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2026 IPPY Awards Bronze Medal Winner, Current Events - Social Issues/Humanitarian
2026 PROSE Award Finalist, Humanities: Literature

Artifact is about the stories we tell ourselves after mass shootings. Each college campus shooting leaves a record: archival collections, monuments to the dead, government-led inquiries, internal university investigations, and lawsuits. Artifact: Encounters with the Campus Shooting Archives seeks to understand university and college campus shootings that involve students and faculty of those institutions. The book examines the aftermaths of such attacks by moving between university archives, memorials to victims, conversations with survivors, and beyond.

Julija Šukys examines a series of five North American university and college campus shootings between 1966 and 2015: the École Polytechnique in Montreal, Concordia University in Montreal, Virginia Tech, University of Alabama–Huntsville, and Umpqua Community College in Roseburg, Oregon. These attacks involved students and faculty as both victims and perpetrators—that is, all the shooters were either faculty members or (in one case, would-be) students of the institution where the killings took place.

Šukys arrives at each site long after the killings have taken place: by now, the teddy bears, flowers, and crosses have been cleared away. Prying journalists are long gone. She sorts through myriad objects left at makeshift memorial sites. She talks for hours with a professor who survived an attack only because her colleague’s gun jammed as it was pointed at her head. She wanders and documents the reconfigured buildings made unrecognizable after the horrors that occurred within them. She reads tedious court transcripts, officious government-commissioned reports, and a troubling memoir written by a shooter’s mother and sifts through the mathematics papers that one campus shooter publishes from his prison cell.

Artifact weighs what it means to live in a place where students and their teachers are gunned down on a seemingly regular basis. It asks how we can continue to learn, teach, and live when nothing changes in response to these deaths. It attempts to speak into silence, to look at the pain of those who have come through trauma, and to meet their gazes without platitudes or triumphalism. The result is a searching book about care, memory, forgiveness, and survival.

This volume highlights the work of the late Gordon M. Day, renowned for his groundbreaking research on the history and culture of the Western Abenakis and their Indian neighbors. Where previous historians had tended to portray northern New England as an area largely devoid of aboriginal peoples, Day established beyond all doubt the presence of Abenaki settlements along the eastern shore of Lake Champlain as well as the upper reaches of the Connecticut and Merrimack rivers. 

For nearly three decades, Day focused his work on the community of Saint Francis, or Odanak, in Quebec, to which Abenaki refugees from interior New England had fled, beginning in the mid-seventeenth century and continuing into the nineteenth. Drawing on the methods of several disciplines, including ethnology, linguistics, and ethnohistory, he synthesized data from fragmentary historical records, oral traditions, and place names to reconstruct a world assumed to be lost.

Geographer Jack Ives moved to Canada in 1954, and soon after he played an instrumental role in the establishment of the McGill Sub-Arctic Research Laboratory in central Labrador-Ungava. This fascinating account of his fifty-plus years living and working in the arctic is simultaneously a light-hearted, winning memoir and a call to action on the issues of environmental awareness and conservation that are inextricably intertwined with life in the north. Mixing personal impressions of key figures of the postwar scientific boom with the intellectual drama of field research, The Land Beyond is a memorable depiction of a life in science.

The story begins with a grandfather who heroically escaped from Russia by swimming the Pruth River to Romania—or did he? Then there are stories of another grandfather who kept a lifelong mistress; grandmothers who were ignored except in the kitchen; migrations legal and illegal from Eastern Europe to Canada to California; racketeers on one side of the family and Communists on the other; and a West Coast adolescence in the McCarthy years. All of these (mostly true) stories form a Jewish family's history, a tale of dislocation and assimilation. But in the hands of award-winning historian Robert Rosenstone, they become much more. The fragments of memory so beautifully preserved in The Man Who Swam into History add unforgettable, human characters to the now familiar story of the Jewish diaspora in the twentieth century.

This combination memoir/short story collection recounts the Rosenstone family's passage from Romania to America. Robert Rosenstone tells the story not as a single, linear narrative, but through "tales, sequences, windows, moments, and fragments resurrected from the lives of three generations in my two parental families, set in five countries on two continents over the period of almost a century." This more literary and personal approach allows Rosenstone's relatives to emerge as distinct personalities, voices who quarrel and gossip, share their dreams and fears, and maintain the ties of a loving, if eccentric, family. Among the genre of "coming to America" tales, The Man Who Swam into History is a work of unique vision, one that both records and reconstructs the past even as it continuously—and humorously—questions the truth of its own assertions.