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4 books match the query 'Rose'

cover of "The God of Love’s Letter" and "The Tale of the Rose": A Bilingual Edition. With Jean Gerson, “A Poem on Man and Woman,” Translated from the Latin by Thomas O’Donnell

"The God of Love’s Letter" and "The Tale of the Rose"

A Bilingual Edition. With Jean Gerson, “A Poem on Man and Woman,” Translated from the Latin by Thomas O’Donnell

Christine de Pizan

Iter Press, 2020

Christine de Pizan was born in Italy and moved to the French court of Charles V when she was four years old. She led a life of learning, stimulated by her reading and by her drive to engage with the cultural and political issues of her day. As a young widow she sought to support her family through writing, and she broke new ground by pursuing a life as an author and self-publisher, producing an astonishingly large and varied body of work. Her books, owned and read by some of the most important figures of her day, addressed politics, philosophy, government, ethics, the conduct of war, autobiography and biography, and religious subjects.

The God of Love’s Letter (1399), Christine de Pizan’s first defense of women, is arguably her most succinct statement about gender. It also rebukes the thirteenth-century Romance of the Rose and anticipates Christine’s City of Ladies. The Tale of the Rose (1402) responds to the growth in chivalric orders for the defense of women by arguing that women, not men, should choose members of the “Order of the Rose.” Both poems are freshly edited here from their earliest manuscripts and each is newly translated into English.
 
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cover of The Key to The Name of the Rose: Including Translations of All Non-English Passages

The Key to The Name of the Rose

Including Translations of All Non-English Passages

Adele J. Haft, Jane G. White, and Robert J. White

University of Michigan Press, 1999

Umberto Eco's The Name of the Rose is a brilliant mystery set in a fictitious medieval monastery. The text is rich with literary, historical, and theoretical references that make it eminently re-readable. The Key makes each reading fuller and more meaningful by helping the interested reader not merely to read but also to understand Eco's masterful work. Inspired by pleas from friends and strangers, the authors, each trained in Classics, undertook to translate and explain the Latin phrases that pepper the story. They have produced an approachable, informative guide to the book and its setting--the middle ages. The Key includes an introduction to the book, the middle ages, Umberto Eco, and philosophical and literary theories; a useful chronology; and reference notes to historical people and events.
The clear explanations of the historical setting and players will be useful to anyone interested in a general introduction to medieval history.
Adele J. Haft is Associate Professor of Classics, Hunter College, City University of New York. Jane G. White is chair of the Department of Languages, Dwight Englewood School. Robert J. White is Professor of Classics and Oriental Studies, Hunter College, City University of New York.
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cover of The Rose and Geryon

The Rose and Geryon

Gabriella I. Baika

Catholic University of America Press, 2014

The Rose and Geryon examines patterns of verbal behavior in works by Jean de Meun and Dante (with a focus on the Romance of the Rose and the Divine Comedy) in relationship with the most influential systems of verbal sins in the Middle Ages, systems elaborated by William Peraldus, Thomas Aquinas, Domenico Cavalca, and Laurent of Orléans. The book begins with a presentation of these four systems, and from there proceeds to analyze Jean de Meun's Testament as a possible source of influence for the Divine Comedy and take a closer look at Dante's prose works in search for a comprehensive theory of sinful speech. Furthermore Baika discusses verbal transgressions such as flattery, evil counsel, double talk, sowing of discord, and falsifying of words, under the heading Lingua dolosa "The Guileful Tongue," and the relationship between violence and the poetic discourse. The myriad ways in which the two iconic poets of medieval France and Italy absorb the tradition of peccata linguae in their works prove that abusive speech was not the exclusive sphere of interest of the ecclesiastical writers; secular poetry in the vernacular enriched in original ways the medieval debate on verbal vices. The Rose and Geryon addresses scholars and students of French and Italian literatures, as well as readers interested in ethics and women's studies.
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cover of Wild Rivers, Wild Rose

Wild Rivers, Wild Rose

Sarah Birdsall

University of Alaska Press, 2020

In 1941, Anna Harker is attacked by an ax-wielding assailant in the gold-bearing ridges bordering the Alaska Range. It is this moment of savagery that propels the people of Wild Rivers, Wild Rose.

Anna’s lover, Wade Daniels, learns of the deaths of Anna’s husband and their worker, and he rushes to the hills to look for Anna and hunt the murderer. As she lies dying on the tundra, Anna relives the major events of her Alaska life while searching her memories for what could have led to the violence. And, decades later, an outsider named Billie Sutherland steps into a community still haunted by the murders. Plagued by her own ghosts, Billie delves into the past, opening old wounds.

In this gripping novel by Sarah Birdsall, lives are laid bare and secrets ring out in the resonant Alaska Range foothills.
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