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American Fantastic challenges readers to recognize an organizing myth in America’s perception of its imperialist past, “the myth of redemptive violence.” Derek J. Thiess persuasively argues that this myth serves to obscure the deep thread of Christian supremacy that underwrites America’s colonial and imperial impulses, from the early colonial period to westward expansion to the contemporary global order. This American imaginary, which enmeshes religion with violence, is constructed in multiple contentious and productive contact zones: between genres, between cultures, and between past and present.

Thiess’s interdisciplinary study examines America’s past and present imperial projects, from the Hawaiian Islands to the Eastern Seaboard, as they proliferate in popular story forms. By interrogating American myths, legends, and fantastic narratives across an impressive array of genres, including folk narratives, science fiction, movies, and more, Thiess exposes how the “myth of redemptive violence” manifests in contemporary constructions of America’s fantastic imaginaries.

The political meaning of prophetic language in America

Prophecy is the fundamental idiom of American politics—a biblical rhetoric about redeeming the crimes, suffering, and promise of a special people. Yet American prophecy and its great practitioners—from Frederick Douglass and Henry Thoreau to Martin Luther King, James Baldwin, and Toni Morrison—are rarely addressed, let alone analyzed, by political theorists. This paradox is at the heart of American Prophecy, a work in which George Shulman unpacks and critiques the political meaning of American prophetic rhetoric.

In the face of religious fundamentalisms that associate prophecy and redemption with dogmatism and domination, American Prophecy finds connections between prophetic language and democratic politics, particularly racial politics. Exploring how American critics of white supremacy have repeatedly reworked biblical prophecy, Shulman demonstrates how these writers and thinkers have transformed prophecy into a political language and given redemption a political meaning. To examine how antiracism is linked to prophecy as a vernacular idiom is to rethink political theology, recast democratic theory, and reassess the bearing of religion on American political culture. Still, prophetic language is not always liberatory, and American Prophecy maintains a critical dispassion about a rhetoric that is both prevalent and problematic.

Every discipline, including theology, requires a synthetic overview of its acquisitions and open questions, a kind of "topography" to guide the new student and refresh the gaze of specialists. In his Synthèse dogmatique, Fr. Jean-Hervé Nicolas, OP (1910-2001) presents just such a map of Thomistic theology, focusing on the central topics of Dogmatic Theology: The One and Triune God, Christology, Mariology, Ecclesiology, the Sacraments, and the Last Things. Drawing on decades of research and teaching, Fr. Nicolas synthetically presents these topics from a faithfully Thomistic perspective. While broadly and genially engaging the theological literature of the 20th century, he nonetheless remains deeply indebted to the Thomistic school that would have formed him in his youth as a theologian. This provides the reader with an unparalleled theological vision, masterfully bringing forth, at once, what is new and what is classical. Catholic Theology: A Dogmatic Synthesis will be published in English as a multi-volume work. In this volume, Fr. Nicolas discusses the mysteries of faith directly connected with the Redemptive Incarnation: the formation of orthodox Christological dogma in the course of the first centuries of the Church; the nature of the Hypostatic Union; the latter's effects in Christ's holiness, knowledge, and incarnate activity; the mariological mysteries connected to the divine maternity; the soteriological meaning of Christ's vicarious satisfaction; and the eschatological return of Christ in Glory. Serving as a professor for decades, including at the University of Fribourg, Fr. Nicolas was at once a profound scholar and a masterful pedagogue. Gathering the work of a lifetime into a single pedagogical narrative, Fr. Nicolas's Catholic Theology: A Dogmatic Synthesis provides a resource for students and scholars alike. In view of the hyper-specialization of theology today, this series of volumes provides readers with a synthetic and sapiential overview of the fundamentals of dogmatic theology from a robust and profound Thomistic perspective.

Examines the complexity and the humanity of the opioid epidemic

America’s opioid epidemic continues to ravage families and communities, despite intense media coverage, federal legislation, criminal prosecutions, and harm reduction efforts to prevent overdose deaths. More than 450,000 Americans have died from opioid overdoses since the late 1990s. In Opioid Reckoning, Amy C. Sullivan explores the complexity of the crisis through firsthand accounts of people grappling with the reverberating effects of stigma, treatment, and recovery. 

Nearly everyone in the United States has been touched in some way by the opioid epidemic, including the author and her family. Sullivan uses her own story as a launching point to learn how the opioid epidemic challenged longstanding recovery protocols in Minnesota, a state internationally recognized for pioneering addiction treatment. By centering the voices of many people who have experienced opioid use, treatment, recovery, and loss, Sullivan exposes the devastating effects of a one-size-fits-all approach toward treatment of opioid dependency. Taking a clear-eyed, nonjudgmental perspective of every aspect of these issues—drug use, parenting, harm reduction, medication, abstinence, and stigma—Opioid Reckoning questions current treatment models, healthcare inequities, and the criminal justice system. Sullivan also imagines a future where anyone suffering an opioid-use disorder has access to the individualized care, without judgment, available to those with other health problems. 

Opioid Reckoning presents a captivating look at how the state that invented “rehab” addresses the challenges of the opioid epidemic and its overdose deaths while also taking readers into the intimate lives of families, medical and social work professionals, grassroots activists, and many others impacted by the crisis who contribute their insights and potential solutions. In sharing these stories and chronicling their lessons, Sullivan offers a path forward that cultivates empathy, love, and hope for anyone affected by chaotic drug use and its harms.

Frank Tannenbaum Outstanding Book Award from the American Society of Criminology​
Faculty Senate Award for Research from Loyola University New Orleans​

Out of the Red is one man’s pathbreaking story of how social forces and personal choices combined to deliver an unfortunate fate. After a childhood of poverty, institutional discrimination, violence, and being thrown away by the public education system, Bolden's life took him through the treacherous landscape of street gangs at the age of fourteen. The Bloods offered a sense of family, protection, excitement, and power. Incarcerated during the Texas prison boom, the teenage former gangster was thrust into a fight for survival as he navigated the perils of adult prison. As mass incarceration and prison gangs swallowed up youth like him, survival meant finding hope in a hopeless situation and carving a path to his own rehabilitation. Despite all odds, he forged a new path through education, ultimately achieving the seemingly impossible for a formerly incarcerated ex-gangbanger.
 

This book studies the interplay of theology and poetics in the three great epics of early-modern England: the Faerie Queene, Paradise Lost, and Paradise Regained. Bond examines the relationship between the poems’ primary heroes, Arthur and the Son, who are godlike, virtuous, and powerful, and the secondary heroes, Redcrosse and Adam, who are human, fallible, and weak. He looks back at the development of this pattern of dual heroism in classical, Medieval, and Italian Renaissance literature, investigates the ways in which Spenser and Milton adapted the model, and demonstrates how the Jesus of Paradise Regained can be seen as the culmination of this tradition. Challenging the opposition between “Calvinist,” “allegorical” Spenser and “Arminian,” “dramatic” Milton, this book offers a new account of their doctrinal and literary affinities within the European epic tradition. Arguing that Spenser influenced Milton in fundamental ways, Bond establishes a firmer structural and thematic link between the two authors, and shows how they transformed a strongly antifeminist genre by the addition of a crucial, although at times ambivalent, heroine. He also proposes solutions to some of the most difficult and controversial theological cruxes posed by these poems, in particular Spenser’s attitude to free will and Milton’s to the Trinity. By providing a deeper understanding of the religious agendas of these epics, this book encourages a rapprochement between scholarly approaches that are too narrowly concerned with either theology or poetics.

A revelatory study of the overlooked ways that Franz Rosenzweig’s closest relationships with women shaped his philosophical legacy and reframed Jewish thought

Three Stars of Redemption: The Influential Women in the Life of Franz Rosenzweig by Amy Hill Shevitz offers a groundbreaking reexamination of Franz Rosenzweig, one of the most influential Jewish philosophers of the twentieth century, through the lens of three pivotal women in his life. The book is a compelling study of the ways that Rosenzweig’s intellectual and emotional world were shaped by his mother, Adele Alsberg Rosenzweig, his wife, Edith Hahn Rosenzweig, and his lover Margrit Rosenstock-Huessy, charting the influence those women had, by extension, on modern Jewish thought.

Rosenzweig is best known for his work of essential religious philosophy The Star of Redemption and his role in the Weimar Jewish Renaissance. Yet Shevitz reveals how the maternal, romantic, and marital relationships he maintained were not peripheral but central to his philosophical development and lived Judaism. Drawing on archival research and close readings of correspondence and historical context, Shevitz restores agency to these women, whose lives have been marginalized or misrepresented in scholarship. Adele’s bourgeois upbringing and intimate intellectual bond with her son, Edith’s independent journey into Judaism, and Margrit’s complex role as both muse and thinker are explored with nuance and depth. Shevitz challenges reductive portrayals and brings their full humanity to light. This richly contextualized study expands the understanding of Jewish cultural history, gender, and the personal dimensions of philosophical inquiry. Three Stars of Redemption is a vital contribution to Jewish studies, women’s history, and the legacy of Rosenzweig’s thought.