Results by title

25 books match the query 'Other'

cover of A Strike Like No Other Strike: Law and Resistance During the Pittston Coal Strike of 1989-1990

A Strike Like No Other Strike

Law and Resistance During the Pittston Coal Strike of 1989-1990

Richard A. Brisbin, Jr.

West Virginia University Press, 2010

The miners' strike against Pittston Coal in 1989–1990, which spread throughout southwestern Virginia, southern West Virginia, and eastern Kentucky, was one of the most important strikes in the history of American labor, and, as Richard Brisbin observes, "one of the longest and largest incidents of civil disorder and civil disobedience in the United States in the second half of the twentieth century." The company aggressively sought to break the strike, and workers and their families used a variety of tactics—lawful and unlawful—to resist Pittston's efforts as the situation quickly turned ugly.

In A Strike like No Other Strike: Law and Resistance during the Pittston Coal Strike of 1989–1990, Richard Brisbin offers a compelling study of the exercise of political power. In considering the legal significance of the strike, Brisbin asks the larger question of whether even extreme transgression or resistance can fracture the "imagined coherence of the law." He shows how each party in the strike invoked the law to justify its actions while attacking those of the other side as unlawful. In the end, both sides lost; although the U.S. Supreme Court ultimately ruled in favor of the union, most of the strikers faced elimination of their jobs and an ongoing struggle for pensions and health benefits.

[more]
cover of After The First Death There Is No Other

After The First Death There Is No Other

Natalie L.M. Petesch

University of Iowa Press, 1974

[more]
cover of Aliens R Us: The Other in Science Fiction Cinema

Aliens R Us

The Other in Science Fiction Cinema

Edited by Ziauddin Sardar and Sean Cubitt

Pluto Press, 2002

[more]
cover of Birth of the Other

Birth of the Other

Rosine Lefort, in collaberation with Robert Lefort

University of Illinois Press, 1994

   Originally published as Naissance de l' Autre (1980), Birth
        of the Other offers a rare look at language acquisition from a Lacanian
        perspective. In 1951-52 Rosine Lefort conducted the treatment of two largely
        preverbal children, guiding them through psychoanalysis and meticulously
        documenting their activities. Lefort has applied her subsequent training
        in Lacanian theory to these early case notes, which provide remarkably
        lucid examples of exceedingly difficult concepts.
      This exceptional work thus clarifies many misconceptions about psychoanalytic
        theory, furnishes unique insight into what Lacan calls the "time
        of analysis," and grants a clearer understanding of the relationship
        between language and the unconscious.
      "Anyone interested in
        Lacan's psychoanalytical theories should not fail to read these revealing
        clinical studies by one of Lacan's most authoritative and lucid interpreters."
        -- Herman Rapaport, author of Between the Sign and the Gaze
 
[more]
cover of Cinemas of the Other: A Personal Journey with Film-Makers from Central Asia

Cinemas of the Other

A Personal Journey with Film-Makers from Central Asia

Gönül Dönmez-Colin

Intellect Books, 2012

Updated collections of recent interviews with filmmakers whose works represent trends in the film industries of Central Asia and the Middle East, these two new geospecific editions expand upon the earlier volume Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia.
 
Following an introduction delineating the histories of the film industries of the countries that make up the Middle East and Central Asia—including Iran, Turkey, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan, and Uzbekistan—both books contain interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. The striking variety of approaches toward each interview creates a rich diversity of tone and opens the door to a better understanding of images of “otherness” in film. In addition to transcripts of the interviews, each chapter also includes stills from important films discussed, biographical information about the filmmakers, and filmographies of their works.
 
Gönül Dönmez-Colin offers in these expanded editions a carefully researched and richly detailed firsthand account of the developments and trends in these regional film industries that is sure to be appreciated by film scholars and researchers of the Middle East and Central Asia.
[more]
cover of Cinemas of the Other: A Personal Journey with Film-Makers from Iran and Turkey

Cinemas of the Other

A Personal Journey with Film-Makers from Iran and Turkey

Gönül Dönmez-Colin

Intellect Books, 2012

Updated collections of recent interviews with filmmakers whose works represent trends in the film industries of Central Asia and the Middle East, these two new geospecific editions expand upon the earlier volume Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia.
 
Following an introduction delineating the histories of the film industries of the countries that make up the Middle East and Central Asia—including Iran, Turkey, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan, and Uzbekistan—both books contain interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. The striking variety of approaches toward each interview creates a rich diversity of tone and opens the door to a better understanding of images of “otherness” in film. In addition to transcripts of the interviews, each chapter also includes stills from important films discussed, biographical information about the filmmakers, and filmographies of their works.
 
Gönül Dönmez-Colin offers in these expanded editions a carefully researched and richly detailed firsthand account of the developments and trends in these regional film industries that is sure to be appreciated by film scholars and researchers of the Middle East and Central Asia.
[more]
cover of Discourse and the Other: The Production of the Afro-American Text

Discourse and the Other

The Production of the Afro-American Text

W. Lawrence Hogue

Duke University Press, 1986

The central thesis of Lawrence Hogue's book is that criticism of Afro-American literature has left out of account the way in which ideological pressures dictate the canon. This fresh approach to the study of the social, ideological, and political dynamics of the Afro-American literary text in the twentieth century, based on the Foucauldian concept of literature as social institution, examines the universalization that power effects, how literary texts are appropriated to meet ideological concerns and needs, and the continued oppression of dissenting voices.

Hogue presents an illuminating discussion of the publication and review history of "major" and neglected texts. He illustrates the acceptance of texts as exotica, as sociological documents, or as carriers of sufficient literary conventions to receive approbation. Although the sixties movement allowed the text to move to the periphery of the dominant ideology, providing some new myths about the Afro-American historical past, this marginal position was subsequently sabotaged, co-opted, or appropriated (Afros became a fad; presidents gave the soul handshake; the hip-talking black was dressing one style and talking another.)

This study includes extended discussion of four works; Ernest J. Gaines's The Autobiography of Miss Jane Pittman, Alice Walker's The Third Life of Grange Copeland, Albert Murray's Train Whistle Guitar, and Toni Morrison's Sula. Hogue assesses the informing worldviews of each and the extent and nature of their acceptance by the dominant American cultural apparatus.

[more]
cover of Empathy and the Other: Difference, Connection, and the Teaching of Writing

Empathy and the Other

Difference, Connection, and the Teaching of Writing

Lisa Blankenship

Utah State University Press, 2026

Empathy and the Other: Difference, Connection, and the Teaching of Writing focuses on the theoretical basis for empathy as a pedagogical concern, adding to important conversations happening in writing studies about how to foster empathetic understanding and practices for teachers and students. It offers ways for higher education classrooms to become sites for the cultivation of a critical form of empathy that can help address the most important challenges of our time.

Drawing on the study of empathy in rhetorical theory and related fields, teacher-scholars from a variety of institutions and backgrounds offer pedagogical rationales and approaches for fostering empathetic, inclusive, and antiracist pedagogies centered around five key themes related to empathetic teaching: difference, citizenship, storytelling, assessment, and process. A reflective and critical approach to empathetic teaching—as presented by the authors in this collection—can begin to address forces of social division, particularly in the ways we read and write about others. Teaching grounded in empathetic principles can offer students ways of relating to one another across cultural, religious, class, ethnic, political, and ideological differences.

Empathy and the Other is a companion volume to Enacting Empathy: Stories and Strategies from the Writing Classroom, which features vignettes and praxis pieces focused on classroom experiences and reflections on teaching empathy. The two collections may stand alone or be read together and are of great interest to writing teachers and graduate students invested in social justice in the classroom.

[more]
cover of Essential Vulnerabilities: Plato and Levinas on Relations to the Other

Essential Vulnerabilities

Plato and Levinas on Relations to the Other

Deborah Achtenberg

Northwestern University Press, 2014

In Essential Vulnerabilities, Deborah Achtenberg contests Emmanuel Levinas’s idea that Plato is a philosopher of freedom for whom thought is a return to the self. Instead, Plato, like Levinas, is a philosopher of the other. Nonetheless, Achtenberg argues, Plato and Levinas are different. Though they share the view that human beings are essentially vulnerable and essentially in relation to others, they conceive human vulnerability and responsiveness differently. For Plato, when we see beautiful others, we are overwhelmed by the beauty of what is, by the vision of eternal form. For Levinas, we are disrupted by the newness, foreignness, or singularity of the other. The other, for him, is new or foreign, not eternal. The other is unknowable singularity. By showing these similarities and differences, Achtenberg resituates Plato in relation to Levinas and opens up two contrasting ways that self is essentially in relation to others.
[more]
cover of Face/On: Face Transplants and the Ethics of the Other

Face/On

Face Transplants and the Ethics of the Other

Sharrona Pearl

University of Chicago Press, 2017

Are our identities attached to our faces? If so, what happens when the face connected to the self is gone forever—or replaced? In Face/On, Sharrona Pearl investigates the stakes for changing the face–and the changing stakes for the face—in both contemporary society and the sciences.
 
The first comprehensive cultural study of face transplant surgery, Face/On reveals our true relationships to faces and facelessness, explains the significance we place on facial manipulation, and decodes how we understand loss, reconstruction, and transplantation of the face. To achieve this, Pearl draws on a vast array of sources: bioethical and medical reports, newspaper and television coverage, performances by pop culture icons, hospital records, personal interviews, films, and military files. She argues that we are on the cusp of a new ethics, in an opportune moment for reframing essentialist ideas about appearance in favor of a more expansive form of interpersonal interaction. Accessibly written and respectfully illustrated, Face/On offers a new perspective on face transplant surgery as a way to consider the self and its representation as constantly present and evolving. Highly interdisciplinary, this study will appeal to anyone wishing to know more about critical interventions into recent medicine, makeover culture, and the beauty industry.
 
[more]
cover of God, the Flesh, and the Other: From Irenaeus to Duns Scotus

God, the Flesh, and the Other

From Irenaeus to Duns Scotus

Emmanuel Falque Translated from the French by William Christian Hackett

Northwestern University Press, 2015

In God, the Flesh, and the Other, the philosopher Emmanuel Falque joins the ongoing debate about the role of theology in phenomenology. An important voice in the second generation of French philosophy’s “theological turn,” Falque examines philosophically the fathers of the Church and the medieval theologians on the nature of theology and the objects comprising it. Falque works phenomenology itself into the corpus of theology. Theological concepts thus translate into philosophical terms that phenomenology should legitimately question: concepts from contemporary phenomenology such as onto-theology, appearance, reduction, body/flesh, inter-corporeity, the genesis of community, intersubjectivity, and the singularity of the other find penetrating analogues in patristic and medieval thought forged through millennia of Christological and Trinitarian debate, mystical discourses, and speculative reflection. Through Falque’s wide-ranging interpretive path, phenomenology finds itself interrogated—and renewed.

[more]
cover of Heterologies: Discourse on the Other

Heterologies

Discourse on the Other

Michel De Certeau

University of Minnesota Press, 1986

[more]
cover of Humanism of the Other

Humanism of the Other

Emmanuel Levinas

University of Illinois Press, 2003

[more]
cover of Playing the Other: Gender and Society in Classical Greek Literature

Playing the Other

Gender and Society in Classical Greek Literature

Froma I. Zeitlin

University of Chicago Press, 1995

Relations between the sexes was a pervasive concern of ancient Greek thought and literature, extending from considerations of masculine and feminine roles in domestic and political spheres to the organization of the cosmos in a pantheon of gods and goddesses. In Playing the Other Froma Zeitlin explores the diversity and complexity of these interactions through the most influential literary texts of the archaic and classical periods ranging from epic (Homer) and didactic poetry (Hesiod) to the theatrical productions of tragedy and comedy in fifth-century Athens.

Zeitlin demonstrates the indispensable workings of gender as a major factor in Greek social, religious, and cultural practices and in more abstract ideas about nature and culture, public and private, citizen and outsider, self and other, and mortal and immortal. Focusing on the prominence of female figures in these male authored texts, she enlarges our perspective on critical components of political order and civic identity by including issues of sexuality, the body, modes of male and female maturation, and speculations about parentage, kinship, and reproductive strategies. Along with considerations of genre, poetics, and theatrical mimesis, she points to the powerful mythmaking capacities of Greek culture for creating memorable paradigms and dramatic scenarios that far exceed simple notions of male and female opposition and predictable enforcement of social norms. Consisting of both new and revised essays, Playing the Other is a wide-ranging account of a central category of Greek literature by a scholar who pioneered an approach to classics through the perspective of gender.
[more]
cover of Postmodernism and the Other: New Imperialism of Western Culture

Postmodernism and the Other

New Imperialism of Western Culture

Ziauddin Sardar

Pluto Press, 1997

This controversial work examines postmodernism from a non-Western perspective, and exposes its claims as a sham. Sardar makes a systematic assessment of the salient spheres of postmodernism - from philosophy and architecture, to film, music and new age religions - and reveals that, contrary to commonly-held notions, postmodernism operates to further marginalise the reality of the non-West and confound its aspirations.
[more]
cover of Practices of Coexistence: Constructions of the Other in Early Modern Perceptions

Practices of Coexistence

Constructions of the Other in Early Modern Perceptions

Marianna D. Birnbaum

Central European University Press, 2017

The essays in this book provide interesting contributions to the ongoing debate concerning the representation of differing cultures, i.e., the “image of the Other” in the early modern period . They deal with images, projections, and perceptions, based on various experiences of coexistence. Although the individual contributions contain sources and references of iconography, this is not just another volume of art history or visual studies. As examples of practices in diverse historical contexts, the book includes a variety of textual material, such as literary productions, rhetorical exercises, dramatic applications, chronicles, epistles, and diary-like historical accounts that express ethnographic sensitivities. Thus, supported by a thorough research apparatus, these studies propose a new cultural history of the early modern coexistence of various communities, as identified in current research by young scholars. Another novel feature of the volume is the deliberate digression of traditional scholars’ focus and the investigation of rarely examined regions and practices. This approach allows the contributors to spotlight their special areas of research and to share a fresh new look at “the Renaissance.”
[more]
cover of Queer in Russia: A Story of Sex, Self, and the Other

Queer in Russia

A Story of Sex, Self, and the Other

Laurie Essig

Duke University Press, 1999

In Queer in Russia Laurie Essig examines the formation of gay identity and community in the former Soviet Union. As a sociological fieldworker, she began her research during the late 1980s, before any kind of a public queer identity existed in that country. After a decade of conducting interviews, as well as observing and analyzing plays, books, pop music, and graffiti, Essig presents the first sustained study of how and why there was no Soviet gay community or even gay identity before perestroika and the degree to which this situation has—or has not—changed.
While male homosexual acts were criminalized in Russia before 1993, women attracted to women were policed by the medical community, who saw them less as criminals than as diseased persons potentially cured by drug therapy or transsexual surgery. After describing accounts of pre-perestroika persecution, Essig examines the more recent state of sexual identities in Russia. Although the fall of communism brought new freedom to Russian queers, there are still no signs of a mass movement forming around the issue, and few identify themselves as lesbians or gay men, even when they are involved in same-sex relations. Essig does reveal, however, vibrant manifestations of gay life found at the local level—in restaurants, discos, clubs, and cruising strips, in newspapers, journals, literature, and the theater. Concluding with a powerful exploration of the surprising affinities between some of Russia’s most prominent nationalists and its queers, Queer in Russia fills a gap in both Russian and cultural studies.
[more]
cover of Selected Plays of Stan Lai: Volume 1: Secret Love in Peach Blossom Land and Other Plays

Selected Plays of Stan Lai

Volume 1: Secret Love in Peach Blossom Land and Other Plays

Stan Lai, edited by Lissa Tyler Renaud

University of Michigan Press, 2021

These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances.
 
Volume One contains:
Secret Love in Peach Blossom Land
Look Who's Crosstalking Tonight
The Island and the Other Shore
I Me She Him
Ménage à 13
[more]
cover of Selected Plays of Stan Lai: Volume 2: The Village and Other Plays

Selected Plays of Stan Lai

Volume 2: The Village and Other Plays

Stan Lai, edited by Lissa Tyler Renaud

University of Michigan Press, 2021

These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances.
 
Volume Two contains:
Millennium Teahouse
Sand on a Distant Star
Like Shadows
The Village
Writing in Water
[more]
cover of Something I Said?: Innuendo and Out the Other

Something I Said?

Innuendo and Out the Other

Michael Feldman

University of Wisconsin Press, 2004

What we have here is another mighty slim volume from Michael Feldman, best known (when known at all) for his public radio show "Whad'ya Know" (sic). Feldman, who spouts off about things he knows "not much" about weekly, here writes them down:
    · how to get your own radio show and what you can do with it once you do
    · paranoia
    · marriage (or as Feldman likes to refer to it, "a long-term bad relationship")
    · Hitler
    · SUVs
    · child-rearing (although it sounds like it's the author who is being reared)
    · a number of short pieces on places he and his crew have visited for their "remote possibilities" 
    · more references to "gentiles" than absolutely necessary (seems to be an issue for Feldman, although he is tickled with the 
        notion that, to a Mormon, he is one)
    · some attempts to misrepresent scientific or social research for humorous purposes
    · many personal revelations that prove the examined life is not necessarily worth living either
    · and pages and pages of fluff.

Mr. Feldman has not been compared, to our knowledge, to S. J. Perlman.

But here is some of what Michael Feldman says in Something I Said:
"The paranoid no longer is: paranoia has outlived its usefulness when everybody is out to get us."

"Take the phrase 'no problem': I can use it, although it is the very opposite of my two-word world view ('Nothing works')."

"Whatever latitude beauty may have in the eye of the beholder, funny is not readily apparent to all, and, who knows, they may be right. More importantly, they may be bigger."

Includes a music CD by Michael Feldman and John Sieger.

[more]
cover of Sovereign Traces, Volume 1: Not (Just) (An)Other

Sovereign Traces, Volume 1

Not (Just) (An)Other

Gordon D. Henry Jr.

Michigan State University Press, 2018

By merging works of contemporary North American Indian literature with imaginative illustrations by U.S. and Canadian artists, Sovereign Traces, Volume 1: Not (Just) (An)Other provides a unique, extended possibility for audiences to engage with works by prominent authors such as Stephen Graham Jones, Gordon Henry Jr., Gerald Vizenor, Warren Cariou, Niigaanwewidam James Sinclair, Louise Erdrich, Joy Harjo, Richard Van Camp, and Gwen Westerman. Through this exciting medium, Sovereign Traces beckons to audiences that are both new to and familiar with Native writing, allowing for possibilities for reimagined readings along the way. Readers will find works of graphic literature, uniquely including both poetry and fiction, newly adapted from writing by American Indians and First Peoples.
 
[more]
cover of The Law of the Other: The Mixed Jury and Changing Conceptions of Citizenship, Law, and Knowledge

The Law of the Other

The Mixed Jury and Changing Conceptions of Citizenship, Law, and Knowledge

Marianne Constable

University of Chicago Press, 1994

The Law of the Other is an account of the English doctrine of the "mixed jury". Constable's excavation of the historical, rhetorical, and theoretical foundations of modern law recasts our legal and sociological understandings of the American jury and our contemporary conceptions of law, citizenship, and truth.

The "mixed jury" doctrine allowed resident foreigners to have law suits against English natives tried before juries composed half of natives and half of aliens like themselves. As she traces the transformations in this doctrine from the Middle Ages to its abolition in 1870, Constable also reveals the emergence of a world where law rooted in actual practices and customs of communities is replaced by law determined by officials, where juries no longer strive to speak the truth but to ascertain the facts.
[more]
cover of The Play of Mirrors: The Representation of Self Mirrored in the Other

The Play of Mirrors

The Representation of Self Mirrored in the Other

By Sylvia Caiuby Novaes

University of Texas Press, 1997

Focusing on the Bororo people of west-central Brazil, this book addresses the construction of self-identity through interethnic interaction. By presenting the images the Bororo have of themselves as well as the images of others who have interacted with them, Brazilian anthropologist Sylvia Caiuby Novaes argues convincingly that Bororo self-images are constructed with the aid of a peculiar looking-glass—it is in the images of others that they see themselves.

Incorporating contributions from psychology, psychoanalysis, linguistics, and semiotics, Play of Mirrors focuses on symbols, images, discourse, and meanings rather than solely on the problem of acculturation. It thus reflects the thinking of a new generation of Brazilian anthropologists who have shifted their focus from native communities as isolated entities to an examination of their embeddedness within broader national and international arenas.

[more]
cover of Uses Of The Other: “The East” in European Identity Formation

Uses Of The Other

“The East” in European Identity Formation

Iver B. Neumann

University of Minnesota Press, 1998

Examines identity politics in the context of international relations.

The field of international relations has recently witnessed a tremendous growth of interest in the theme of identity and its formation, construction, and deconstruction. In Uses of the Other, Iver B. Neumann demonstrates how thinking about identity in terms of the self and other may prove highly useful in the study of world politics.

Neumann begins by tracing the four different paths along which this thinking has developed during this century-ethnographic, psychological, Continental philosophical, and “Eastern excursion”-and he shows how these blended at the margins of the discipline of international relations at the end of the 1980s. There follow several incisive readings of European identity formations on the all-European, regional, and national levels. The theme that draws these readings together is how “the East” is used as a sign of otherness at all three levels. Whereas previous studies framed this process as part of colonial and postcolonial developments, this book suggests that “Easternness” is also present as a marker in contemporary discourses about Russia, Turkey, Central Europe, and Bashkortostan, among others. Situating his work in contemporary critical debates, Neumann argues that, while the self/other perspective is always of relevance, it is now more in need of being used as a perspective on specific sequences of identity formation than of further embellishment.ISBN: 0-8166-3082-8 Cloth $49.95xxISBN: 0-8166-3083-6 Paper $19.95x248 Pages 5-7/8x9 NovemberBorderlines Series, Volume 9Translation inquiries:
[more]
cover of an other: a black feminist consideration of animal life

an other

a black feminist consideration of animal life

Sharon Patricia Holland

Duke University Press, 2023

In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.
[more]