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11 books match the query 'Revolution, 1791-1804'

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......And the Dogs Were Silent/......Et les chiens se taisaient

Aimé Césaire. Translated and with an introduction by Alex Gil. With a foreword by Brent Hayes Edwards.

Duke University Press, 2024

Available to readers for the first time, Aimé Césaire’s three-act drama . . . . . . And the Dogs Were Silent—written during the Vichy regime in Martinique in 1943 and lost until 2008—dramatizes the Haitian Revolution and the rise and fall of Toussaint Louverture as its heroic leader. This bilingual English and French edition stands apart from Césaire’s more widely known 1946 closet drama. Following the slave revolts that sparked the revolution, Louverture arrives as both prophet and poet, general and visionary. With striking dramatic technique, Césaire retells the revolution in poignant encounters between rebels and colonial forces, guided by a prophetic chorus and Louverture’s steady ethical and political vision. In the last act, we reach the hero’s betrayal, his imprisonment, and his last stand against the lures of compromise. Césaire’s masterwork is a strikingly beautiful and brutal indictment of colonial cruelty and an unabashed celebration of Black rebellion and victory.

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An Historical Account of the Black Empire of Hayti

Marcus Rainsford

Duke University Press, 2013

As the first complete narrative in English of the Haitian Revolution, Marcus Rainsford's An Historical Account of the Black Empire of Hayti was highly influential in establishing nineteenth-century world opinion of this momentous event. This new edition is the first to appear since the original publication in 1805. Rainsford, a career officer in the British army, went to Haiti to recruit black soldiers for the British. By publishing his observations of the prowess of black troops, and recounting his meetings with Toussaint Louverture, Rainsford offered eyewitness testimonial that acknowledged the intelligence and effectiveness of the Haitian rebels. Although not an abolitionist, Rainsford nonetheless was supportive of the independent state of Haiti, which he argued posed no threat to British colonial interests in the West Indies, an extremely unusual stance at the time. Rainsford's account made an immediate impact upon publication; it was widely reviewed, and translated twice in its first year. Paul Youngquist's and Grégory Pierrot's critical introduction to this new edition provides contextual and historical details, as well as new biographical information about Rainsford. Of particular interest is a newly discovered miniature painting of Louverture attributed to Rainsford, which is reproduced along with the twelve engravings that accompanied his original account.

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Cul de Sac

Patrimony, Capitalism, and Slavery in French Saint-Domingue

Paul Cheney

University of Chicago Press, 2017

In the eighteenth century, the Cul de Sac plain in Saint-Domingue, now Haiti, was a vast open-air workhouse of sugar plantations. This microhistory of one plantation owned by the Ferron de la Ferronnayses, a family of Breton nobles, draws on remarkable archival finds to show that despite the wealth such plantations produced, they operated in a context of social, political, and environmental fragility that left them weak and crisis prone.

Focusing on correspondence between the Ferronnayses and their plantation managers, Cul de Sac proposes that the Caribbean plantation system, with its reliance on factory-like production processes and highly integrated markets, was a particularly modern expression of eighteenth-century capitalism. But it rested on a foundation of economic and political traditionalism that stymied growth and adaptation. The result was a system heading toward collapse as planters, facing a series of larger crises in the French empire, vainly attempted to rein in the inherent violence and instability of the slave society they had built. In recovering the lost world of the French Antillean plantation, Cul de Sac ultimately reveals how the capitalism of the plantation complex persisted not as a dynamic source of progress, but from the inertia of a degenerate system headed down an economic and ideological dead end.

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Facing Racial Revolution

Eyewitness Accounts of the Haitian Insurrection

Jeremy D. Popkin

University of Chicago Press, 2008

The only truly successful slave uprising in the Atlantic world, the Haitian Revolution gave birth to the first independent black republic of the modern era. Inspired by the revolution that had recently roiled their French rulers, black slaves and people of mixed race alike rose up against their oppressors in a bloody insurrection that led to the burning of the colony’s largest city, a bitter struggle against Napoleon’s troops, and in 1804, the founding of a free nation.

Numerous firsthand narratives of these events survived, but their invaluable insights into the period have long languished in obscurity—until now. In Facing Racial Revolution, Jeremy D. Popkin unearths these documents and presents excerpts from more than a dozen accounts written by white colonists trying to come to grips with a world that had suddenly disintegrated. These dramatic writings give us our most direct portrayal of the actions of the revolutionaries, vividly depicting encounters with the uprising’s leaders—Toussaint Louverture, Boukman, and Jean-Jacques Dessalines—as well as putting faces on many of the anonymous participants in this epochal moment. Popkin’s expert commentary on each selection provides the necessary background about the authors and the incidents they describe, while also addressing the complex question of the witnesses’ reliability and urging the reader to consider the implications of the narrators’ perspectives.

Along with the American and French revolutions, the birth of Haiti helped shape the modern world. The powerful, moving, and sometimes troubling testimonies collected in Facing Racial Revolution significantly expand our understanding of this momentous event.

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Fear of a Black Republic

Haiti and the Birth of Black Internationalism in the United States

Leslie M. Alexander

University of Illinois Press, 2023

The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander’s study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti’s place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti’s people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom.

A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.

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Making The Black Jacobins

C. L. R. James and the Drama of History

Rachel Douglas

Duke University Press, 2019

C. L. R. James's The Black Jacobins remains one of the great works of the twentieth century and the cornerstone of Haitian revolutionary studies. In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of James's landmark work across the decades from the 1930s on. Examining the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James's 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—Douglas shows how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. She also points to the vital significance theater played in James's work and how it influenced his views of history. Douglas shows The Black Jacobins to be a palimpsest, its successive layers of rewriting renewing its call to new generations.

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Modernity Disavowed

Haiti and the Cultures of Slavery in the Age of Revolution

Sibylle Fischer

Duke University Press, 2004

Modernity Disavowed is a pathbreaking study of the cultural, political, and philosophical significance of the Haitian Revolution (1791–1804). Revealing how the radical antislavery politics of this seminal event have been suppressed and ignored in historical and cultural records over the past two hundred years, Sibylle Fischer contends that revolutionary antislavery and its subsequent disavowal are central to the formation and understanding of Western modernity. She develops a powerful argument that the denial of revolutionary antislavery eventually became a crucial ingredient in a range of hegemonic thought, including Creole nationalism in the Caribbean and G. W. F. Hegel’s master-slave dialectic.

Fischer draws on history, literary scholarship, political theory, philosophy, and psychoanalytic theory to examine a range of material, including Haitian political and legal documents and nineteenth-century Cuban and Dominican literature and art. She demonstrates that at a time when racial taxonomies were beginning to mutate into scientific racism and racist biology, the Haitian revolutionaries recognized the question of race as political. Yet, as the cultural records of neighboring Cuba and the Dominican Republic show, the story of the Haitian Revolution has been told as one outside politics and beyond human language, as a tale of barbarism and unspeakable violence. From the time of the revolution onward, the story has been confined to the margins of history: to rumors, oral histories, and confidential letters. Fischer maintains that without accounting for revolutionary antislavery and its subsequent disavowal, Western modernity—including its hierarchy of values, depoliticization of social goals having to do with racial differences, and privileging of claims of national sovereignty—cannot be fully understood.

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Quiet Dawn

Jean-Claude Fignolé. Translated and with an Introduction by Kaiama L. Glover and Laurent Dubois.

Duke University Press, 2025

Jean-Claude Fignolé’s Quiet Dawn tells an enthralling story of Haiti’s transition from French colony to independent Black republic. The swirling, multilayered novel provides intimate portraits of an eighteenth-century slaveholder, his wife, and their enslaved laborers set against the devastating backdrop of enslavement and revolution. Into this Gothic colonial tale Fignolé interweaves a series of tragic events involving a present-day French nun doing penance for the sins of her ancestors. One of the few contemporary Haitian novels to explicitly grapple with Haiti’s revolution, Quiet Dawn foregrounds issues of race, power, the continuing legacy of historical trauma, and the unresolved tensions between the past and present. Published in French in 1990 and appearing here in English for the first time, Quiet Dawn forcefully pushes against the silencing of Haiti’s past, belying its title to depict a clamorous Atlantic world that comprises Europe, Africa, and the vast expanse of the Americas.

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The Black Jacobins Reader

Charles Forsdick and Christian Høgsbjerg, editors

Duke University Press, 2017

Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel.

Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel

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The Slaves Who Defeated Napoléon

Toussaint Louverture and the Haitian War of Independence, 1801–1804

Philippe R. Girard

University of Alabama Press, 2011

A deeply researched and definitive account of the climactic battle at the end of the Haitian Revolution

Among the many rebellions against European colonial empires, the Haitian Revolution against France is among the most dramatic and complex. Having begun in 1791 as France was in the throes of its own young revolution, the conflict reached its dramatic climax when Napoleon dispatched a heavily armed expeditionary force led by his brother-in-law Charles Leclerc to re-establish slavery and the sugar economy that had so enriched France. Philippe Girard’s Slaves Who Defeated Napoleon is a deeply researched and engrossing account of this invasion and its spectacular defeat.

For this ambitious account, Philippe Girard has studied not only primary records in Haiti itself but also rare documents from nineteen public and private archives and research libraries in French, U.S., British, and Spanish collections. His more inclusive approach provides a fuller, more accurate and detailed narrative. He reveals not only key military movements, but also less-known aspects like the activities of U.S. merchants, in-fighting within Napoleon’s government, and communication between both sides and other European powers. Girard fills the work with unforgettable stories of those who led or were caught up in the war, people like poorly armed Black soldiers who ambushed Bonaparte’s columns, French child drummers, Jewish bankers in Kingston, weapon smugglers from Quaker Philadelphia, Polish artillerists, and mixed-raced people struggling to preserve their freedom against both Black and white opponents.

Transcending pat ideological and racial categories, the book brings into focus an Atlantic society at the crossroads of African and European influences, where Haitian rebels fought France while embracing its ideals.

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