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14 books match the query 'Mound-builders'

cover of Archaeology at Shiloh Indian Mounds, 1899-1999

Archaeology at Shiloh Indian Mounds, 1899-1999

Paul D. Welch

University of Alabama Press, 2006

One hundred years of archaeological excavations at an important American landmark, the Shiloh Indian Mounds archaeological site, a National Historic Landmark

The Shiloh Indian Mounds archaeological site, a National Historic Landmark, is a late prehistoric community within the boundaries of the Shiloh National Military Park on the banks of the Tennessee River, where one of the bloodiest battles of the Civil War was fought in April 1862. Dating between AD 1000 and 1450, the archaeological site includes at least eight mounds and more than 100 houses. It is unique in that the land has never been plowed, so visitors can walk around the area and find the collapsed remains of 800-year-old houses and the 900-meter-long palisade with bastions that protected the village in prehistoric times. Although its location within a National Park boundary has protected the area from the recent ravages of man, riverbank erosion began to undermine the site in the 1970s. In the mid-1990s, Paul Welch began a four-year investigation culminating in a comprehensive report to the National Park Service on the Shiloh Indian Mounds.
 
These published findings confirm that the Shiloh site was one of at least fourteen Mississippian mound sites located within a 50 km area and that Shiloh was abandoned in approximately AD 1450. It also establishes other parameters for the Shiloh archaeological phase. This current volume is intended to make information about the first 100 years of excavations at the Shiloh site available to the archaeological community.
 
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cover of Buried Indians: Digging Up the Past in a Midwestern Town

Buried Indians

Digging Up the Past in a Midwestern Town

Laurie Hovell McMillin

University of Wisconsin Press, 2006

In Buried Indians, Laurie Hovell McMillin presents the struggle of her hometown, Trempealeau, Wisconsin, to determine whether platform mounds atop Trempealeau Mountain constitute authentic Indian mounds. This dispute, as McMillin subtly demonstrates, reveals much about the attitude and interaction-past and present-between the white and Indian inhabitants of this Midwestern town.

McMillin's account, rich in detail and sensitive to current political issues of American Indian interactions with the dominant European American culture, locates two opposing views: one that denies a Native American presence outright and one that asserts its long history and ruthless destruction. The highly reflective oral histories McMillin includes turn Buried Indians into an accessible, readable portrait of a uniquely American culture clash and a dramatic narrative grounded in people's genuine perceptions of what the platform mounds mean.

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cover of Earthworks Rising: Mound Building in Native Literature and Arts

Earthworks Rising

Mound Building in Native Literature and Arts

Chadwick Allen

University of Minnesota Press, 2022

A necessary reexamination of Indigenous mounds, demonstrating their sustained vitality and vibrant futurity by centering Native voices
 

Typically represented as unsolved mysteries or ruins of a tragic past, Indigenous mounds have long been marginalized and misunderstood. In Earthworks Rising, Chadwick Allen issues a compelling corrective, revealing a countertradition based in Indigenous worldviews. Alongside twentieth- and twenty-first-century Native writers, artists, and intellectuals, Allen rebuts colonial discourses and examines the multiple ways these remarkable structures continue to hold ancient knowledge and make new meaning—in the present and for the future.

Earthworks Rising is organized to align with key functional categories for mounds (effigies, platforms, and burials) and with key concepts within mound-building cultures. From the Great Serpent Mound in Ohio to the mound metropolis Cahokia in Illinois to the generative Mother Mound in Mississippi, Allen takes readers deep into some of the most renowned earthworks. He draws on the insights of poets Allison Hedge Coke and Margaret Noodin, novelists LeAnne Howe and Phillip Carroll Morgan, and artists Monique Mojica and Alyssa Hinton, weaving in a personal history of earthwork encounters and productive conversation with fellow researchers.

Spanning literature, art, performance, and built environments, Earthworks Rising engages Indigenous mounds as forms of “land-writing” and as conduits for connections across worlds and generations. Clear and compelling, it provokes greater understanding of the remarkable accomplishments of North America’s diverse mound-building cultures over thousands of years and brings attention to new earthworks rising in the twenty-first century.

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cover of Edward Palmer's Arkansaw Mounds

Edward Palmer's Arkansaw Mounds

Edited and preface by Marvin D. Jeter

University of Alabama Press, 2010

"This thoroughly researched volume is highly recommended to anyone—at any level—who is interested in the archaeology of the Southeast." —CHOICE

During the 1880s a massive scientific effort was launched by the Smithsonian Institution to discover who had built the prehistoric burial mounds found throughout the United States. Arkansaw Mounds tells the story of this exploration and of Edward Palmer, one of the nineteenth century’s greatest natural historians and archaeologists, who was recruited to lead the research project. Arkansas was unusually rich in prehistoric remains, especially mounds, and became a major focus of the study. Palmer and his team of researchers discovered that the mounds had been built by the ancestors of the historic North American Indians, shattering the then-popular theory that a lost non-Indian race had built them.

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cover of Expanding the View of Hohokam Platform Mounds: An Ethnographic Perspective

Expanding the View of Hohokam Platform Mounds

An Ethnographic Perspective

Mark D. Elson

University of Arizona Press, 1998

For more than a hundred years, archaeologists have investigated the function of earthen platform mounds in the American Southwest. Built by the Hohokam groups between A.D. 1150 and 1350, these mounds are among the few monumental structures in the Southwest, yet their use and the nature of the groups who built them remain unresolved. Mark Elson now takes a fresh look at these monuments and sheds new light on their significance. He goes beyond previous studies by examining platform mound function and social group organization through a cross-cultural study of historic mound-using groups in the Pacific Ocean region, South America, and the southeastern United States.

Using this information, he develops a number of important new generalizations about how people used mounds. Elson then applies these data to the study of a prehistoric settlement system in the eastern Tonto Basin of Arizona that contained five platform mounds. He argues that the mounds were used variously as residences and ceremonial facilities by competing descent groups and were an indication of hereditary leadership. They were important in group integration and resource management; after abandonment they served as ancestral shrines. Elson's study provides a fresh approach to an old puzzle and offers new suggestions regarding variability among Hohokam populations. Its innovative use of comparative data and analyses enriches our understanding of both Hohokam culture and other ancient societies.
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cover of Pinson Mounds: Middle Woodland Ceremonialism in the Midsouth

Pinson Mounds

Middle Woodland Ceremonialism in the Midsouth

Robert C. Mainfort Jr.

University of Arkansas Press, 2013

Pinson Mounds: Middle Woodland Ceremonialism in the Midsouth is a comprehensive overview and reinterpretation of the largest Middle Woodland mound complex in the Southeast. Located in west Tennessee about ten miles south of Jackson, the Pinson Mounds complex includes at least thirteen mounds, a geometric earthen embankment, and contemporary short-term occupation areas within an area of about four hundred acres. A unique feature of Pinson Mounds is the presence of five large, rectangular platform mounds from eight to seventy-two feet in height. Around A.D. 100, Pinson Mounds was a pilgrimage center that drew visitors from well beyond the local population and accommodated many distinct cultural groups and people of varied social stations. Stylistically nonlocal ceramics have been found in virtually every excavated locality, all together representing a large portion of the Southeast. Along with an overview of this important and unique mound complex, Pinson Mounds also provides a reassessment of roughly contemporary centers in the greater Midsouth and Lower Mississippi Valley and challenges past interpretations of the Hopewell phenomenon in the region.
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cover of Recent Developments in Southeastern Archaeology: From Colonization to Complexity

Recent Developments in Southeastern Archaeology

From Colonization to Complexity

David G. Anderson

University Press of Colorado, 2012

This book in the SAA Press Current Perspectives Series represents a period-by-period synthesis of southeastern prehistory designed for high school and college students, avocational archaeologists, and interested members of the general public. It also serves as a basic reference for professional archaeologists worldwide on the record of a remarkable region.
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cover of The Archaeology of Arcuate Communities: Spatial Patterning and Settlement in the Eastern Woodlands

The Archaeology of Arcuate Communities

Spatial Patterning and Settlement in the Eastern Woodlands

Edited by Martin Menz, Analise Hollingshead, and Haley Messer

University of Alabama Press, 2024

A comparative archaeological synthesis examining the spatial, social, and ceremonial logics underpinning circular community formations across the Eastern Woodlands from 10,000 BC to the sixteenth century.

The Archaeology of Arcuate Communities is an edited collection of ten essays that illuminate how Indigenous communities of the Eastern Woodlands, from 10,000 BC to the 1550s, are analyzed and interpreted by archaeologists today. Volume editors Martin Menz, Analise Hollingshead, and Haley Messer define the persistent circular or “arcuate” pattern of Native settlements in this region as a spatial manifestation of community activities that reinforced group identity alongside plazas, mounds, and other architectural features.

The varied case studies in this volume focus on specific communities, how they evolved, and the types of archaeological data that have been used to assess them. Part I, “Defining the Domestic Unit in Arcuate Communities,” reveals social distinctions between households and household clusters in arcuate communities, how they differ in terms of stylistic patterns and exchange, and how they combined to form distinct social groups at different scales within a broader community. Part II, “Organizing Principles of Arcuate Communities,” broadens the scope to identify the organizing principles of entire arcuate communities, such as the central role of plazas in structuring their development, how the distribution of households and central features within communities was contested and reorganized, and the importance of mounds in both delineating arcuate communities and marking their position on the landscape. Part III, “Comparison and Change in Arcuate Communities,” comprises case studies that examine changes in the organization of arcuate communities over time. Rounding out the volume is a concluding chapter that assesses how and why communities around the world formed in circular patterns.

A valuable resource for archaeologists, this collection will also be of interest to those seeking to learn about Native North American settlement, ceremony, and community organization.
 

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cover of The Emergence of the Moundbuilders: The Archaeology of Tribal Societies in Southeastern Ohio

The Emergence of the Moundbuilders

The Archaeology of Tribal Societies in Southeastern Ohio

Elliot M. Abrams

Ohio University Press, 2004

Native American societies, often viewed as unchanging, in fact experienced a rich process of cultural innovation in the millennia prior to recorded history. Societies of the Hocking River Valley in southeastern Ohio, part of the Ohio River Valley, created a tribal organization beginning about 2000 bc.

Edited by Elliot M. Abrams and AnnCorinne Freter, The Emergence of the Moundbuilders: The Archaeology of Tribal Societies in Southeastern Ohio presents the process of tribal formation and change in the region based on analyses of all available archaeological data from the Hocking River Valley. Drawing on the work of scholars in archaeology, anthropology, geography, geology, and botany, the collection addresses tribal society formation through such topics as the first pottery made in the valley, aggregate feasting by nomadic groups, the social context for burying their dead in earthen mounds, the formation of religious ceremonial centers, and the earliest adoption of corn.

Providing the most current research on indigenous societies in the Hocking Valley, The Emergence of the Moundbuilders is distinguished by its broad, comparative overview of tribal life.

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cover of The Mound Builders

The Mound Builders

Robert Silverberg

Ohio University Press, 1986

In Illinois, the one-hundred-foot Cahokia Mound spreads impressively across sixteen acres, and as many as ten thousand more mounds dot the Ohio River Valley alone. The Mound Builders traces the speculation surrounding these monuments and the scientific excavations which uncovered the history and culture of the ancient Americans who built them.

The mounds were constructed for religious and secular purposes some time between 1000 B.C. and 1000 A.D., and they have prompted curiosity and speculation from very early times. European settlers found them evidence of some ancient and glorious people. Even as eminent an American as Thomas Jefferson joined the controversy, though his conclusions—that the mounds were actually cemeteries of ancient Indians—remained unpopular for nearly a century.

Only in the late 19th century, as Smithsonian Institution investigators developed careful methodologies and reliable records, did the period of scientific investigation of the mounds and their builders begin. Silverberg follows these excavations and then recounts the story they revealed of the origins, development, and demise of the mound builder culture.

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cover of The Mound-Builders

The Mound-Builders

Henry Clyde Shetrone; with a new introduction by Bradley T. Lepper

University of Alabama Press, 2004

A Dan Josselyn Memorial Publication

A classic resource on early knowledge of prehistoric mounds and the peoples who constructed them in the eastern United States

With this accessible volume, Henry Clyde Shetrone made available to general readers the archaeological research data and conclusions concerning the ancient mounds and earthworks that dot the landscape of eastern North America. Dismissing popularly held theories of mysterious giants who built these structures, he explained that their purposes were defensive and ceremonial, that they had been used for habitation, burial, and worship. Their builders were antecedents of the native peoples of present-day America and had been skilled artisans and engineers with successful agricultural practices and structured leadership.

Twenty chapters discuss aspects of mound-builder cultures: quarrying of flint and obsidian for knapping into points; mining of copper and iron and its fashioning into tools and ceremonial objects; spinning and weaving materials and methods; smoking customs; carving of calumets and their use in ceremony; freshwater pearls and other items for body ornamentation; and the use of stone burial vaults, cremation basins, and concepts of an afterlife. Data is presented from excavations ranging broadly from Massachusetts to Florida and from Texas to North Dakota.

As Bradley Lepper points out in his new introduction, "The Mound-Builders is a testament to Shetrone's success at working towards 'correlation and systematization' of data, as well as public education. . . . Shetrone was no armchair popularizer. His work was based on years of excavation and first-hand familiarity with much of the data. His popularizations [still] echo with the ring of the shovel and trowel in gravelly soil."

 

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cover of Transit: Serpent Mound Crossing Space, Time, Discourse

Transit

Serpent Mound Crossing Space, Time, Discourse

Chadwick Allen

University of Chicago Press, 2026

How an ancient Indigenous earthwork traveled from Ohio to Washington state in the mid-1970s.
 
In Transit, Chadwick Allen chronicles the surprising history of how the ancient snake effigy known as Serpent Mound, located in what is now southern Ohio, traveled to Seattle, Washington in the 1970s, at the height of American Indian activism associated with the Red Power movement. Allen considers Indigenous earthworks built for thousands of years across the eastern half of the North American continent, questioning what it would mean if they were understood not as static entities fixed in space and time, but as animate forces with the ability to travel. Allen also looks at the origins of the “modern” effigy in the nineteenth century, when archaeologists reconstructed Serpent Mound’s deteriorating form to create a static icon suitable for touristic display within the confines of a settler state memorial.
 
Drawing from archival research, interviews, and site-specific encounters, Transit meditates on the significance of building an earthen effigy in the Pacific Northwest, as part of what became the Daybreak Star Indian Cultural Center, and on the complexity of the mound’s generative contexts. Allen’s research intersects the mid-twentieth century, when artist Robert Smithson created his iconic Spiral Jetty earth sculpture and when the Muscogee (Creek) Nation designed its innovative Mound Building. The story remains ongoing in the twenty-first century, as new mounds are rising in Oklahoma and artists, activists, and intellectuals are again asserting the power of Indigenous design.
 
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cover of Twelve Millennia: Archaeology of the Upper Mississippi River Valley

Twelve Millennia

Archaeology of the Upper Mississippi River Valley

James L Theler

University of Iowa Press, 2003

The people of Taquile Island on the Peruvian side of beautiful Lake Titicaca, the highest navigable lake in the Americas, are renowned for the hand-woven textiles that they both wear and sell to outsiders. One thousand seven hundred Quechua-speaking peasant farmers, who depend on potatoes and the fish from the lake, host the forty thousand tourists who visit their island each year. Yet only twenty-five years ago, few tourists had even heard of Taquile. In Weaving a Future: Tourism, Cloth, and Culture on an Andean Island, Elayne Zorn documents the remarkable transformation of the isolated rocky island into a community-controlled enterprise that now provides a model for indigenous communities worldwide.

Over the course of three decades and nearly two years living on Taquile Island, Zorn, who is trained in both the arts and anthropology, learned to weave from Taquilean women. She also learned how gender structures both the traditional lifestyles and the changes that tourism and transnationalism have brought. In her comprehensive and accessible study, she reveals how Taquileans used their isolation, landownership, and communal organizations to negotiate the pitfalls of globalization and modernization and even to benefit from tourism. This multi-sited ethnography set in Peru, Washington, D.C., and New York City shows why and how cloth remains central to Andean society and how the marketing of textiles provided the experience and money for Taquilean initiatives in controlling tourism.

The first book about tourism in South America that centers on traditional arts as well as community control, Weaving a Future will be of great interest to anthropologists and scholars and practitioners of tourism, grassroots development, and the fiber arts.

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cover of Vapaki: Ancestral O’Odham Platform Mounds of the Sonoran Desert

Vapaki

Ancestral O’Odham Platform Mounds of the Sonoran Desert

Edited by Glen E. Rice, Arleyn W. Simon, and Chris Loendorf

University of Utah Press, 2022

This volume presents a far-ranging conversation on the topic of Hohokam platform mounds in the history of the southern Arizona desert, exploring why they were built, how they were used, and what they meant in the lives of the farming communities who built them. Vapaki brings together diverse theoretical approaches, a mix of big-picture and tightly focused perspectives, detailed coverage for regional specialists of variation in the mounds, a broad synthesis useful for those working from other regional and topical foundations, and a rich corpus of perspectives and ideas for further research. Contributors grapple with questions about platform mounds, including the social, political, ideological, symbolic, and adaptive factors that contributed to their development, spread, and eventual cessation.

The differing perspectives presented here about what motivated Ancestral O’Odham populations of the Hohokam Period to build these monuments, whether as displays of status, identity, political ability, membership in regional networks, or architectural models of the cosmological order, offer insights to researchers studying monumental architecture in other contexts. O’Odham knowledge of the history and uses of mounds is combined with archaeological data to understand the place of platform mounds in the lives of the Ancestors and their continued presence among modern descendants.

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