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Why do we celebrate Einstein’s era above all other epochs in the history of physics? Much of the history of physics at the beginning of the twentieth century has been written with a sharp focus on a few key figures and a handful of notable events. Einstein’s Generation offers a distinctive new approach to the origins of modern physics by exploring both the material culture that stimulated relativity and the reaction of Einstein’s colleagues to his pioneering work.

Richard Staley weaves together the diverse strands of experimental and theoretical physics, commercial instrument making, and the sociology of physics around 1900 to present the collective efforts of a group whose work helped set the stage for Einstein’s revolutionary theories and the transition from classical to modern physics that followed. Collecting papers, talks, catalogues, conferences, and correspondence, Staley juxtaposes scientists’ views of relativity at the time to modern accounts of its history. Einstein’s Generation tells the story of a group of individuals which produced some of the most significant advances of the twentieth century; and challenges our celebration of Einstein’s era above all others.

Quantum computers, quantum cryptography, and even quantum AI—a century after the discovery of an unexpected physical world, researchers are putting this puzzling science to work in dazzling new ways.

In this exhilarating and mind-bending book, renowned scientist and author Paul Davies offers readers a glimpse of how quantum physics has led to a quantum technology revolution. Quantum 2.0 reveals how today’s brightest minds are harnessing exotic states of matter that have no counterpart in everyday life. Specifically, all eyes are on entanglement, called “spooky” by Einstein, which links the activities of separated particles even across vast distances.

By manipulating these weird properties of atoms, electrons, and photons, scientists are driving the burgeoning field of “quantum information science,” featuring new tools such as quantum computers, quantum cryptography, and the quantum internet. In turn, their efforts have attracted billions of dollars in investments and triggered a frantic quantum arms race between nations. At the same time, theorists are taking a closer look at quantum systems themselves, which possess properties that defy intuition and shred everyday notions of reality. Davies explains how researchers, including himself, are wrestling with quantum theory to make sense of this realm, where ghostly quantum particles produce tiny forces in nanotechnology, cause black holes to evaporate, and may even contribute to the universe’s accelerating expansion. A trusted guide, Davies takes readers from the basic concepts to today’s cutting edge, inviting us all to glimpse the wonderland of quantum physics and its stunning implications.

An exploration of how nonlinear storytelling opens a post-Newtonian reality and changes both the hero’s journey and how we understand history in film and television.

Begin at the beginning and keep going until the end. That’s the cardinal rule of conventional storytelling. But ever since the modernists of the early twentieth century, popular narratives have occasionally eschewed this linear approach to temporality. It’s as though our stories, formerly unfolding in the stable, predictable universe of Newtonian physics, can now take place in multidimensional time where anything and anyone can be as incalculable as Schrödinger’s cat.

Quantum Screens is a journey through the past and present of nonlinear time in film and television. Moving beyond the early experiments of Luis Buñuel and the first nonlinear commercial films, such as 2001: A Space Odyssey, Martha Nochimson shows how risk-taking auteurs David Lynch, Damon Lindelof, and Terrence Malik have opened new horizons and a new concept of beauty in storytelling through their revelatory creations. Quantum Screens takes us deep into the audience’s experience of nonlinearity, exploring the emotional dislocations such storytelling creates, using television programs such as Twin Peaks, Westworld, and Watchmen, and films including The Tree of Life, BlacKkKlansman, and Arrival. Indeed, viewers are at the heart of a changing aesthetics of nonlinearity, Nochimson argues. Amid innovations like on-demand viewing, unlimited replay, and binge-watching, the experience of real time is more malleable than ever, and creators are responding by structuring their stories in compelling new ways.

A text designed for courses in quantum statistical physics, which explains the concept of the density matrix and links it with the quantum theory of relaxation and decoherence and with the most common spectroscopic probes. 

This book covers the material for a one-semester introductory course in quantum statistical physics, designed for Master’s students in chemical physics and biophysics preparing to work in the fields of NMR, vibrational spectroscopy, or electronic spectroscopy. The course introduces the density matrix formalism and connects it to students’ existing knowledge of classical statistical physics. It then presents the main results of quantum relaxation theory in terms of population transfer and decoherence, and relates quantum relaxation to its most widely used experimental probes in spectroscopy.