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3 books match the query 'Novelist'

cover of Anne Tyler as Novelist

Anne Tyler as Novelist

Dale Salwak

University of Iowa Press, 1994

Over the past thirty years, Anne Tyler has earned a National Book Critics Circle Award, a Pulitzer Prize, and the admiration of an ever-expanding number of devoted readers. The seventeen essays that compose Anne Tyler as Novelist concentrate upon the distinctive features of Tyler's writing: her steady concern with the American family, the quietly comic touch that underlies her unobtrusive but perfectly controlled style, her prodigious gift for bringing to life a variety of eccentric characters, their fears and concerns, their longing for meaning and understanding. Consistently, Anne Tyler's work focuses on ordinary families with extraordinary troubles—therein part of the secret of her broad appeal.
Written from a variety of critical approaches and representing some of the best among today's critics, the essays in this book discuss Tyler's early years and influences, her development and beliefs, attainments, and literary reputation, stretching from her first published novel, If Morning Ever Comes, to her twelfth, Saint Maybe. From Elizabeth Evans' interviews with Tyler's mother and former teachers to John Updike's lucid assessments, Anne Tyler as Novelist is a major contribution to the growing dialogue on this most important writer. All but two essays were written especially for this volume.
This book will obviously hold great appeal for the many people who have already encountered the pleasures of Tyler's novels. Less obviously, it is also for the people who have heard of her but have not read her works; those people should be inspired to turn with particular insight to the novels of Anne Tyler. In a 1983 review of Barbara Pym's novel No Fond Return of Love, Anne Tyler said of Pym that she was “the rarest of treasures.” Certainly we may say the same of Tyler herself—and for reasons given in this fine collection of essays that pays tribute to one of America's most accomplished writers.
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cover of Dickens The Novelist

Dickens The Novelist

Leavis, F. R.

Rutgers University Press, 1979

In The Great Tradition, published in 1948, F. R. Leavis seemed to rate the work of Charles Dickens - with the exception of Hard Times - as lacking the seriousness and formal control of the true masters of English fiction. By 1970, when Dickens the Novelist was published on the first centenary of the writer's death, Leavis and his lifelong collaborator Q. D. (Queenie) Leavis, had changed their minds. 'Our purpose', they wrote, 'is to enforce as unanswerably as possible the conviction that Dickens was one of the greatest of creative writers ...' In seven typically robust and uncompromising chapters, the Leavises grapple with the evaluation of a writer who was then still open to dismissal as a mere entertainer, a caricaturist not worthy of discussion in the same breath as Henry James. Q. D. Leavis shows, for example, how deeply influential David Copperfield was on the work of Tolstoy, and explores the symbolic richness of the nightmare world of Bleak House. F. R. Leavis reprints his famous essay on Hard Times, with its moral critique of utilitarianism, and reveals the imaginative influence of Blake on Little Dorrit. Q. D. Leavis contributes a pathbreaking chapter on the importance of Dickens's illustrators to the effect of his work.
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cover of Novelist to a Generation: The Life and Thought of Winston Churchill

Novelist to a Generation

The Life and Thought of Winston Churchill

University of Wisconsin Press, 1976

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