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8 books match the query 'Montgomery'

cover of Creating Community: Life and Learning at Alabama State University

Creating Community

Life and Learning at Alabama State University

Edited by Karl E. Westhauser, Elaine M. Smith, and Jennifer A. Fremlin

University of Alabama Press, 2008

Creating Community explores how faculty members at Alabama State University, a historically black university in Montgomery, have been inspired by the legacy of African American culture and the civil rights movement and how they seek to interpret and extend that legacy through teaching, scholarship, and service. Authors describe a wide range of experiences from the era of segregation to the present day. These include accounts of growing up and going to college in Alabama, arriving in the South for the first time to teach at ASU, and the development of programs such as the National Center for the Study of Civil Rights and African American Culture. Together, the essays present viewpoints that reflect the diverse ethnic, cultural, and academic backgrounds of the contributors and of the university.
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cover of Dividing Lines: Municipal Politics and the Struggle for Civil Rights in Montgomery, Birmingham, and Selma

Dividing Lines

Municipal Politics and the Struggle for Civil Rights in Montgomery, Birmingham, and Selma

J. Mills Thornton, III

University of Alabama Press, 2006

Presents the story of the civil rights movement from the perspective of community-municipal history at the grassroots level

Thornton demonstrates that the movement had powerful local sources in its three birth cities—Montgomery, Birmingham, and Selma. There, the arcane mechanisms of state and city governance and the missteps of municipal politicians and civic leaders—independent of emerging national trends in racial mores—led to the great swell of energy for change that became the civil rights movement.

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cover of Materia Medica: Black Women, White Doctors, and Spectacular Gynecology

Materia Medica

Black Women, White Doctors, and Spectacular Gynecology

Nicole N. Ivy

Duke University Press, 2026

In 1840, a young doctor named James Marion Sims established the surgery practice in Montgomery, Alabama at which he and his mentee, Nathan Bozeman, developed the field of gynecology through experimentation on black enslaved women. In Materia Medica, Nicole N. Ivy investigates how the bodies of the enslaved provided a physical terrain upon and through which white male fantasies of mastery, practice, and perfection could be played out. Through an interdisciplinary methodology that brings feminist historiography, critical race theory, visual culture studies, and literary studies to bear on the history of transatlantic slavery and medicine, Ivy places Sims’s and Bozeman’s clinic in the context of the flourishing antebellum slave market and demonstrates how black women were made to move as both currency and commodity through the circuit of medical knowledge production. Spanning nineteenth-century medical manuals to twenty-first-century creative works, Materia Medica ultimately considers what the memorials to Sims and the enslaved women he examined tells us about the challenges of representing difficult histories and reflects on artistic possibilities for historical reckoning.
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cover of Montgomery in the Good War: Portrait of a Southern City, 1939-1946

Montgomery in the Good War

Portrait of a Southern City, 1939-1946

Wesley Phillips Newton

University of Alabama Press, 2000

One city. One war. A story of transformation at home and abroad.

Using newspaper accounts, interviews, letters, journals, and his own memory of the time, Wesley Newton reconstructs wartime-era Montgomery, Alabama--a sleepy southern capital that was transformed irreversibly during World War II.

The war affected every segment of Montgomery society: black and white, rich and poor, male and female, those who fought in Europe and the Pacific and those who stayed on the home front. Newton follows Montgomerians chronologically through the war from Pearl Harbor to Hiroshima as they experience patriotism, draft and enlistment, rationing, scarcity drives, and the deaths of loved ones. His use of small vignettes based on personal recollections adds drama and poignancy to the story. 

Montgomery in the Good War is an important reminder that wars are waged at home as well as abroad and that their impact reverberates well beyond those who fight on the front lines. Those who came of age during the war will recognize themselves in this moving volume. It will also be enlightening to those who have lived in times of relative peace.

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cover of Old Alabama Town: An Illustrated Guide

Old Alabama Town

An Illustrated Guide

Mary Ann Neeley

University of Alabama Press, 2002

Old Alabama Town is a visual and historical chronicle of one of the South's important architectural landmarks—four blocks of 19th-century buildings restored to their original condition, collectively forming an educational village that preserves and displays life as it was lived in Alabama from the 1830s through the 1890s. A creation of the Landmarks Foundation of Montgomery, a nonprofit organization developed in 1967, Old Alabama Town displays the lifestyles and environment of the time period through architecture, decorative arts, and living history. The "town" has been made available for students, secondary school educators for field trips, and to tourists for entertainment and family excursions.

More than 50 historic structures, all formerly in danger of demolition, have been transported from around central Alabama and restored on site. The Living Block of the village allows visitors to explore a log cabin, dogtrot house, carriage house, "shotgun" house, pole barn, schoolhouse, tavern, grange hall, and grocery. The Working Block allows patrons to visit a blacksmith's shop, drugstore, grist mill, cotton gin, woodcarver's shop, print shop, and cookhouse. Additional regions of the village present some of the most significant historic homes to be preserved in the state: the Cram-Lakin House, Thompson Mansion, and the Ordeman-Mitchell-Shaw House, among others.

Designed in full color, this paperback guide is introduced by the author's historical, sociological, and cultural overview of Montgomery. The 45 individual entries detail the history and features of each structure and are supplemented by a map, archival photographs of the buildings, and 60 contempo-rary color photographs. This book will be useful to tourists, preservationists, students and scholars of Alabama history and architecture, and all those interested in an interpretive museum of southern life.

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cover of Planning White Supremacy: Civil Rights and City Planning in Montgomery, Alabama, 1920–1970

Planning White Supremacy

Civil Rights and City Planning in Montgomery, Alabama, 1920–1970

Rebecca Coleen Retzlaff

University of Alabama Press, 2026

An unflinching account of how city planning was deployed to enforce white supremacy in Montgomery, Alabama—the birthplace of the Civil Rights Movement—and how Black activists fought back, block by neighborhood block.

At the heart of the Civil Rights Movement was a city meticulously designed to enforce inequality. In Planning White Supremacy: Civil Rights and City Planning in Montgomery, Alabama, 1920–1970, Rebecca Coleen Retzlaff traces how city officials used the tools of modern planning—zoning, infrastructure, housing codes, public investment, and highway construction—to suppress political power, economic opportunity, and spatial freedom for Black citizens.

As the birthplace of the Civil Rights Movement, Montgomery became a battleground where urban planning and direct-action protest collided, shaping the city’s culture in ways that still resonate today. Retzlaff’s analysis exposes the calculated use of municipal power to control land use, displace Black communities, keep schools and neighborhoods segregated, and preserve white political dominance. By placing urban planning at the center of Montgomery’s story, this groundbreaking work reframes the movement not only as a fight for voting rights and legal equality, but as a struggle for space, housing, mobility, education, and the right to live with dignity. Retzlaff also highlights the resilience and joy of the close-knit Black neighborhoods that nurtured the civil rights activists who changed history.

Retzlaff reveals how urban planning decisions systematically targeted Black neighborhoods, reinforcing racial inequality under the guise of modernization. With historical depth and critical insight, Planning White Supremacy situates Montgomery within the broader context of American urban history—offering a vital perspective on the intersection of race, space, and power. Essential for scholars of urban planning, history, and racial justice, this book also provides urgent insight into how these legacies continue to shape cities and Black socioeconomic opportunities today.

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cover of Sweet Mystery: A Book of Remembering

Sweet Mystery

A Book of Remembering

Judith Hillman Paterson

University of Alabama Press, 2020

An exquisitely written memoir—combining sorrow and joy, anger and forgiveness, suffering and healing—that affirms the resilience and strength that imbue the human spirit

Judith Paterson was just nine years old in 1946 when her mother died of a virulent combination of alcoholism and mental illness at the age of 31. Sweet Mystery: A Book of Remembering is Paterson’s harrowing account of the memories of her mother, told with eloquence and understanding. Set largely in Montgomery, Alabama, the story plays out against a backdrop of relatives troubled almost as much by southern conflicts over race and class as by the fallout from a long family history of drinking, denial, and mental illness.

While rich in the details and flavor of small-town life in the South during the 1940s, Sweet Mystery transcends time and regionalism to evoke universal American themes. Ultimately, it confirms the damaging effects of early trauma on children as well as the innate and familial strengths that enable some children to survive, grow up, and heal.

Originally published in 1996 to critical acclaim in the national media, Sweet Mystery was called “a beautifully written, excruciating collision of form and emotion, joy and pain, willpower and self-examination, control and surrender” by the Washington Post. This edition contains a new afterword written by the author as well as a list of suggested readings.
 
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cover of White Violence and Black Response: From Reconstruction to Montgomery

White Violence and Black Response

From Reconstruction to Montgomery

Herbert Shapiro

University of Massachusetts Press, 1988

We are taught that America is a society based on respect for the law and orderly procedures. That the Constitution stands as a safeguard of individual freedom, and the courts and the police are supposedly established to enforce the law. When a controversial issue arises in the American fabric, it is to be resolved not in the streets but through the democratic processes of elections. Yet, for blacks these liberal values have been turned into their opposites. The courts have most often stood silent in the face of racist violence or have turned their wrath against the victims, not the perpetrators; the police have protected the mob rather than the mobbed and have often either aided the lynchers or displayed amazing inability to identify them. Where race is concerned, legislative or judicial action to deal with controversial issues has often come late and been partial in nature, while white violence has continued to terrorize black Americans without hindrance.

In White Violence and Black Response: From Reconstruction to Montgomery, Herbert Shapiro explores the depths of violence generated by white racism and the irony of the American association with violence as a behavior of black people. Citing the nation's political leadership, educational institutions, and news media as institutions that fail to educate Americans about the oppressive social conditions that have root in these criminal acts, Shapiro is able to expose the ways in which white supremacy operates within American institutions and the responses by black people in this powerful read.

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