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6 books match the query 'Psychoanalysis and feminism'

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Anne Frank and Etty Hillesum

de Costa, Denise

Rutgers University Press, 1998

Studies of Nazi persecution and destruction of Jews have to date largely been based on the accounts of men. And yet gender difference in Western society is so profound that women and men seem to have divergent experiences, speak different languages, and see and hear in dissimilar ways. Denise de Costa's book explores the significance of sex and gender differences in the construction of history and society-specifically, the Nazi genocide of Jews in World War II-by focusing on the writing of two Jewish women, Anne Frank and Etty Hillesum.

De Costa argues that although both of these writers have received much attention, little has been done to understand how the significant difference occasioned by both gender and Jewishness helps to define cultural or personal identity in relation to the Holocaust. De Costa uses a variety of psychoanalytic and feminist theories to approach the writing of Frank and Hillesum. Critiquing as well as employing the concepts of Julia Kristeva, Hélène Cixous, Luce Irigaray, and Simone de Beauvoir among others, she presents a detailed and rich discussion of each writer.

De Costa approaches Anne Frank largely from a psychoanalytical perspective that emphasizes the function of writing itself in the development of self-identity. For Etty Hillesum, she is more concerned with how writing establishes a philosophy, and a faith, that can entertain and is indeed based in doubleness and paradox. Her assessment of these two writers makes a significant contribution to our understanding of the Holocaust as a cultural and historical phenomenon, of the role of writing in the production and expression of gendered identity, and of the complex relation between women, writing, and culture.

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Freudian Slips

Woman, Writing, the Foreign Tongue

Mary S. Gossy

University of Michigan Press, 1995

In Freudian Slips: Woman, Writing, the Foreign Tongue, Mary Gossy provides an original and provocative critique of language, sexuality, and the female body in Freud's The Psychopathology of Everyday Life.
Gossy believes that Freud's most popular statement of a theory of the unconscious is written over foreign and feminized texts, bodies, and places, by way of anecdotes that range from the Dora case to menstruation to travel phobias. Freudian Slips: Woman, Writing, the Foreign Tongue does a feminist psychoanalytic reading of Freud's book and shows how slippery- textually, erotically, and historically- the writing of theory can be, and also how much we can learn from our slips when we are willing to admit that we have made them.
Bringing together autobiography, psychoanalysis, close readings, pedagogy, and politics in provocative and innovative ways, Gossy discusses Freud's work from both textual and theoretical perspectives and asks what his writing can teach us about authority, theory, home, and the foreign. Arguing that the dominant metaphor in the Psychopathology is that of the female body as foreign text, and that this body, writing, and the foreign tongue are identified with a feminized unconscious that threatens authoritative discourse, Freudian Slips moves toward fashioning a feminist theory that is both "slippery and (para)practical" and constantly searches for ways of writing theory that free, rather than sacrifice, the bodies of women.
"The readings of individual slips are often highly productive; the argument is both hardworking and playful. Freudian Slips is a book that people will enjoy reading and from which they will learn a great deal."-- Helena Michie, Rice University
Mary S. Gossy is Associate Professor of Spanish and Comparative Literature, Rutgers University. She is the author of The Untold Story: Women and Theory in Golden Age Texts.

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From Klein to Kristeva

Psychoanalytic Feminism and the Search for the "Good Enough" Mother

Janice Doane and Devon Hodges

University of Michigan Press, 1993

Recent feminist and psychoanalytic accounts of mothering have been profoundly shaped by the work of Melanie Klein, D. W. Winnicott, Nancy Chodorow, and Julia Kristeva. Although their work spans many decades, these writers share the goal of understanding object relations, that is, the child's relation to internalized "objects" —most often the mother, as the child's first caretaker. Doane and Hodges chart the development of "mother-centered" psychoanalysis and its influence on feminist thought in a number of fields and show how the effort to elevate the importance of the mother has become implicated in the current effort to restrict possibilities for women to "opportunities" associated with hearth and home. The authors argue that discussions of the maternal role always exist within an ideological framework in which they are purveyed to particular groups at particular times. In our own historical moment, ideas of maternal propriety have been vigorously argued, as in custody battles, where experts debate whether or not individual women are "good enough" mothers. From Klein to Kristeva traces the ways in which object-relations accounts of mothering have worked to encourage the view that "good enough" mothers find "their whole self" at home. What does this view of mothering mean for working women? How does it help promote arguments that "fetal rights" are more important than a mother's own desires? By recovering the historial context of object-relations theory and closely attending to the language of important theorists, Doane and Hodges make visible the extraordinary influence of object relations on the discourses in many fields and demonstrate the power of psychological theory to shape both popular and academic discussions of maternal propriety.

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The Fantasy of Feminist History

Joan Wallach Scott

Duke University Press, 2012

In The Fantasy of Feminist History, Joan Wallach Scott argues that feminist perspectives on history are enriched by psychoanalytic concepts, particularly fantasy. Tracing the evolution of her thinking about gender over the course of her career, the pioneering historian explains how her search for ways to more forcefully insist on gender as mutable rather than fixed or stable led her to psychoanalytic theory, which posits sexual difference as an insoluble dilemma. Scott suggests that it is the futile struggle to hold meaning in place that makes gender such an interesting historical object, an object that includes not only regimes of truth about sex and sexuality but also fantasies and transgressions that refuse to be regulated or categorized. Fantasy undermines any notion of psychic immutability or fixed identity, infuses rational motives with desire, and contributes to the actions and events that come to be narrated as history. Questioning the standard parameters of historiography and feminist politics, Scott advocates fantasy as a useful, even necessary, concept for feminist historical analysis.

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The Future of an Illusion

Film, Feminism, and Psychoanalysis

Constance Penley

University of Minnesota Press, 1989

The Future of an Illusion was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The Future of an Illusion documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates center on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism, and the implicitly male bias in psychoanalytically oriented film theory. Essential to anyone studying the sexual policies of representation, The Future of an Illusion ranges from avant-garde films to video, popular cinema, television, literature, and critical and cultural theory.

Constance Penley is associate professor of English and film studies at the University of Rochester. A co-editor of the journal Camera Obscura,she is the editor of Feminism and Film Theory.

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