Results by title

14 books match the query 'Relations with women'

cover of Emily Dickinson in Love: The Case for Otis Lord

Emily Dickinson in Love

The Case for Otis Lord

Walsh, John Evangelist

Rutgers University Press, 2012

From the award-winning author of Poe the Detective: The Curious Circumstances Behind "The Mystery of Marie Roget" comes a compelling argument for the identity of Emily Dickinson’s true love

 

Proud of my broken heart

Since thou didst break it,

Proud of the pain I

Did not feel till thee . . .

Those words were written by Emily Dickinson to a married man. Who was he?

For a century or more the identity of Emily Dickinson’s mysterious “Master” has been eagerly sought, especially since three letters from her to him were found and published in 1955. In Emily Dickinson in Love, John Evangelist Walsh provides the first book-length treatment of this fascinating subject, offering a solution based wholly on documented facts and the poet’s own writings.

Crafting the affair as a love story of rare appeal, and writing with exquisite attention to detail, in Part I Walsh reveals and meticulously proves the Master to be Otis Lord, a friend of the poet’s father and a man of some reputation in law and politics. Part II portrays the full dimensions of their thirty-year romance, most of it clandestine, including a series of secret meetings in Boston.

After uncovering and confirming the Master’s identity, Walsh fits that information into known events of Emily’s life to make sense of facts long known but little understood—Emily’s decision to dress always in white, for instance, or her extreme withdrawal from a normal existence when she had previously been an active, outgoing friend to many men and women.

In a lengthy section of Notes and Sources, Walsh presents his proofs in abundant detail, demonstrating that the evidence favors one man so irresistibly that there is left no room for doubt. Each reader will decide if he has truly succeeded in making the case for Otis Lord.

[more]
cover of Empire's Mistress, Starring Isabel Rosario Cooper

Empire's Mistress, Starring Isabel Rosario Cooper

Vernadette Vicuna Gonzalez

Duke University Press, 2021

In Empire's Mistress Vernadette Vicuña Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography—a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism. In this way, Gonzalez uses Cooper's life as a means to explore the contours of empire as experienced on the scale of personal relationships. Along the way, Gonzalez fills in the archival gaps of Cooper's life with speculative fictional interludes that both unsettle the authority of “official” archives and dislodge the established one-dimensional characterizations of her. By presenting Cooper as a complex historical subject who lived at the crossroads of American colonialism in the Philippines, Gonzalez demonstrates how intimacy and love are woven into the infrastructure of empire.
[more]
cover of For Glory and Bolívar: The Remarkable Life of Manuela Sáenz

For Glory and Bolívar

The Remarkable Life of Manuela Sáenz

By Pamela S. Murray

University of Texas Press, 2008

She was a friend, lover, and confidante of charismatic Spanish American independence hero Simón Bolívar and, after her death, a nationalist icon in her own right. Yet authors generally have chosen either to romanticize Manuela Sáenz or to discount her altogether. For Glory and Bolivar: The Remarkable of Life of Manuela Sáenz, by contrast, offers a comprehensive and clear-eyed biography of her. Based on unprecedented archival research, it paints a vivid portrait of the Quito-born "Libertadora," revealing both an exceptional figure and a flesh-and-blood person whose life broadly reflected the experiences of women during Spanish America's turbulent Age of Revolution.

Already married at the time of her meeting with the famous Liberator, Sáenz abandoned her husband in order to become not only Bolívar's romantic companion, but also his official archivist, a member of his inner circle, and one of his most loyal followers. She played a central role in Spanish South America's independence drama and eventually in developments leading to the consolidation of new nations. Pamela Murray, for the first time, closely examines Sáenz's political trajectory including her vital, often-overlooked years in exile. She exposes the myths that still surround her. She offers, in short, a nuanced and much-needed historical perspective, one that balances recognition of Sáenz's uniqueness with awareness of the broader forces that shaped this dynamic nineteenth-century woman.

[more]
cover of Goethe and the Ginkgo: A Tree and a Poem

Goethe and the Ginkgo

A Tree and a Poem

Siegfried Unseld

University of Chicago Press, 2003

In 1815, Goethe gave symbolic expression to his intense relationship with Marianne Willemer, a recently married woman thirty-five years his junior. He gave her a leaf from the ginkgo tree, explaining that, like its deeply cleft yet still whole leaf, he was "single yet twofold." Although it is not known if their relationship was ever consummated, they did exchange love poetry, and Goethe published several of Marianne's poems in his West-East Divan without crediting her authorship.

In this beautiful little book, renowned Goethe scholar Siegfried Unseld considers what this episode means to our estimation of a writer many consider nearly godlike in stature. Unseld begins by exploring the botanical and medical lore of the ginkgo, including the use of its nut as an aphrodisiac and anti-aging serum. He then delves into Goethe's writings for the light they shed on his relationship with Marianne. Unseld reveals Goethe as a great yet human being, subject, as any other man, to the vagaries of passion.
[more]
cover of Hidden Tapestry: Jan Yoors, His Two Wives, and the War That Made Them One

Hidden Tapestry

Jan Yoors, His Two Wives, and the War That Made Them One

Debra Dean

Northwestern University Press, 2018

Hidden Tapestry reveals the unforgettable story of Flemish American artist Jan Yoors—childhood vagabond, wartime Resistance fighter, and polyamorous New York bohemian. At the peak of his fame in the 1970s, Yoors’s photographs and vast tapestries inspired a dedicated following in his adopted Manhattan and earned him international acclaim. Though his intimate friends guessed the rough outline of his colorful life, Hidden Tapestry is first to detail his astonishing secrets.

At twelve, Jan’s life took an extraordinary and unexpected turn when, lured by stories of Gypsies, he wandered off with a group of Roma and continued to live on-and-off with them and with his own family for several years. As an adult in German-occupied France, Yoors joined the Resistance and persuaded his adoptive Roma family to fight alongside him. Defying repeated arrests and torture by the Gestapo, he worked first as a saboteur and later escorted Allied soldiers trapped behind German lines across the Pyrenees to freedom.

After the war, he married childhood friend Annabert van Wettum and embarked on his career as an artist. When a friend of Annabert’s, Marianne Citroen, modeled for Yoors, the two began an affair, which led the three to form a polyamorous family that would last for the rest of their lives. Moving to New York, the trio became part of the bohemian life of Greenwich Village in the 1950s.

Told in arresting detail by Debra Dean, best-selling author of The Madonnas of Leningrad, Yoors’s story is a luminous and inspiring account of resilience, resourcefulness, and love.

[more]
cover of Jack London's Women

Jack London's Women

Clarice Stasz

University of Massachusetts Press, 2001

At age twenty-three, Jack London (1876–1916) sold his first story, and within six years he was the highest paid and most widely read writer in America. To account for his success, he created a fiction of himself as the quintessential self-made man. But as Clarice Stasz demonstrates in this absorbing collective biography, London always relied on a circle of women who nurtured him, sheltered him, and fostered his legacy.

Using newly available letters and diaries from private collections, Stasz brings this diverse constellation of women to life. London was the son of freethinking Flora Wellman, yet found more maternal comfort from freed slave Jennie Prentiss and his stepsister Eliza. His early loves included a British-born consumptive, a Jewish socialist, and an African American. His first wife, Bess Maddern, was a teacher and devoted mother to daughters Bess and Joan, while his second wife, Charmian Kittredge, shared his passion for adventure and served as a model for many characters in his writings. Following his death, the various women who survived him both promoted his legacy and suffered the consequences of being constantly identified with a famous man.

In recasting London's life through the eyes of three generations of women, Stasz manages to untangle his seemingly contradictory attitudes and actions. She also reveals the struggle that ensued, after his death, among family members and scholars over how he should be remembered. What emerges from this well-researched book is a new understanding of London and a compelling portrayal of the women who knew him best.
[more]
cover of Loving Lincoln: A Personal History of the Women Who Shaped Lincoln's Life and Legacy

Loving Lincoln

A Personal History of the Women Who Shaped Lincoln's Life and Legacy

Stacy Lynn

Southern Illinois University Press, 2025

WINNER, 2026 Illinois State Historical Society Russell P. Strange Book of the Year Award!

Rediscovering Lincoln through the female gaze

Abraham Lincoln belongs to everybody. The women he interacted with helped forge the outstanding moral character of America's greatest president. This unique Abraham Lincoln biography features thirty historical and personal essays, and within them, the stories of more than ninety women, each with their own mini biographies in an appendix. Among them are Lincoln’s friends, clients, and extended family, as well as writers, artists, and—blurring the lines between history and memoir—author Stacy Lynn herself.

As a professional Lincoln scholar and editor, Lynn was often frustrated that male historians often overlooked Lincoln’s love for and friendship with women. Here, she posits a new paradigm—one that, instead of downplaying women, lifts up their interactions with Lincoln.

Lincoln understood the importance of the women in his life, and he put women’s wellbeing at the center of his personal, professional, and political ethos. He was loved by two strong pioneer mothers as well as sisters, friends, nieces, friends’ daughters, and his wife. He served women clients during his long legal career. As president, he met with women, dedicating time to hear  their concerns despite the burdens of office. He replied to letters women wrote him. He believed in their capabilities and revolutionized the role of women in the workforce. After Lincoln’s death, women continued to shape his legacy. Mary Lincoln ensured his burial among friends, artist Vinnie Ream sculpted his statue in the US Capitol, and biographer Ida Tarbell provided a nuanced portrayal of his life. Harriet Monroe and Ruth Painter Randall further cemented his place in literature and history.

Lynn presents a fresh perspective on Lincoln, connecting his story to the stories of women and showcasing his kindness, sensitivity, and moral center. She explores how women shaped Lincoln’s inspirational legacy and pays homage to all the women who gave Lincoln to the world. Lynn’s unique blending of history, biography, and her own story reveals the ways in which an emotional connection to the historical figures one studies opens the door to richer human and historical understanding. By inviting readers to feel the past as well as read it, Lynn demonstrates that history matters most when it engages our minds and hearts. 

[more]
cover of Monet and His Muse: Camille Monet in the Artist's Life

Monet and His Muse

Camille Monet in the Artist's Life

Mary Mathews Gedo

University of Chicago Press, 2010

“The mourning never stops, it just changes.” (Edward Albee)

For Claude Monet (1840–1926), the founder of French Impressionist painting, these words are a fitting testament to his lifelong relationship with the female muse, most notably—and most hauntingly—with his first wife, the model Camille Doncieux.

For the esteemed clinical psychologist and art historian Mary Mathews Gedo, Monet and His Muse represents a project twenty years in the making. Artfully interweaving biographical insight with psychoanalytic criticism, Gedo takes us on an exploration of Claude Monet’s conflicted relationships with women, complete with exquisitely researched material never before understood about one of our most popular—and inimitable—artists. Beginning with Monet’s childhood, Gedo delves into his relationships with a distant, unreliable father and his beloved, doting mother—whose death when Monet was just sixteen, the author establishes, inspired a lifetime preoccupation with the sea, its lushly imagined flora, and the figurative landscapes Monet painted to such acclaim.

And then—Camille. Entering Monet’s life when he was still a young man, becoming first his model and then mistress and then—finally—his wife, Camille Doncieux always fulfilled the function of muse, even after her life had ended, as Monet not only painted her one last time on her deathbed, but preserved her memory through the gardens he planted at his home in Giverny. Demonstrating how Monet’s connections with women were exceedingly complex, fraught with abusive impulses and infantile longing, Gedo sensitively uses Monet and Camille as exemplars in order to explore links between artists and muses in our modern age.

[more]
cover of Portrait of a Marriage: Vita Sackville-West and Harold Nicolson

Portrait of a Marriage

Vita Sackville-West and Harold Nicolson

Nigel Nicolson

University of Chicago Press, 1998

A classic account of a complicated marriage, clandestine affairs, and their ripples through the Bloomsbury Group
 
Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of Sackville-West's marriage to Harold Nicolson is one of intrigue and bewilderment. In Portrait of a Marriage, their son Nigel combines his mother's memoir with his own explanations and what he learned from their many letters. Even during her various love affairs with women, Vita maintained a loving marriage with Harold. Portrait of a Marriage presents an often misunderstood but always fascinating couple.
[more]
cover of Robert Lowell in Love

Robert Lowell in Love

Jeffrey Meyers

University of Massachusetts Press, 2016

Robert Lowell was known not only as a great poet but also as a writer whose devotion to his art came at a tremendous personal cost. In this book, his third on Robert Lowell, Jeffrey Meyers examines the poet's impassioned, troubled relationships with the key women in his life: his mother, Charlotte Winslow Lowell; his three wives—Jean Stafford, Elizabeth Hardwick, and Caroline Blackwood; nine of his many lovers; his close women friends—Mary McCarthy, Elizabeth Bishop, and Adrienne Rich; and his most talented students, Anne Sexton and Sylvia Plath.

Lowell's charismatic personality, compelling poetry, and literary fame attracted lovers and friends who were both frightened and excited by his aura of brilliance and danger. He loved the idea of falling in love, and in his recurring manic episodes he needed women at the center of his emotional and artistic life. Each affair became an intense dramatic episode. Though he idealized his loves and encouraged their talents, his frenetic affairs and tortured marriages were always conducted on his own terms. Robert Lowell in Love tells the story of the poet in the grip of love and gives voice to the women who loved him, inspired his poetry, and suffered along with him.
[more]
cover of Secrets of the Sun: A Memoir

Secrets of the Sun

A Memoir

Mako Yoshikawa

The Ohio State University Press, 2024

Mako Yoshikawa’s father, Shoichi, was a man of contradictions. He grew up fabulously wealthy in prewar Japan but spent his final years living in squalor; he was a proper Japanese man who craved society’s approval yet cross-dressed; he was a brilliant Princeton University physicist and renowned nuclear fusion researcher, yet his career withered as his severe bipolar disorder tightened its grip. And despite his generosity and charisma, he was often violent and cruel toward those closest to him. Yoshikawa adored him, feared him, and eventually cut him out of her life, but after he died, she was driven to try to understand this extraordinarily complex man. In Secrets of the Sun, her search takes her through everything from the Asian American experience of racism to her father’s dedication to fusion energy research, from mental illness to the treatment of women in Japan, and more. Yoshikawa gradually discovers a life filled with secrets, searching until someone from her father’s past at last provides the missing piece in her knowledge: the story of his childhood. Secrets of the Sun is about a daughter’s mission to uncover her father’s secrets and to find closure in the shadow of genius, mental illness, and violence.
[more]
cover of The Artist, His Model, Her Image, His Gaze: Picasso's Pursuit of the Model

The Artist, His Model, Her Image, His Gaze

Picasso's Pursuit of the Model

Karen L. Kleinfelder

University of Chicago Press, 1993

Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected?

In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life.

Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death.

Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death.

Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify.

Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.

[more]
cover of Women Against Napoleon: Historical and Fictional Responses to his Rise and Legacy

Women Against Napoleon

Historical and Fictional Responses to his Rise and Legacy

Edited by Waltraud Maierhofer, Gertrud Roesch, and Caroline Bland

Campus Verlag, 2007

Although Prussia’s beloved Queen Luise and the Swiss-born aristocrat and writer Germaine de Staël were Napoleon Bonaparte’s best-known female opponents, women’s discontent with Napoleon and the Napoleonic wars was more widespread—and vocal—than once assumed. Women against Napoleon expands our awareness of the range of women’s responses to the despot by presenting an international spectrum of female opposition, including contemporary letters, diaries, and published writings, as well as historical fiction of the twentieth century. By setting these materials together, this volume forges new links between literary, historical, and gender scholarship.
[more]
cover of Zane Grey: His Life, His Adventures, His Women

Zane Grey

His Life, His Adventures, His Women

Thomas H. Pauly

University of Illinois Press, 2005

Zane Grey was a disappointed aspirant to major league baseball and an unhappy dentist when he belatedly decided to take up writing at the age of thirty. He went on to become the most successful American author of the 1920s, a significant figure in the early development of the film industry, and a central player in the early popularity of the Western.

    

Thomas H. Pauly's work is the first full-length biography of Grey to appear in over thirty years. Using a hitherto unknown trove of letters and journals, including never-before-seen photographs of his adventures--both natural and amorous--Zane Grey has greatly enlarged and radically altered the current understanding of the superstar author, whose fifty-seven novels and one hundred and thirty movies heavily influenced the world's perception of the Old West.

[more]