28 books match the query 'Myths'
Caryl Flinn
University of Michigan Press, 2023
Despite a career spanning over forty years, filmmaker Alan Rudolph has flown largely under the radar of independent film scholars and enthusiasts, often remembered as Robert Altman’s protégé. Through a reading of his 1985 film Trouble in Mind, Caryl Flinn demonstrates that Rudolph is long overdue for critical re-evaluation.
Exploring Trouble in Mind’s influence on indie filmmaking, Rudolph’s dream-like style, and the external political influences of the Reagan era, Flinn effectively conveys the originality of Rudolph’s work through this multifaceted film. Utilizing archival materials and interviews with Rudolph himself and his collaborators, Flinn argues for this career-defining film’s relevance to American independent cinema and the decade of the 1980s. Amply illustrated with frame enlargements and set photographs, this book uncovers new production stories and reception contexts of a film that Flinn argues deserves a place in the limelight.Derek J. Thiess
University of Wisconsin Press, 2025
James M. Gillispie
University of North Texas Press, 2008
Albert Braz
University of Manitoba Press, 2015
Edited by Michael A. Pagano
University of Illinois Press, 2020
James W. Johnson with Marilyn D. Johnson
University of Arizona Press, 2014
Donald R. Hickey
University of Illinois Press, 2006
No longer willing to accept naval blockades, the impressment of American seamen, and seizures of American ships and cargos, the United States declared war on Great Britain. The aim was to frighten Britain into concessions and, if that failed, to bring the war to a swift conclusion with a quick strike at Canada. But the British refused to cave in to American demands, the Canadian campaign ended in disaster, and the U.S. government had to flee Washington, D.C., when it was invaded and burned by a British army.
By all objective measures, the War of 1812 was a debacle for the young republic, and yet it was celebrated as a great military triumph. The American people believed they had won the war and expelled the invader. Oliver H. Perry became a military hero, Francis Scott Key composed what became the national anthem and commenced a national reverence for the flag, and the U.S.S. Constitution, "Old Ironsides," became a symbol of American invincibility. Every aspect of the war, from its causes to its conclusion, was refashioned to heighten the successes, obscure the mistakes, and blur embarrassing distinctions, long before there were mass media or public relations officers in the Pentagon.
In this entertaining and meticulously researched book by America's leading authority on the War of 1812, Donald R. Hickey dispels the many misconcep-tions that distort our view of America's second war with Great Britain. Embracing military, naval, political, economic, and diplomatic analyses, Hickey looks carefully at how the war was fought between 1812 and 1815, and how it was remembered thereafter. Was the original declaration of war a bluff? What were the real roles of Canadian traitor Joseph Willcocks, Mohawk leader John Norton, pirate Jean Laffite, and American naval hero Lucy Baker? Who killed the Shawnee chief Tecumseh and who shot the British general Isaac Brock? Who actually won the war, and what is its lasting legacy? Hickey peels away fantasies and embellishments to explore why cer-tain myths gained currency and how they contributed to the way that the United States and Canada view themselves and each other.
Ann Farnsworth-Alvear
Duke University Press, 2000
Ann Farnsworth-Alvear’s analyses of archived personnel records, internal factory correspondence, printed regulations, and company magazines are combined with illuminating interviews with retired workers to allow a detailed reconstruction of the world behind the mill gate. In a place where the distinction between virgins and nonvirgins organized the labor market for women, the distance between chaste and unchaste behavior underlay a moral code that shaped working women’s self-perceptions. Farnsworth-Alvear challenges the reader to understand gender not as an opposition between female and male but rather as a normative field, marked by “proper” and “improper” ways of being female or male. Disputing the idea that the shift in the mills’ workforce over several decades from mainly women to almost exclusively men was based solely on economic factors, the author shows how gender and class, as social practices, converged to shape industrial development itself.
Innovative in its creative employment of subtle and complex material, Dulcinea in the Factory addresses long-standing debates within labor history about proletarianization and work culture. This book’s focus on Colombia will make it valuable to Latin Americanists, but it will also appeal to a wide readership beyond Latin American and labor studies, including historians and sociologists, as well as students of women’s studies, social movements, and anthropology.
Philipson, Ilene
Rutgers University Press, 1992
Ilene Philipson's biography of Ethel Rosenberg, only the second woman in U.S. history to be executed for treason, is now available in paperback for the first time.
"Contributes to women's history and biography and to radical history, particularly to our understanding of family, gender relations, and feminine identity of women radicals. . . . Ilene Philipson has produced a fascinating book"--Nancy Chodorow
"Tells the story of Ethel . . . from a woman's point of view. . . . Philipson, whose literary style has the clean exactitude of a tracer bullet, has produced a heart-rending masterpiece. If you read only one book a year, make it this one."
--Florence King, Newsday
"[Ethel Rosenberg's] stoicism on the witness stand, her unflinching response to the guilty verdict and death sentence, and her seeming indifference to the ordeal of her two children shocked the nation. . . . Concerned with rehabilitating not only Ethel Rosenberg's name, but also her image, the author creates a moving portrait of a human and ordinary woman."--John Patrick Diggins, New York Times Book Review
Julie Taylor
University of Chicago Press, 1981
Edited with an introduction by Robert James Maddox
University of Missouri Press, 2007
When President Harry Truman authorized the use of atomic weapons against Japan, he did so to end a bloody war that would have been bloodier still had the planned invasion of Japan proved necessary. Revisionists claim that Truman’s real interest was a power play with the Soviet Union and that the Japanese would have surrendered even earlier had the retention of their imperial system been assured. Truman wanted the war to continue, they insist, in order to show off America’s powerful new weapon.
This anthology exposes revisionist fallacies about Truman’s motives, the cost of an invasion, and the question of Japan’s surrender. Essays by prominent military and diplomatic historians reveal the hollowness of revisionist claims, exposing the degree to which these agenda-driven scholars have manipulated the historical record to support their contentions. They show that, although some Japanese businessmen and minor officials indicated a willingness to negotiate peace, no one in a governmental decision-making capacity even suggested surrender. And although casualty estimates for an invasion vary considerably, the more authoritative approximations point to the very bloodbath that Truman sought to avoid.
Volume editor Robert Maddox first examines the writings of revisionist Gar Alperovitz to expose the unscholarly methods Alperovitz employed to support his claims, then distinguished Japanese historian Sadao Asada reveals how difficult it was for his country’s peace faction to prevail even after the bombs had been dropped. Other contributors point to continuing Japanese military buildups, analyze the revisionists’ low casualty estimates for an invasion, reveal manipulations of the Strategic Bombing Survey of 1946, and show how even the exhibit commemorating the fiftieth anniversary of the bombing at the Smithsonian National Air and Space Museum hewed to the revisionist line. And a close reading of Tsuyoshi Hasegawa’s acclaimed Racing the Enemy exposes many grave discrepancies between that recent revisionist text and its sources.
The use of atomic bombs against Japan remains one of the most controversial issues in American history. Gathered in a single volume for the first time, these insightful readings take a major step toward settling that controversy by showing how insubstantial Hiroshima revisionism really is—and that sometimes history cannot proceed without decisive action, however regrettable.

Akiva Orr
Pluto Press, 1994
Edited by Matthew Shindell
University of Chicago Press, 2024
M.V. Lee Badgett
University of Chicago Press, 2001
William G. Doty
University of Alabama Press, 2000
This new edition of William Doty's critically acclaimed study provides a comprehensive guidebook to the many schools of interpretation in this burgeoning field
William Doty's popular text has been hailed as the most comprehensive work of its kind. Extensively rewritten and completely restructured, the new edition provides further depth and perspective and is even more accessible to students of myth. It includes expanded coverage of postmodern and poststructuralist perspectives, the Gernet Center, mythic iconography, neo-Jungian approaches, and cultural studies, and it summarizes what is new in the study of Greek myth, iconography, French classical scholarship, and ritual studies. It also features a comprehensive index of names and topics, a glossary, an up-to-date annotated bibliography, and a guide to myth on the Internet.
Presenting all major myth theorists from antiquity to the present, Mythography is an encyclopedic work that offers a cross-disciplinary approach to the study of myth. By reflecting the dramatic increase in interest in myth among both scholars and general readers since publication of the first edition, it remains a key study of modern approaches to myth and
an essential guide to the wealth of mythographic research available today.
Basil A. Reid
University of Alabama Press, 2009
This book seeks to debunk eleven popular and prevalent myths about Caribbean history. Using archaeological evidence, it corrects many previous misconceptions promulgated by history books and oral tradition as they specifically relate to the pre-Colonial and European-contact periods. It informs popular audiences, as well as scholars, about the current state of archaeological/historical research in the Caribbean Basin and asserts the value of that research in fostering a better understanding of the region’s past.
Contrary to popular belief, the history of the Caribbean did not begin with the arrival of Europeans in 1492. It actually started 7,000 years ago with the infusion of Archaic groups from South America and the successive migrations of other peoples from Central America for about 2,000 years thereafter. In addition to discussing this rich cultural diversity of the Antillean past, Myths and Realities of Caribbean History debates the misuse of terms such as "Arawak" and "Ciboneys," and the validity of Carib cannibalism allegations.
Grenville Goodwin; With a New Preface by Tribal Chairman Ronnie Lupe, and a New Foreword by Elizabeth A. Brandt, Bonnie Lavender-Lewis, and Philip J. Greenfeld
University of Arizona Press, 1994
Elizabeth Dore
Duke University Press, 2006
Dore seamlessly combines archival research, oral history, and an innovative theoretical approach that unites political economy with social history. She recovers the bygone voices of peons, planters, and local officials within documents such as labor contracts, court records, and official correspondence. She juxtaposes these historical perspectives with those of contemporary peasants, landowners, activists, and politicians who share memories passed down to the present. The reconceptualization of the coffee economy that Dore elaborates has far-reaching implications. The Sandinistas mistakenly believed, she contends, that Nicaraguan capitalism was mature and ripe for socialist revolution, and after their victory in 1979 that belief led them to alienate many peasants by ignoring their demands for land. Thus, the Sandinistas’ myths of modernity contributed to their downfall.
David Gordon White
University of Chicago Press, 1991
Holley Moyes
University Press of Colorado, 2021
Susan McKinnon
Prickly Paradigm Press, 2005
Louis F. Burns
University of Alabama Press, 2005
Siouan peoples who migrated from the Atlantic coastal region and settled in the central portion of the North American continent long before the arrival of Europeans are now known as Osage. Because the Osage did not possess a written language, their myths and cultural traditions were handed down orally through many generations. With time, only those elements deemed vital were preserved in the stories, and many of these became highly stylized. The resulting verbal recitations of the proper life of an Osage—from genesis myths to body decoration, from star songs to child-naming rituals, from war party strategies to medicinal herbs—constitute this comprehensive volume.
Osage myths differ greatly from the myths of Western Civilization, most obviously in the absence of individual names. Instead, “younger brother,” “the messenger,” “Little Old Men,” or a clan name may serve as the allegorical embodiment of the central player. Individual heroic feats are also missing because group life took precedence over individual experience in Osage culture.
Supplementing the work of noted ethnographer Francis La Flesche who devoted most of his professional life to recording detailed descriptions of Osage rituals, Louis Burns’s unique position as a modern Osage—aware of the white culture’s expectations but steeped in the traditions himself is able to write from an insider’s perspective.
Edited by Charles L. Davis II, Kathryn E. Holliday, and Joanna Merwood-Salisbury
University of Texas Press, 2026
A critical reassessment of nineteenth‑century American architecture that uncovers how race, settler colonialism, and contested national identities shaped the built environment and its historiography.
Rewriting American Architecture offers a revisionist riposte to the canonical story of nineteenth-century American architecture. Drawing on new archival research and revisionist historiography, the essays in this volume reveal how American architecture was shaped not by inevitable progress toward a unified national culture but by the turbulent realities of race, labor, settler colonialism, and territorial expansion. Rather than treating architecture as an apolitical aesthetic expression, the contributors expose it as an active arena in which the meanings of nationhood were constructed, contested, and often violently enforced. From Indigenous spatial practices and Black institutional building to transnational exchanges and the racial politics embedded in professionalization, this collection reframes the built environment as central to the competing cultural, political, and geographic claims that defined the United States during this period.
Gregory Schrempp
Utah State University Press, 2014
In Science, Bread, and Circuses, Gregory Schrempp brings a folkloristic viewpoint to the topic of popular science, calling attention to the persistence of folkloric form, idiom, and worldview within the increasingly important dimension of popular consciousness defined by the impact of science.
Schrempp considers specific examples of texts in which science interpreters employ folkloric tropes—myths, legends, epics, proverbs, spectacles, and a variety of gestures from religious tradition—to lend credibility and appeal to their messages. In each essay he explores an instance of science popularization rooted in the quotidian round: variations of proverb formulas in monumental measurements, invocations of science heroes like saints or other inspirational figures, the battle of mythos and logos in parenting and academe, how the meme has become embroiled in quasi-religious treatments of the problem of evil, and a range of other tropes of folklore drafted to serve the exposition of science.
Science, Bread, and Circuses places the relationship of science and folklore at the very center of folkloristic inquiry by exploring a range of attempts to rephrase and thus domesticate scientific findings and claims in folklorically imbued popular forms.
Edmund P. Cueva
University of Michigan Press, 2004
The tradition of historical literature begun by Herodotus and Thucydides molded the early Greek novel. As the genre evolved, however, Greek novels moved away from their historical roots to become more heavily influenced by mythological traditions. Edmund Cueva's new book examines the literary uses to which the ancient novelists put their mythological material. His work offers a stimulating discussion of myths and their rise to prominence as the key feature of the fully developed Greek novel. He also takes into account the impact of the Roman conquest on the development of the Greek novel, the last true literary creation of the Greek world. The Myths of Fiction will interest scholars of Greek literarure, imperial history, literary myth, intertextuality, and comparative literature.
Edmund Cueva is Associate Professor and Chair of Classics at Xavier University.

John Rose
Pluto Press, 2004
Ancient, medieval and modern, this book is a critical account of the historical, political and cultural roots of Zionism.
Scrutinising the roots of the myths of Zionism and mobilising recent scholarship, John Rose shows how many of these stories, as with other mythologies, have no basis in fact. However, because Zionism is a living political force and these myths have been used to justify very real and political ends - namely, the expulsion and continuing persecution of the Palestinians. John Rose separates fact from fiction presenting a detailed analysis of their origins and development. This includes a challenge to Zionism's biblical claims using very recent and very startling Israeli archaeological conclusions.
This book shows clearly how Zionism makes many false claims on Jewish religion and history.
Ken McNamara
University of Chicago Press, 2010
Throughout the four hundred thousand years that humanity has been collecting fossils, sea urchin fossils, or echinoids, have continually been among the most prized, from the Paleolithic era, when they decorated flint axes, to today, when paleobiologists study them for clues to the earth’s history.
In The Star-Crossed Stone, Kenneth J. McNamara, an expert on fossil echinoids, takes readers on an incredible fossil hunt, with stops in history, paleontology, folklore, mythology, art, religion, and much more. Beginning with prehistoric times, when urchin fossils were used as jewelry, McNamara reveals how the fossil crept into the religious and cultural lives of societies around the world—the roots of the familiar five-pointed star, for example, can be traced to the pattern found on urchins. But McNamara’s vision is even broader than that: using our knowledge of early habits of fossil collecting, he explores the evolution of the human mind itself, drawing striking conclusions about humanity’s earliest appreciation of beauty and the first stirrings of artistic expression. Along the way, the fossil becomes a nexus through which we meet brilliant eccentrics and visionary archaeologists and develop new insights into topics as seemingly disparate as hieroglyphics, Beowulf, and even church organs.
An idiosyncratic celebration of science, nature, and human ingenuity, The Star-Crossed Stone is as charming and unforgettable as the fossil at its heart.
Dale A. Olsen
University of Illinois Press, 2013
Describing and interpreting many examples of flutes as they are found in mythology, poetry, lyrics, and other narrative and literary sources from around the world, veteran ethnomusicologist Dale Olsen seeks to determine what is singularly distinct or unique about flutes, flute playing, and flute players in a global context. He shows how and why flutes are important for personal, communal, religious, spiritual, and secular expression and even, perhaps, existence. This is a book for students, scholars, and any reader interested in the cultural power of flutes.