad categories: profiles, first person journalism, and personal memoirs, and includes the original articles as well as a “postscript” by the writers in which they discuss what they’ve learned about writing, journalism, and the business of getting published. Useful for students and instructors in writing programs, the book also appeals to writers interested in both the art and the craft of successful writing.