Results by title

This substantial essay depicts urban collapse in an exceptionally difficult period of the Serbian capital. The author has marshalled facts, reflections, photographs and other imagesto demonstrate the transformation of Belgrade during the Milošević years. With the theoretical grounding of cultural anthropology, history studies, culture of memory, history of art, and urbanism, Mileta Prodanović considers changes to the built environment and urban landscape in the city in the 1990s. He covers many visual aspects of life with great ingenuity: shopping centers, unregulated construction and “wild” modifications of buildings, new buildings (broadcasting studios, shops, homes) that do not fit the surroundings, bad taste in home furnishings (camp, kitsch), boondoggles such as the international art center, problematic historical markers like the obelisk of the eternal flame, billboards, store displays, electoral propaganda, graffiti, grave-markers and cemetery memorials, coins and paper money, calendars, beer labels, and even religious icons (and more). All this information is provided with some critique and much implied comparison to past standards.

In Avala Is Falling, Jovanović’s breakout success in 1978, a young woman challenges the expectations that teachers, parents, bus drivers, and doctors have for her. The “Avala” of the title refers to a mountain south of Belgrade which is home to some of Serbia’s most important nationalist monuments and shrines; it is also the site of the main mental hospital for the region, and its “falling” is the unexpected fulfillment of a prophecy from a traditional Serbian folk song. Jovanović’s use of stream of consciousness in her characters’ thinking and speaking, as well as of intertextuality in description and plot advancement heralded the arrival of an innovative new writer who was determined to break with the of traditional concerns of earlier women writers.

This book is now recognized as much more than “jeans prose,” although the fame the book achieved under that characterization eventually pushed it to cult status. Jovanović is now considered a major avant-garde writer, whose stylistic innovations were as challenging as her women-centered themes.

Three generations of a family of lawyers have run a firm founded in 1893 in the small city of Becskerek (today in Serbian Zrenjanin), first part of the Austro-Hungarian Habsburg monarchy, then Hungary, then Yugoslavia, then for a while under German occupation, then again part of Yugoslavia and finally Serbia. In the Banat district of the province of Vojvodina, the multiplicity of languages and religions and changes of place-names was a matter of course.

What is practically unprecedented, all files, folders and documents of the law office have survived. They concern marriages, divorces, births and testaments, as well as expulsions, emigrations, incarcerations and releases of these largely rural and small-town dwellers. Mundane cases reflect times through war, peace, revolution and counter-revolution, through serfdom and freedom, through comfort and poverty. The files also show everyday lives shaped in spite of history. Tibor Várady transforms them into affecting and vivid vignettes, selecting and commenting without sentimentality but with empathy. The law office of the three generations of the Várady family demonstrates that the legal profession permits and in difficult times even requires its members to defend the ordinary men and women against the powers of state and society.

Politicized Property analyzes the under-researched phenomenon of renationalization—the return of previously privatized firms to state ownership. Highlighting the evolving relationship between political parties and firms, the book demonstrates that renationalization of newly privatized firms is influenced by varying patterns of their embeddedness in political and ownership networks operating within the context of political and institutional uncertainty. These ownership reversals underpin the construction of new political and social orders and have far-reaching consequences for democratic governance. By placing renationalization at the center of postcommunist transformation, Miloš Resimić also links it to contemporary processes of democratic backsliding.

Using Serbia as a case study, Resimić tests the argument with an original administrative dataset tracking political affiliations and ownership structures of 125 strategic Serbian firms privatized through tender sale, complemented by in-depth case studies and interviews with oligarchs, politicians, and bureaucrats. Tracing over a decade of political and ownership ties among strategic Serbian firms, the book uncovers the micro-level foundations of renationalization. To demonstrate that these dynamics are observable across the postcommunist world and beyond, comparative chapters extend the analysis to Hungary under Viktor Orbán, Poland, Montenegro, and Argentina, showing that reversals of privatization are integral to the political economy of postcommunist capitalism.

Protest in Belgrade addresses one of the most important social movements of this decade - the civil and student peace demonstrations which took place in Belgrade during the winter of 1996/97. The demonstrations, the largest ever in history, were in response to Milošević’s nullifying of the results of local elections in fourteen towns in Serbia which created global media attention and attracted worldwide sympathy.

This in-depth study of a society calling for democracy is based on interviews with over 1000 civilians and students. The book is unique because much of the research was carried out and completed while the demonstrations were still in progress and before the outcome of events was known. A chronology of events is also included.

The book provides an abundance of valuable information for analysts of post-socialist transformation, researchers of social movements and social change, and for all those concerned with the tragic events in Southeast Europe.

Assessing issues related to the Orthodox Church from an academic, secular point of view is a sensitive matter. However, by tracing and interpreting the engagement of the Serbian Church with the memory of Serbian heroic victimhood in World War II through a kind of “methodological agnosticism,” this volume has managed to tackle the subtle topic in a very delicate and value-neutral way. Arguing that the search for a collective memory is particularly urgent in the face of societal uncertainty and that religious institutions often use their memory potential to reaffirm their public relevance, the book examines the motivations, forms, strategies, and outcomes of a wide range of mnemonic activities the Serbian Orthodox Church engaged in following the upheavals caused by the collapse of Yugoslav socialism, the violent dissolution of the country, and the fall of the Milošević regime. These activities, taking place within the memory fields framed by the post-socialist, post-conflict, and post-secular horizons, took liturgical and non-liturgical forms, often involving a hybrid fusion of the two. As a result of this mnemonic endeavor, the author argues, the Church was successful in reasserting its power and legitimacy in the public sphere of post-2000 Serbia.

Deftly merging political and social history, Serbia under the Swastika looks at the interactions between Germany’s occupation policies, the various forces of resistance and collaboration, and the civilian population. Alexander Prusin reveals a German occupying force at war with itself. Pragmatists intent on maintaining a sedate Serbia increasingly gave way to Nazified agencies obsessed with implementing the expansionist racial vision of the Third Reich. As Prusin shows, the increasing reliance on terror catalyzed conflict between the nationalist Chetniks, communist Partisans, and the collaborationist government. Prusin unwraps the winding system of expediency that at times led the factions to support one-another against the Germans--even as they fought a ferocious internecine civil war to determine the future of Yugoslavia.

Comprehensive and judicious, Serbia under the Swastika is a rare English-language foray into the still-fraught history of Serbia in World War II.

For five months in 2013–2014, Dušan Pavlović took time off from teaching to accept a senior position in Serbia’s Ministry of Economy. This short period was long enough for him to make a penetrating diagnosis of the economic activity of the postcommunist government. He found that a coterie of tycoons and politicians live off the wealth of the majority of citizens and smaller entrepreneurs, while the economy performs below its capacities. In academic terms, extractive economic institutions create allocative inefficiency.

Vivid, suggestive, and even entertaining accounts depict how privatization is administered and foreign investment projects are handled, and how party members, relatives, and friends are hired into public administration and state-owned companies. They show how the managers of firms that queue for state subsidies resist the systematic screening of their businesses. The principles of Keynesian economics are distorted and misused to conceal deliberate fiscal mismanagement. Huge ill-conceived development projects siphon taxpayers’ money from “non-economic” activities like social services, health, education, science, and culture.

What Pavlović found in Serbia is acutely symptomatic of many other European post-communist regimes of our time, lending his book singular importance.

The Philosophy of Parochialism is Radomir Konstantinović’s (1928–2011) most celebrated and reviled book. First published in Belgrade as Filosofija palanke in 1969, it attracted keen attention and controversy through its unsparing critique of Serbian and any other nationalism in Yugoslavia and beyond. The book was prophetic, seeming to anticipate not only the bloody disintegration of Yugoslavia in the 1990s, but also the totalitarian turn in politics across the globe in the first decades of the new century. With this translation, English-speaking audiences can at last discover one of the most original writers of eastern European late modernism, and gain an important and original perspective into contemporary politics and culture in the West and beyond. This is a book that seems to age in reverse, as its meanings become deeper and more universal with the passage of time.

Konstantinović’sbookresists easy classification, mixing classical, Montaigne-like essay, prose poetry, novel, and literary history. The word “philosophy” in the book’s title refers to the solitary activity of reflection and critical thinking, and is also paradoxical: according to the author, a defining characteristic of parochialism is precisely its intolerance toward this kind of self-reflexivity. In Konstantinović’s analysis, parochialism is not a simply a characteristic of a geographical region or a cultural, political, and historical formation—these are all just manifestations of the parochial spirit as the spirit of insularity. His book illuminates the current moment, in which insularity undergirds not only ethnic and national divisions, but also dictates the very structure of everyday life, and where individuals can easily find themselves locked in an echo chamber of social media. The Philosophy of Parochialism can help us understand better not only the dead ends of ethnic nationalism and other atavistic ideologies, but also of those cultural forces such as digital technologies that have been built on the promise of overcoming those ideologies.

The Yugoslav crisis, with its armed conflict, ethnic cleansing and the reverberating ideas and mindsets, has been going on for more than ten years. The Road to War in Serbia is the first serious assessment to explore the roots of the conflict in the former Yugoslavia. Based on years of research, the authors - all eminent scholars in the field who have lived through these social conflicts - highlight key issues which have to date remained unknown or which have been previously neglected.

The issues dealt with include the institutional frameworks of ethnicity and nationalism; the input of the church, science, literature and sports; specific catalysts of the conflict and the role of the political actors, students, the ruling party and the media.

The Road to War in Serbia will be of great interest to all readers who want to understand why and how the violent option of settling disputes and conflicts on the territory of Yugoslavia is being accepted.

Women are conspicuously absent from traditional cultural histories of south-east Europe. This book addresses that imbalance by describing the contribution of women to literary culture in the Orthodox/ Ottoman areas of Serbia and Bosnia.

The first complete literary history in relation to women's writing in south-east Europe. The author provides a broad chronological account of this contribution, dividing the book into two main parts; the earlier period up until the eighteenth century concentrates on the projections of gender through the medium of oral tradition and the lives of a handful of educated women in medieval Serbia and the few works of literature they left. Hawkesworth also looks at the written literature produced by women, first in the mid-nineteenth century and then at the turn of the century. The second part focuses on the trials and tribulations that affected feminism and women's literature throughout the twentieth century. The author finishes by highlighting the new women's movement, 1975-1990, a great period for women in Yugoslavia which created a stimulating atmosphere for outstanding pieces of women's journalism, prose and verse, culminating in the creation of new women's studies courses in many universities.

Based on interviews with seventy women refugees, Women, Violence and War is a book about war as it is seen, lived and interpreted by women who were citizens of the former Yugoslavia.

Many of the accounts portray the horrific experiences the victims had to face and the book addresses issues of sexual, physical and psychological violence, as well as problems of confinement, upheaval and family separation. In a completely new insight the book dispels the myth that many of the women were peasants, and shows that in fact they were educated, middle-class women with independent careers. The study also depicts how some of the victims attempt to come to terms with the aftermath of wartime abuse.

This probing, accurate and unique investigation of victimization is an unparalleled volume that presents a completely new perspective maintaining that violence against women in war is not independent of peace-time victimization and the imbalance of power between sexes.