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Most current fishing practices are neither economically nor biologically sustainable. Every year, the world spends $80 billion buying fish that cost $105 billion to catch, even as heavy fishing places growing pressure on stocks that are already struggling with warmer, more acidic oceans. How have we developed an industry that is so wasteful, and why has it been so difficult to alter the trajectory toward species extinction?

In this transnational, interdisciplinary history, Carmel Finley answers these questions and more as she explores how government subsidies propelled the expansion of fishing from a coastal, in-shore activity into a global industry. While nation states struggling for ocean supremacy have long used fishing as an imperial strategy, the Cold War brought a new emphasis: fishing became a means for nations to make distinct territorial claims. A network of trade policies and tariffs allowed cod from Iceland and tuna canned in Japan into the American market, destabilizing fisheries in New England and Southern California. With the subsequent establishment of tuna canneries in American Samoa and Puerto Rico, Japanese and American tuna boats moved from the Pacific into the Atlantic and Indian Oceans after bluefin. At the same time, government subsidies in nations such as Spain and the Soviet Union fueled fishery expansion on an industrial scale, with the Soviet fleet utterly depleting the stock of rosefish (or Pacific ocean perch) and other groundfish from British Columbia to California. This massive global explosion in fishing power led nations to expand their territorial limits in the 1970s, forever changing the seas.

Looking across politics, economics, and biology, All the Boats on the Ocean casts a wide net to reveal how the subsidy-driven expansion of fisheries in the Pacific during the Cold War led to the growth of fisheries science and the creation of international fisheries management. Nevertheless, the seas are far from calm: in a world where this technologically advanced industry has enabled nations to colonize the oceans, fish literally have no place left to hide, and the future of the seas and their fish stocks is uncertain.

In Eating the Ocean Elspeth Probyn investigates the profound importance of the ocean and the future of fish and human entanglement. On her ethnographic journey around the world's oceans and fisheries, she finds that the ocean is being simplified in a food politics that is overwhelmingly land based and preoccupied with buzzwords like "local" and "sustainable." Developing a conceptual tack that combines critical analysis and embodied ethnography, she dives into the lucrative and endangered bluefin tuna market, the gendered politics of "sustainability," the ghoulish business of producing fish meal and fish oil for animals and humans, and the long history of encounters between humans and oysters. Seeing the ocean as the site of the entanglement of multiple species—which are all implicated in the interactions of technology, culture, politics, and the market—enables us to think about ways to develop a reflexive ethics of taste and place based in the realization that we cannot escape the food politics of the human-fish relationship. 

Sigrud Olson Nature Writing Award, Notable Children’s Book
Green Earth Book Award, Honor Book

There are days in late winter when the Pacific coast enjoys a brief spell of clear, warm weather. Most of the winter storms have passed and the summer fog has not yet settled in. This is when some coastal communities plan their annual beach clean-ups.  
 
In this sequel to Ellie’s Log and Ricky’s Atlas, Ellie and Ricky travel to the Oregon coast from their home in the Cascade Mountains to help with a one-day beach clean-up. Hoping to find a prized Japanese glass float, they instead find more important natural treasures, and evidence of an ocean that needs its own global-scale clean-up.
 
Ellie and Ricky are amazed by their discoveries at the edge of the world’s largest ocean. Together, they realize the power of volunteering and grapple with the challenges of ocean conservation. In her journal Ellie records her observations of their adventures in her own words and pictures.
 
With charming pen-and-ink drawings and a compelling story, Ellie's Strand makes coastal science exciting for upper elementary school students. It will be a treasured companion for young beach explorers everywhere.

Four billion years old, the oceans formed as the Earth's scorching surface cooled, the primordial atmosphere condensed, and torrential rains fell. Their color is the unique signature of our blue planet, their composition a chemical cocktail of remarkable variety, their waters a theater of constant change. 

Oceans: An Illustrated Reference tells the story of this last great frontier. With hundreds of beautiful full-color photographs and explanatory diagrams, charts, and maps, Oceans combines the visual splendor of ocean life with up-to-date scientific information to provide an invaluable and fascinating resource on this vital realm. Covering all major areas of oceanographic knowledge and research, Oceans is divided into two parts. The first, "Ocean Systems," examines the physical nature of the oceans, including plate tectonics, temperature and climate, waves and tides, natural resources and much more. The second, "Ocean Life,"explores biodiversity, evolution and adaptation, marine ecosystems and complex communities, and the preservation of fragile marine environments.

Oceans also offers readers a host of tools to better understand the magnificent world of the sea. A special section of bathymetric maps-made possible by satellite observation, deep-towed surveying craft, and remotely operated submarine vessels-provides a view of the depth and texture of ocean floors around the globe, giving us a glimpse of worlds rarely seen. And throughout the book, engagingly written special features delve into specific marine environments and phenomena such as the lost Tethys Ocean, from which the Himalayas were born. Cross-references and a detailed index help readers navigate this multifaceted volume, and a glossary provides clear definitions of scientific vocabulary.

Although the oceans are vast, their resources are finite. Oceans clearly presents the future challenge to us all-that of ensuring that our common ocean heritage is duly respected, wisely managed, and carefully harnessed for the benefit of the whole planet. Lavishly illustrated and filled with current research, Oceans is a step in that direction: a rich, magnificent, and illuminating volume for anyone who has ever heard the siren song of the sea.

Outbound

is the story of two voyages: an Atlantic crossing in the 33-foot cutter

Clarity

, bound for Scotland; and the hard voyage of self-discovery that finally brought Bill Storandt to his life partner.

Storandt’s account of the adventure he had carefully planned with longtime partner Brian Forsyth and their friend Bob soon turns into a white-knuckled sailing tale, as they encounter a fierce storm four hundred miles from the Irish coast that tests their courage and all their sailing skills. The sea story, vividly evoking life in a small boat on a big ocean, is interwoven with Storandt’s flashbacks to his earlier life. Outbound delivers its share of excitement, but it’s also a moving reflection on how circuitous our paths can be, even when the destination is clear and beckoning.

Three days after her twentieth birthday, a young woman who grew up in Germany during World War II crosses the Atlantic to start a new life. Outside Is the Ocean traces Heike’s struggle to find love and happiness in America. After two marriages and a troubled relationship with her son, Heike adopts a disabled child from Russia, a strong-willed girl named Galina, who Heike hopes will give her the affection and companionship she craves. As Galina grows up, Heike’s grasp on reality frays, and she writes a series of letters to the son she thinks has abandoned her forever. It isn’t until Heike’s death that her son finds these letters and realizes how skewed his mother’s perceptions actually were.

“Every day is an anxiety in my ways of getting to the water. . . . I’ve become so attuned to it, so scared of it, so in love with it that sometimes I can only think by the sea. It is the only place I feel at home.”
 
Many of us visit the sea. Admire it. Even profess to love it. But very few of us live it. Philip Hoare does. He swims in the sea every day, either off the coast of his native Southampton or his adopted Cape Cod. He watches its daily and seasonal changes. He collects and communes with the wrack—both dead and never living—that it throws up on the shingle. He thinks with, at, through the sea.
 
All of which should prepare readers: RISINGTIDEFALLINGSTAR is no ordinary book. It mounts no straight-ahead argument. It hews to no single genre. Instead, like the sea itself, it moves, flows, absorbs, transforms. In its pages we find passages of beautiful nature and travel writing, lyrical memoir, seams of American and English history and much more. We find Thoreau and Melville, Bowie and Byron, John Waters and Virginia Woolf, all linked through a certain refusal to be contained, to be strictly defined—an openness to discovery and change. Running throughout is an air of elegy, a reminder that the sea is an ending, a repository of lost ships, lost people, lost ways of being. It is where we came from; for Hoare, it is where he is going.
 
“Every swim is a little death,” Hoare writes, “but it is also a reminder that you are alive.” Few books have ever made that knife’s edge so palpable. Read RISINGTIDEFALLINGSTAR. Let it settle into the seabed of your soul. You’ll never forget it.

The Tohono O'odham of southern Arizona, formerly known as the Papago, have made a life in a place that many would consider uninhabitable. These desert people were converted to Catholicism by early Spanish missionaries, yet they retain much of their earlier lifeway as a means of continuing adaptation to their desert environment.

This book is a restudy of speeches and ritual information collected by anthropologist Underhill beginning in 1931 and published in her book Papago Indian Religion (1946). It describes the Native—as opposed to the Christian—side of the yearly ritual cycle of the Tohono O'odham, showing how seven rites form a system of meanings that grew from the relation between these people and their desert homeland. The rites presented focus on the summer wine feast, salt pilgrimage, hunting, war, and flood.

Famed in story as "the great leviathans," sperm whales are truly creatures of extremes. Giants among all whales, they also have the largest brains of any creature on Earth. Males can reach a length of sixty-two feet and can weigh upwards of fifty tons.

With this book, Hal Whitehead gives us a clearer picture of the ecology and social life of sperm whales than we have ever had before. Based on almost two decades of field research, Whitehead describes their biology, behavior, and habitat; how they organize their societies; and how their complex lifestyles may have evolved in this unique environment. Among the many fascinating topics he explores is the crucial role that culture plays in the life of the sperm whale, and he traces the consequences of this argument for both evolution and conservation. Finally, drawing on these findings, Whitehead builds a general model of how the ocean environment influences social behavior and cultural evolution among mammals as well as other animals.

The definitive portrait of a provocative creature, Sperm Whales will interest animal behaviorists, conservationists, ecologists, and evolutionary biologists as well as marine mammalogists.

Our oceans are becoming increasingly inhospitable to life—growing toxicity and rising temperatures coupled with overfishing have led many marine species to the brink of collapse. And yet there is one creature that is thriving in this seasick environment: the beautiful, dangerous, and now incredibly numerous jellyfish. As foremost jellyfish expert Lisa-ann Gershwin describes in Stung!, the jellyfish population bloom is highly indicative of the tragic state of the world’s ocean waters, while also revealing the incredible tenacity of these remarkable creatures.

 

Recent documentaries about swarms of giant jellyfish invading Japanese fishing grounds and summertime headlines about armadas of stinging jellyfish in the Mediterranean and Chesapeake are only the beginning—jellyfish are truly taking over the oceans. Despite their often dazzling appearance, jellyfish are simple creatures with simple needs: namely, fewer predators and competitors, warmer waters to encourage rapid growth, and more places for their larvae to settle and grow. In general, oceans that are less favorable to fish are more favorable to jellyfish, and these are the very conditions that we are creating through mechanized trawling, habitat degradation, coastal construction, pollution, and climate change.

 

Despite their role as harbingers of marine destruction, jellyfish are truly enthralling creatures in their own right, and in Stung!, Gershwin tells stories of jellyfish both attractive and deadly while illuminating many interesting and unusual facts about their behaviors and environmental adaptations. She takes readers back to the Proterozoic era, when jellyfish were the top predator in the marine ecosystem—at a time when there were no fish, no mammals, and no turtles; and she explores the role jellies have as middlemen of destruction, moving swiftly into vulnerable ecosystems. The story of the jellyfish, as Gershwin makes clear, is also the story of the world’s oceans, and Stung! provides a unique and urgent look at their inseparable histories—and future.