18 books match the query 'Old'
Brooks Blevins
University of Illinois Press, 2020
Edited by John Francis McDermott
Southern Illinois University Press, 1998
Kenneth L. Untiedt
University of North Texas Press, 2012
Edited by Philip V. Bohlman
University of Chicago Press, 2009
Tackling the myriad issues raised by Sander Gilman’s provocative opening salvo—”Are Jews Musical?”—this volume’s distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present.
Covering the sacred and the secular, the European and the non-European, and all the arenas where these realms converge, these essays recast the established history of Jewish culture and its influences on modernity. Mitchell Ash explores the relationship of Jewish scientists to modernist artists and musicians, while Edwin Seroussi looks at the creation of Jewish sacred music in nineteenth-century Vienna. Discussing Jewish musicologists in Austria and Germany, Pamela Potter details their contributions to the “science of music” as a modern phenomenon. Kay Kaufman Shelemay investigates European influence in the music of an Ethiopian Jewish community, and Michael P. Steinberg traces the life and works of Charlotte Salomon, whose paintings staged the destruction of the Holocaust. Bolstered by Philip V. Bohlman’s wide-ranging introduction and epilogue, and featuring lush color illustrations and a complementary CD of the period’s music, this volume is a lavish tribute to Jewish contributions to modernity.
Alicia M. Boswell
University Press of Colorado, 2022
Edited by Jaemin Shim
University of Michigan Press, 2024

Michael Wolffsohn
St. Augustine's Press, 2026
Michael Wolffsohn charges head-on the varying reactions to the Hamas "murder orgy" of 7 October 2023. Political leaders proclaim that anti-Semitism has no place in Germany, but Wolffsohn identifies a dangerous resurgence in the wake of these atrocities. On the 85th Anniversary of the November pogrom of 1938, Wolffsohn delivered a passionate speech before the Berlin House of Representatives. Two versions of this speech exist--one written prior the Hamas attacks and another written after the event. The variances highlight the depth of rupture that the responses to the attacks provoked. Both speeches are contained in this book, and they give evidence to the reality that antisemitism was never eradicated, it is simply "old or new." Interwoven with deeply personal reflections, Wolffsohn offers a scathing critique of attempts to cover antisemitism in Europe and questions the authenticity of the vow to eliminate it. This German bestselling account of the cyclical reoccurrence of anti-Semitic campaigns reveals repeated and worsening political and social consequences globally, but especially in Germany where the presumption is that historical memory condemns such thinking.
Charles Hoch
Temple University Press, 1990
Lynn Powell
University of Wisconsin Press, 1995
Bluford Adams
University of Michigan Press, 2014
In Old and New New Englanders, Bluford Adams provides a reenvisioning of New England’s history and regional identity by exploring the ways the arrival of waves of immigrants from Europe and Canada transformed what it meant to be a New Englander during the Gilded Age. Adams’s intervention challenges a number of long-standing conceptions of New England, offering a detailed and complex portrayal of the relations between New England’s Yankees and immigrants that goes beyond nativism and assimilation. In focusing on immigration in this period, Adams provides a fresh view on New England’s regional identity, moving forward from Pilgrims, Puritans, and their descendants and emphasizing the role immigrants played in shaping the region’s various meanings. Furthermore, many researchers have overlooked the newcomers’ relationship to the regional identities they found here. Adams argues immigrants took their ties to New England seriously. Although they often disagreed about the nature of those ties, many immigrant leaders believed identification with New England would benefit their peoples in their struggles both in the United States and back in their ancestral lands.
Drawing on and contributing to work in immigration history, as well as American, gender, ethnic, and New England studies, this book is broadly concerned with the history of identity construction in the United States while its primary focus is the relationship between regional categories of identity and those based on race and ethnicity. With its interdisciplinary methodology, original research, and diverse chapter topics, the book targets both specialist and nonspecialist readers.
Edited by David Buisseret
University of Chicago Press, 1996
Mary Beard
University of Chicago Press, 2026
Mary Beard
University of Chicago Press, 2026
Zbigniew Janowski
St. Augustine's Press, 2026
Leo Lucassen
University of Illinois Press, 2005
Leo Lucassen tackles the question of whether the integration process of these recent immigrants will fundamentally differ in the long run (over multiple generations) from the experiences of similar immigrant groups in the past. For comparison, Lucassen focuses on "large and problematic groups" from Western Europe's past (the Irish in the United Kingdom, the Poles in Germany, and the Italians in France) and demonstrates a number of structural similarities in the way migrants and their descendants integrated into these nation states. Lucassen emphasizes that the geographic sources of the "threat" have changed and that contemporaries tend to overemphasize the threat of each successive wave of immigrants, in part because the successfully incorporated immigrants of the past have become invisible in national histories.
Amy E. Earhart
University of Michigan Press, 2015

Noam Chomsky
Pluto Press, 1997
Leon Stokesbury
University of Arkansas Press, 2016
Winnowed from a distinguished career, then distilled, then polished and winnowed again, the poems in You Are Here are Leon Stokesbury’s best from fifty years of published work.
The selections from his earlier volumes are as fully realized as one would expect from the winner of the AWP Poetry Competition and the Poets’ Prize. But it is in Stokesbury’s new work, collected under the heading “These Days,” that he reveals something completely different. From a carnival sideshow to Hitchcock’s Mount Rushmore, from John Keats’s backyard to the miseries of a failed crematorium operator, every turned page divulges a particular we didn’t see coming. You Are Here is like a sideshow of this modern world, even when we discover, amazed, our selves looking back at us.
“Why do we still only stand here?” Stokesbury asks in one of his earliest salvos. The poems in this collection give such varied answers that readers will have no idea what the next page holds, only that they will find themselves somewhere new.