13 books match the query 'Prophet'
Lauren V. Jarvis
Michigan State University Press, 2024
Keith Michael Baker
University of Chicago Press, 2025
Dan Vogel
Signature Books, 2004
Vogel weaves together strands of evidence into a complete fabric including, among other aspects of Smith’s environment, the content of his daily dictation of scriputre and revelation—all contributing to a nearly complete view of what occurred on any given day in Smith’s lfie. The result is as much intellectual history as traditional biography. Readers will feel engaged in the dramatic, formative events in the prophet’s life against a backdrop of theology, local and national politics, Smith family dynamics, organizational issues, and interpersonal relations. One can form a mental picture, and many will find themselves carrying on an internal dialogue about the issues raised.
Vogel addresses the following broad themes:
1. The home that Joseph Smith was raised in was religiously divided. His mother’s family was orthodox and partly mystical; his father’s family tended toward rationalism and skepticism. Joseph’s maternal grandfather published an account of seeing a heavenly light and hearing Jesus’ voice. Joseph’s paternal grandfather promoted Thomas Paine’s skeptical critique of the Bible, The Age of Reason.
2. When Andrew Jackson was elected U.S. president in 1828, it was a key transitional period in American history. Jackson was a Mason and an advocate of secularism, which alarmed evangelical Protestants.
3. The Smith family experienced a series of financial setbacks and lost their farm in 1825. Joseph felt disinherited and saw no way of escape—no chance for his family to regain its former standing in the community.
4. Joseph found solace in religion. In the early 1820s, he had a powerful conversion experience and felt that Jesus had forgiven him of his sins. This inspired him to share the gospel message with others, particularly with his own family. About the same time, Smith found a talent for preaching and delivered “passable” Methodist sermons at a nearby revival.
5. Over time, Joseph became aware that people trusted him and that he could be an influence for good or ill, that even through nefarious means, God worked through him when his heart was right. He realized this when he led groups in search of Spanish treasure in New York and Pennsylvania. Although no treasure was found, the men sincerely believed that Smith had a spiritual gift and could see where casks of gold were hidden in the earth. This training ground in spiritual leadership was invaluable because the prophet learned how to create an environment for belief—one in which people could exercise faith and be converted to Christ through the sensible influence of the Spirit, all prior to the overarching work of restoring primitive Christianity.
Stavans, Ilan
Rutgers University Press, 2011
John F. Galliher, Wayne Brekhus, and David P. Keys
University of Wisconsin Press, 2004
Louis L. Martz
University of Missouri Press, 1998
In Many Gods and Many Voices distinguished scholar Louis L. Martz addresses works by Ezra Pound, T. S. Eliot, William Carlos Williams, H. D., and D. H. Lawrence, with brief treatment of the relation of Pound's Cantos to Joyce's Ulysses. In a graceful, lucid style, Martz argues that a prophetic tradition is represented in the Cantos, The Waste Land, Paterson, and H. D.'s Trilogy and Helen in Egypt, along with Lawrence's Plumed Serpent and the second version of Lady Chatterley's Lover. Pound's often- cited view that an epic is a poem that "includes history" does not define epic alone, for the books of biblical prophecy also contain history: the history of Israel's misdeeds and continuous redemption.
On the other hand, Martz suggests that the term prophecy should not be limited to works that foretell the future, arguing that the biblical prophet is concerned primarily with the present. The prophet is a reformer, a denouncer of evil, as well as a seer of possible redemption. He hears "voices" and transmits the message of those voices to his people, in the hope of moving them away from wickedness and toward the ways of truth. According to Martz, such was the mission that inspired Walt Whitman and that Whitman passed on to Pound, Eliot, Williams, and Lawrence. (H. D. found her own sources of inspiration in Greek and Egyptian lore.)
Martz's premise is that biblical prophecy, with its mingling of poetry and prose, its abrupt shifts from violent denunciation to exalted poetry, provides a precedent for the texture of these modernist works that will help readers to appreciate the mingling of "voices" and the complex mixture of elements. Examining their interrelationships and their common themes, Many Gods and Many Voices offers fresh insights into these modern writers.
Steven Fink
The Ohio State University Press, 1999
By Peter G. Earle
University of Texas Press, 1971
A universal test of great writers is the quality of their response to the human dilemma. Prophet in the Wilderness traces the development of that response in the works of the Argentine writer Ezequiel Martínez Estrada, from the first ambitious poems to its definitive expression in the essays and short stories.
His theme is progressive disillusionment, in history and in personal experience, both of which are interpreted in his work as accumulations of error. Modern civilization, he believes, has created many more problems than it has solved. Like Schopenhauer, Freud, and Spengler, the three thinkers who influenced him most, Martínez Estrada found in real events and circumstances all the symbols of disenchantment. Many today have begun to share this disenchantment, for since the publication of X-Ray of the Pampa in 1933 the real world has become more and more like his symbolic world.
Prophet in the Wilderness examines Martínez Estrada's foremost concern: the world as a complex reality to be discovered behind the image of one's own most intimate community. For him, the community assumed many forms: Buenos Aires, the enigmatic metropolis; the cathedral in his story "The Deluge"; the innumerable family of Marta Riquelme; Argentina itself in his masterpiece, X-Ray of the Pampa.
Martínez Estrada is the great solitary of Hispanic American literature, independent of all fashions and trends. With Borges, he had become by 1950 one of the two most discussed writers in Argentina.
Allan Maca
University Press of Colorado, 2026
In his 1948 work A Study of Archeology, recently minted Harvard Ph.D. Walter W. Taylor delivered the strongest and most substantial critique of American archaeology ever published. He created many enemies with his dissection of the research programs of America's leading scholars, who took it as a personal affront. Taylor subsequently saw his ideas co-opted, his research pushed to the margins, and his students punished. Publicly humiliated at the 1985 Society for American Archaeology meeting, he suffered ridicule until his death in 1997.
Nearly everyone in the archaeological community read Taylor's book at the time, and despite the negative reaction, many were influenced by it. Few young scholars dared to directly engage and build on his "conjunctive approach," yet his suggested methods nevertheless began to be adopted and countless present-day authors highlight his impact on the 1960s formation of the "New Archaeology."
In Prophet, Pariah, and Pioneer, peers, colleagues, and former students offer a critical consideration of Taylor's influence and legacy. Neither a festschrift nor a mere analysis of his work, the book presents an array of voices exploring Taylor and his influence, sociologically and intellectually, as well as the culture of American archaeology in the second half of the twentieth century.
Stephen Karam
Northwestern University Press, 2012
Finalist, 2012 Pulitzer Prize for Drama
Winner, 2012 New York Drama Critics Circle Award for Best Play
Winner, 2012 Lucille Lortel Award for Outstanding Play
A deeply humorous, unflinching portrait of grief and loss, Sons of the Prophet depicts a Lebanese-American family in rural Pennsylvania beset by an absurd string of tragedies. At the play’s center is Joseph Douaihy, a once-promising world-class runner now sidelined by injury. As Joseph confronts his deteriorating health, he is also forced to face the death of his father, an ailing Uncle, and a desperate boss beset by her own tragedies. Deftly keeping its various storylines in careful balance, Karam’s play confronts, with abundant intelligence and great sympathy for human frailty, the inevitability of loss and the equally inevitable comedy resulting from our attempts to cope with is consequences.
Lucy Ferriss
University of Missouri Press, 2005
By John H. Haddox
University of Texas Press, 1967
José Vasconcelos—lawyer, politician, writer, educator, philosopher, prophet, and mystic—was one of the most influential and controversial figures in the intellectual life of twentieth-century Mexico.
Vasconcelos was driven by the desire to gain a complete and comprehensive vision of reality, employing his own aesthetic-emotive method and a poetic mode of expression. The complex philosophical system that resulted is what he called “aesthetic monism.” But this is only one side of the man. Vasconcelos was also vitally interested in both the proximate realities and remote possibilities of Mexico, in the character of the “cosmic race” of his homeland, and in the relations between his own country and the others of this hemisphere.
Soon after Vasconcelos’s death in 1959, Eduardo García Máynez spoke of him, in a moving tribute, as “without question the most inspiring intellectual and human figure that Mexico has produced.” Unhappily—and perhaps disgracefully—he has remained almost unknown outside the Spanish-speaking world. Histories of Mexico published in English usually give passing mention to his role as Minister of Public Education or his unsuccessful campaign for the presidency, but his aesthetic system and his socio-political ideas have been ignored by philosophers in the United States.
Here, for the first time, is a unified, inclusive, and occasionally critical presentation of the entire range of Vasconcelos’s thought, from his metaphysics and theory of knowledge through his aesthetics and ethics to his social and political philosophy. It is enriched by an appendix in which the most significant passages from Vasconcelos’s own philosophical writings are presented in English translations.

Jacob H. Dorn
The Ohio State University Press, 1966