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Milwaukeeans greeted the advent of World War II with the same determination as other Americans. Everyone felt the effect of the war, whether through concern for loved ones in danger, longer work hours, consumer shortages, or participation in war service organizations and drives. Men and women workers produced the essential goods necessary for victory—the vehicles, weapons, munitions, and components for all the machinery of war. But even in wartime there were labor conflicts, fueled by the sacrifices and tensions of wartime life. A City at War focuses on the experience of working men and women in a community that was not a wartime boom town. It looks at the stands of the CIO and the AFL against low wartime wages, and at women in unionized factories facing the perceptions and goals of male workers, union leaders, and society itself. Here is a social history of wartime Milwaukee and its workers as they laid the groundwork for a secure postwar future.

This is a rich, absorbing novel about good, evil, and the inability of the legal system to mediate between the two. Two white Milwaukee motorcycle cops pursue and kill a young black man on a bitterly cold winter night in 1959 and with the help of their su

In the 1950s, Milwaukee's strong union movement and socialist mayor seemed to embody a dominant liberal consensus that sought to continue and expand the New Deal. Tula Connell explores how business interests and political conservatives arose to undo that consensus, and how the resulting clash both shaped a city and helped redefine postwar American politics. Connell focuses on Frank Zeidler, the city's socialist mayor. Zeidler's broad concept of the public interest at times defied even liberal expectations. At the same time, a resurgence of conservatism with roots presaging twentieth-century politics challenged his initiatives in public housing, integration, and other areas. As Connell shows, conservatives created an anti-progressive game plan that included a well-funded media and PR push; an anti-union assault essential to the larger project of delegitimizing any government action; opposition to civil rights; and support from a suburban silent majority. In the end, the campaign undermined notions of the common good essential to the New Deal order. It also sowed the seeds for grassroots conservatism's more extreme and far-reaching future success.

Cream City Chronicles is a collection of lively stories about the people, the events, the landmarks, and the institutions that have made Milwaukee a unique American community. These stories represent the best of historian John Gurda’s popular Sunday columns that have appeared in the Milwaukee Journal Sentinel since 1994. Find yourself transported back to another time, when the village of Milwaukee was home to fur trappers and traders. Follow the development of Milwaukee’s distinctive neighborhoods, its rise as a port city and industrial center, and its changing political climate. From singing mayors to summer festivals, from blueblood weddings to bloody labor disturbances, the collection offers a generous sampling of tales that express the true character of a hometown metropolis.

In the dead of an unassuming January night in 1883, Milwaukee’s Newhall House hotel was set on fire. Two hours later, the building—once among the tallest in the nation—lay in ruins and over seventy people were dead. It was a tragedy that brought global notice to Milwaukee, with daring escapes and rescues and heart-wrenching tales of victims burned to death or killed as they leapt from the burning building. From the great horror emerged an even greater string of mysteries: Who had set the fire and who was to blame for the staggering loss of life? The Newhall’s hard-luck barkeeper? A gentleman arsonist? What of the many other unexplained fires at the hotel? Had the Newhall’s management neglected fire safety to boost their profits? 
 
Damn the Old Tinderbox! is the gripping tale of one of the Gilded Age’s forgotten calamities, a fire that remains among the deadliest unsolved arsons in American history, and a significant chapter in both the history of Milwaukee and the Midwest. 

 

"Milwaukee's story is unique in that its struggle for integration and quality education has been so closely tied to [school] choice." --from the Introduction

"Educating Milwaukee: How One City's History of Segregation and Struggle Shaped Its Schools" traces the origins of the modern school choice movement, which is growing in strength throughout the United States. Author James K. Nelsen follows Milwaukee's tumultuous education history through three eras--"no choice," "forced choice," and "school choice." Nelsen details the whole story of Milwaukee's choice movement through to modern times when Milwaukee families have more schooling options than ever--charter schools, open enrollment, state-funded vouchers, neighborhood schools--and yet Milwaukee's impoverished African American students still struggle to succeed and stay in school. "Educating Milwaukee" chronicles how competing visions of equity and excellence have played out in one city's schools in the modern era, offering both a cautionary tale and a "choice" example.

 

Father Groppi Marched to Change Milwaukee

"Father Groppi: Marching for Civil Rights" tells the story of Father James Groppi, a Catholic priest from Milwaukee, Wis., who stood up for civil rights in the 1960s and 1970s.

This important new addition to the Badger Biographies series for young readers also tells about a turbulent time in Wisconsin history and sheds light on the civil rights movement and its place in the North.

Growing up on the south side of Milwaukee as the son of Italian immigrants, young James Groppi learned early on what it felt like to be made fun of just because of who you are, and he learned to respect people from other races and ethnic groups. Later, while studying to become a priest, he saw the discrimination African Americans faced. It made him angry, and he vowed to do whatever he could to fight racism.

Father Groppi marched with Dr. Martin Luther King Jr. and other leaders of the civil rights movement. But he knew there was work to be done in his own city. In Milwaukee, he teamed up with the NAACP and other organizations, protesting discrimination and segregation wherever they saw it. It wasn't always easy, and Father Groppi and the other civil rights workers faced great challenges.

In this lively coming-of-age novel, young Danny Meyer lays bare a landscape of illness and despair but emerges triumphant, with a new awareness of the limitations of security and the lessons of eternity. Danny’s bubble-like existence in paradisal Madison is broken when his father, a concert pianist and professor, is stricken with illness and must give up his professorship. The family is forced to move to Milwaukee to live at the brink of poverty while his father gets sicker, his artistic mother struggles as bread-winner, and his brother becomes delusional. Here, Danny finds himself in the uncertain position of having to accept the responsibilities of manhood while still struggling with adolescence.

In a world that keeps shifting, Danny befriends the son of a gangster and, through his brushes with that compelling world of crime, finds his way to a new confidence. Realistically portrayed, A Friend of Kissinger, captures an authentic sense of place that is one part arty, heartland Main Street and one part shady, small-time gangsterland.

Roman B.J. Kwasniewski, son of Polish immigrants, used his camera to document life in Milwaukee's Polish community during the early decades of the twentieth century. His images transform the particulars of everyday life at local businesses, in homes and classrooms, and at cultural, social, and recreational events into powerful depictions of the immigrant experience. With an introduction by well-known Milwaukee historian John Gurda, this book offers rare insight into the daily lives of a proud people struggling to maintain their heritage while living in a time of rapid change.

While Kwasniewski's camera captured the sights and sounds of Milwaukee at the turn of the century from the perspective of a single ethnic group in a single neighborhood, his photographs resonate far beyond Milwaukee's Polish South Side. They illuminate the particulars of American life during the early decades of the twentieth century. "What we see, reflected in the distant mirror," says John Gurda, "is ourselves."

Milwaukee's small but vibrant Mexican and Mexican American community of the 1920s grew over succeeding decades to incorporate Mexican, Mexican American, Puerto Rican, Cuban, Central American, and Caribbean migration to the city. Drawing on years of interviews and collaboration with interviewees, Theresa Delgadillo offers a set of narratives that explore the fascinating family, community, work, and career experiences of Milwaukee's Latinas during this time of transformation. Through the stories of these women, Delgadillo caringly provides access to a wide variety of Latina experiences: early Mexican settlers entering careers as secretaries and entrepreneurs; Salvadoran and Puerto Rican women who sought educational opportunity in the U.S., sometimes in flight from political conflicts; Mexican women becoming leather workers and drill press operators; and second-generation Latinas entering the professional classes. These women show how members of diverse generations, ethnicities, and occupations embraced interethnic collaboration and coalition but also negotiated ethnic and racial discrimination, domestic violence, workplace hostilities, and family separations. A one-of-a-kind collection, Latina Lives in Milwaukee sheds light on the journeys undertaken then and now by Latinas in the region, and lays the foundation for the further study of the Latina experience in the Midwest. With contributions from Ramona Arsiniega, María Monreal Cameron, Daisy Cubías, Elvira Sandoval Denk, Rosemary Sandoval Le Moine, Antonia Morales, Carmen Murguia, Gloria Sandoval Rozman, Margarita Sandoval Skare, Olga Valcourt Schwartz, and Olivia Villarreal.

When Johnquell, an African American teen, suffers a serious accident in the home of his white neighbor, Mrs. Czernicki, his community must find ways to bridge divisions between black and white, gay and straight, old and young. Set in one of the nation’s most highly segregated cities—Milwaukee, Wisconsin—Meet Me Halfway tells stories of connections in a community with a tumultuous and divided past. In nine stories told from diverse perspectives, Jennifer Morales captures a Rust Belt city’s struggle to establish a common ground and a collective vision of the future.
            Morales gives life to multifaceted characters—white schoolteachers and senior citizens, Latino landlords, black and Puerto Rican teens, political activists, and Vietnam vets. As their lives unfold in these stories, we learn about Johnquell’s family—his grandparents’ involvement in the local Black Panther Party, his sister’s on-again, off-again friendship with a white classmate, and his aunt’s identity crisis as she finds herself falling in love with a woman. We also meet Johnquell’s mother, Gloria, and his school friend Taquan, who is struggling to chart his own future.
            As an activist mother in the thick of Milwaukee politics, Morales developed a keen ear and a tender heart for the kids who have inherited the city’s troubled racial legacy. With a critical eye on promises unfulfilled, Meet Me Halfway raises questions about the notion of a “postracial” society and, with humor and compassion, lifts up the day-to-day work needed to get there.

Runner-up, Short Story/Anthology, Midwest Book Awards

Best books for public & secondary school libraries from university presses, American Library Association

Wisconsin representative for “Great Lakes Reads,” Library of Congress Center for the Book and its affiliated Midwest centers

Outstanding Achievement Award, Wisconsin Library Association (one of ten 2015 books chosen)

What would it be like to take an intensive tour of Milwaukee as it was during the late 1930s—at the confluence of the Great Depression, the New Deal, and the run-up to World War II? That is precisely what the participants in the Federal Writers Project did while researching their Guide to Milwaukee. The fruits of their labors were ready for publication by 1940, but for a number of reasons the finished product never saw the light of day—until now.

Fortunately, the manuscript has been carefully preserved in the Wisconsin Historical Society Archives

. Seventy-five years after the work’s completion, the Wisconsin Historical Society Press and historian John D. Buenker present this guide—now serving as a time machine, ready to transport readers back to the Milwaukee of the 1930s, neighborhood by neighborhood, building by building. Much more than a nostalgic snapshot, the book examines Milwaukee’s history from its earliest days to 1940.

Buenker’s thoughtful introduction provides historical context, detailing the FWP’s development of this guide, as well as Milwaukee’s political climate leading up to, and during, the 1930s. Next, essays on thirteen "areas," ranging from Civic Center to Bay View, delve deeper into the geography, economy, and culture of old Milwaukee’s neighborhoods, and simulated auto tours take readers to locales still familiar today, exploring the city’s most celebrated landmarks and institutions. With a calendar of annual events and a list of public services and institutions, plus dozens of photographs from the era, Milwaukee in the 1930s provides a unique record of a pre–World War II American city.

In this volume, a diverse group of scholars explores key themes in the distinctive history of Milwaukee, from settlement to the present, both in terms of the area's internal development and its comparative standing with other Great Lakes cities. Contributors discuss the importance of socialism and labor in local politics; Milwaukee's ethnic diversity, including long-standing African American, Latino, and Asian communities as well as an unusually large and significant German American population; the function and origins of the city's residential architecture; and the role of religious and ethnic culture in forming the city's identity. Rich in detail, the essays also challenge readers and researchers to pursue additional research on the city and the region by identifying critical areas and methods for future investigations into Milwaukee's past.

Contributors are Margo Anderson, Steven M. Avella, John D. Buenker, Jack Dougherty, Eric Fure-Slocum, Victor Greene, Thomas C. Hubka, Judith T. Kenny, Genevieve G. McBride, Aims McGuinness, Anke Ortlepp, Joseph A. Rodriguez, and N. Mark Shelley.

Setting the Lawn on Fire, the first novel by critically acclaimed writer Mack Friedman, trails its narrator through his obsessions with sex, drugs, art, and poison. Ivan, a young Jewish boy from Milwaukee, embarks on a journey of sexual discovery that leads him from Wisconsin to Alaska, Philadelphia, and Mexico through stints as a fishery worker, artist, and finally a hustler who learns to provide the blank canvas for other people’s dreams. The result is a new kind of coming-of-age story that sees passion from every angle because its protagonist is every kind of lover: the seducer and the seduced, the pornographer and the model, the hunter and the prey, the trick and the john. In the end, Setting the Lawn on Fire is also something rare—a fully realized, contemporary romance that illuminates the power of desire and the rituals of the body, the brain, and the heart that attempt to contain our passions.

Raised with twelve brothers in a part of the segregated South that provided no school for African American children through the 1940s, Sylvia Bell White went North as a teenager, dreaming of a nursing career and a freedom defined in part by wartime rhetoric about American ideals. In Milwaukee she and her brothers persevered through racial rebuffs and discrimination to find work. Barred by both her gender and color from employment in the city’s factories, Sylvia scrubbed floors, worked as a nurse’s aide, and took adult education courses.

            When a Milwaukee police officer killed her younger brother Daniel Bell in 1958, the Bell family suspected a racial murder but could do nothing to prove it—until twenty years later, when one of the two officers involved in the incident unexpectedly came forward. Daniel’s siblings filed a civil rights lawsuit against the city and ultimately won that four-year legal battle. Sylvia was the driving force behind their quest for justice.

            Telling her whole life story in these pages, Sylvia emerges as a buoyant spirit, a sparkling narrator, and, above all, a powerful witness to racial injustice. Jody LePage’s chapter introductions frame the narrative in a historical span that reaches from Sylvia’s own enslaved grandparents to the nation’s first African American president. Giving depth to that wide sweep, this oral history brings us into the presence of an extraordinary individual. Rarely does such a voice receive a hearing.

Winner, Wisconsin Historical Society Book Award of Merit

Between 1850 and 1900, Milwaukee’s rapid population growth also gave rise to high death rates, infectious diseases, crowded housing, filthy streets, inadequate water supplies, and incredible stench. The Healthiest City shows how a coalition of reform groups brought about community education and municipal action to achieve for Milwaukee the title of “the healthiest city” by the 1930s. This highly praised book reminds us that cutting funds and regulations for preserving public health results in inconvenience, illness, and even death.
    “A major work. . . . Leavitt focuses on three illustrative issues—smallpox, garbage, and milk, representing the larger areas of infectious disease, sanitation, and food control.”—Norman Gevitz, Journal of the American Medical Association
    “Leavitt’s research provides additional evidence . . . that improvements in sanitation, living conditions, and diet contributed more to the overall decline in mortality rates than advances in medical practice. . . . A solid contribution to the history of urban reform politics and public health.”—Jo Ann Carrigan, Journal of American History

In 1917 a bomb exploded in a Milwaukee police station, killing nine officers and a civilian. Those responsible never were apprehended, but police, press, and public all assumed that the perpetrators were Italian. Days later, eleven alleged Italian anarchists went to trial on unrelated charges involving a fracas that had occurred two months before. Against the backdrop of World War I, and amidst a prevailing hatred and fear of radical immigrants, the Italians had an unfair trial. The specter of the larger, uncharged crime of the bombing haunted the proceedings and assured convictions of all eleven. Although Clarence Darrow led an appeal that gained freedom for most of the convicted, the celebrated lawyer's methods themselves were deeply suspect. The entire case left a dark, if hidden, stain on American justice.

Largely overlooked for almost a century, the compelling story of this case emerges vividly in this meticulously researched book by Dean A. Strang. In its focus on a moment when patriotism, nativism, and terror swept the nation, Worse than the Devil exposes broad concerns that persist even today as the United States continues to struggle with administering criminal justice to newcomers and outsiders.