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16 books match the query 'Shape'

cover of Body Language: Sisters in Shape, Black Women's Fitness, and Feminist Identity Politics

Body Language

Sisters in Shape, Black Women's Fitness, and Feminist Identity Politics

Kimberly J. Lau

Temple University Press, 2011

In her evocative ethnographic study, Body Language, Kimberly Lau traces the multiple ways in which the success of an innovative fitness program illuminates what identity means to its Black female clientele and how their group interaction provides a new perspective on feminist theories of identity politics—especially regarding the significance of identity to political activism and social change.

Sisters in Shape, Inc., Fitness Consultants (SIS), a Philadelphia company, promotes balance in physical, mental, and spiritual health. Its program goes beyond workouts, as it educates and motivates women to make health and fitness a priority. Discussing the obstacles at home and the importance of the group's solidarity to their ability to stay focused on their goals, the women speak to the ways in which their commitment to reshaping their bodies is a commitment to an alternative future.

Body Language shows how the group's explorations of black women's identity open new possibilities for identity-based claims to recognition, justice, and social change.

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cover of Disoriented Disciplines: China, Latin America, and the Shape of World Literature

Disoriented Disciplines

China, Latin America, and the Shape of World Literature

Rosario Hubert

Northwestern University Press, 2024

An urgent call to think on the edges, surfaces, and turns of the literary artifact when it crosses cultural boundaries

In the absence of specialized programs of study, abstract discussions of China in Latin America took shape in contingent critical infrastructures built at the crossroads of the literary market, cultural diplomacy, and commerce. As Rosario Hubert reveals, modernism flourishes comparatively, in contexts where cultural criticism is a creative and cosmopolitan practice.

Disoriented Disciplines: China, Latin America, and the Shape of World Literature understands translation as a material act of transfer, decentering the authority of the text and connecting seemingly untranslatable cultural traditions. In this book, chinoiserie, “coolie” testimonies, Maoist prints, visual poetry, and Cold War memoirs compose a massive archive of primary sources that cannot be read or deciphered with the conventional tools of literary criticism. As Hubert demonstrates, even canonical Latin American authors, including Jorge Luis Borges, Octavio Paz, and Haroldo de Campos, write about China from the edges of philology, mediating the concrete as well as the sensorial.

Advocating for indiscipline as a core method of comparative literary studies, Disoriented Disciplines challenges us to interrogate the traditional contours of the archives and approaches that define the geopolitics of knowledge.

 

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cover of Founding Factions: How Majorities Shifted and Aligned to Shape the U.S. Constitution

Founding Factions

How Majorities Shifted and Aligned to Shape the U.S. Constitution

Jeremy C. Pope and Shawn Treier

University of Michigan Press, 2020

The fundamental importance of the 1787 Constitutional Convention continues to affect contemporary politics. The Constitution defines the structure and limits of the American system of government, and it organizes contemporary debates about policy and legal issues—debates that explicitly invoke the intentions and actions of those delegates to the Convention. Virtually all scholarship emphasizes the importance of compromise between key actors or factions at the Convention. In truth, the deep structure of voting at the Convention remains somewhat murky because the traditional stories are incomplete. There were three key factions at the Convention, not two. The alliance of the core reformers with the slave interests helped change representation and make a stronger national government. When it came time to create a strong executive, a group of small state delegates provided the crucial votes. Traditional accounts gloss over the complicated coalition politics that produced these important compromises, while this book shows the specific voting alignments. It is true that the delegates came with common purposes, but they were divided by both interests and ideas into three crosscutting factions. There was no persistent dominant coalition of reformers or nationalists; rather, there was a series of minority factions allying with one another on the major issues to fashion the compromise. Founding Factions helps us understand the nature of shifting majorities and how they created the American government.
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cover of George A. Kubler and the Shape of Art History

George A. Kubler and the Shape of Art History

Thomas F. Reese

J. Paul Getty Trust, The, 0

An illuminating intellectual biography of a pioneering and singular figure in American art history.
 
Art historian George A. Kubler (1912–1996) was a foundational scholar of ancient American art and archaeology as well as Spanish and Portuguese architecture. During over five decades at Yale University, he published seventeen books that included innovative monographs, major works of synthesis, and an influential theoretical treatise. In this biography, Thomas F. Reese analyzes the early formation, broad career, and writings of Kubler, casting nuanced light on the origins and development of his thinking.
 
Notable in Reese’s discussion and contextualization of Kubler’s writings is a revealing history and analysis of his Shape of Time—a book so influential to students, scholars, artists, and curious readers in multiple disciplines that it has been continuously in print since 1962. Reese reveals how pivotal its ideas were in Kubler’s own thinking: rather than focusing on problems of form as an ordering principle, he increasingly came to sequence works by how they communicate meaning. The author demonstrates how Kubler, who professed to have little interest in theory, devoted himself to the craft of art history, discovering and charting the rules that guided the propagation of structure and significance through time.
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cover of Reading the Shape of Nature: Comparative Zoology at the Agassiz Museum

Reading the Shape of Nature

Comparative Zoology at the Agassiz Museum

Mary P. Winsor

University of Chicago Press, 1991

Reading the Shape of Nature vividly recounts the turbulent early history of the Museum of Comparative Zoology at Harvard and the contrasting careers of its founder Louis Agassiz and his son Alexander. Through the story of this institution and the individuals who formed it, Mary P. Winsor explores the conflicting forces that shaped systematics in the second half of the nineteenth century. Debates over the philosophical foundations of classification, details of taxonomic research, the young institution's financial struggles, and the personalities of the men most deeply involved are all brought to life.

In 1859, Louis Agassiz established the Museum of Comparative Zoology to house research on the ideal types that he believed were embodied in all living forms. Agassiz's vision arose from his insistence that the order inherent in the diversity of life reflected divine creation, not organic evolution. But the mortar of the new museum had scarcely dried when Darwin's Origin was published. By Louis Agassiz's death in 1873, even his former students, including his son Alexander, had defected to the evolutionist camp. Alexander, a self-made millionaire, succeeded his father as director and introduced a significantly different agenda for the museum.

To trace Louis and Alexander's arguments and the style of science they established at the museum, Winsor uses many fascinating examples that even zoologists may find unfamiliar. The locus of all this activity, the museum building itself, tells its own story through a wonderful series of archival photographs.
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cover of Sacred Uncertainty: Religious Difference and the Shape of Melville's Career

Sacred Uncertainty

Religious Difference and the Shape of Melville's Career

Brian Yothers

Northwestern University Press, 2015

Yothers’ Sacred Uncertainty examines Melville’s engagement with religious difference, both within American culture and around the world. It is impossible to understand Melville’s wider engagement with religious and cultural questions, however, without understanding the fundamental tension between self and society, self and others that underlies his work, and that is manifested in particular in the way in which he interacts with other writers. There is almost certainly no more concrete or reliable way to get at Melville’s affirmations of and arguments with these interlocutors than in the markings and annotations that appear in his copies of many of their works, so Yothers examines Melville’s marginalia for clues to Melville’s thinking about self, other, and difference. Sacred Uncertainty provides a much needed exploration of Melville’s encounter with and reflection upon religious difference.
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cover of Sculpture: Some Observations on Shape and Form from Pygmalion's Creative Dream

Sculpture

Some Observations on Shape and Form from Pygmalion's Creative Dream

Johann Gottfried Herder

University of Chicago Press, 2002

"The eye that gathers impressions is no longer the eye that sees a depiction on a surface; it becomes a hand, the ray of light becomes a finger, and the imagination becomes a form of immediate touching."—Johann Gottfried Herder

Long recognized as one of the most important eighteenth-century works on aesthetics and the visual arts, Johann Gottfried Herder's Plastik (Sculpture, 1778) has never before appeared in a complete English translation. In this landmark essay, Herder combines rationalist and empiricist thought with a wide range of sources—from the classics to Norse legend, Shakespeare to the Bible—to illuminate the ways we experience sculpture.

Standing on the fault line between classicism and romanticism, Herder draws most of his examples from classical sculpture, while nevertheless insisting on the historicity of art and of the senses themselves. Through a detailed analysis of the differences between painting and sculpture, he develops a powerful critique of the dominance of vision both in the appreciation of art and in our everyday apprehension of the world around us. One of the key articulations of the aesthetics of Sturm und Drang, Sculpture is also important as an anticipation of subsequent developments in art theory.

Jason Gaiger's translation of Sculpture includes an extensive introduction to Herder's thought, explanatory notes, and illustrations of all the sculptures discussed in the text.
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cover of Shape of Things: A Philosophy of Design

Shape of Things

A Philosophy of Design

Vilém Flusser

Reaktion Books, 1999

An insightful collection of essays on design by an acclaimed philosopher
 
This book presents for the first time in English an array of essays on design by the seminal media critic and philosopher Vilém Flusser. It puts forward the view that our future depends on design. In a series of insightful essays on such ordinary "things" as wheels, carpets, pots, umbrellas and tents, Flusser emphasizes the interrelationships between art and science, theology and technology, and archaeology and architecture. Just as formal creativity has produced both weapons of destruction and great works of art, Flusser believed that the shape of things (and the designs behind them) represents both a threat and an opportunity for designers of the future.
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cover of The Librarian's Atlas: The Shape of Knowledge in Early Modern Spain

The Librarian's Atlas

The Shape of Knowledge in Early Modern Spain

Seth Kimmel

University of Chicago Press, 2024

A history of early modern libraries and the imperial desire for total knowledge—now in paperback.
 
Medieval scholars imagined the library as a microcosm of the world, but as novel early modern ways of managing information facilitated empire in both the New and Old Worlds, the world became a projection of the library. In The Librarian’s Atlas, Seth Kimmel offers a sweeping material history of how the desire to catalog books coincided in the sixteenth and seventeenth centuries with the aspiration to control territory. Through a careful study of library culture in Spain and Morocco—close readings of catalogs, marginalia, indexes, commentaries, and maps—Kimmel reveals how the booklover’s dream of a comprehensive and well-organized library shaped an expanded sense of the world itself.

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cover of The Shape and Shaping of the Book of Psalms: The Current State of Scholarship

The Shape and Shaping of the Book of Psalms

The Current State of Scholarship

Nancy L. deClaissé-Walford

SBL Press, 2014

A new and innovative way to approach the Psalter that moves beyond form and cult-functional criticism

Drawing inspiration from Gerald H. Wilson’s The Editing of the Hebrew Psalter, this volume explores questions of the formation of the Psalter from the perspective of canonical criticism. Though called “canonical criticism,” the study actually employs a number of historically traditional and nontraditional approaches to reading the text including form criticism, historical criticism of individual psalms as well as of the whole Psalter, and redaction criticism.

Features:

  • Exploration of collections of psalms, theological viewpoints, sovereignty, and the shape and shaping of Psalms
  • Examination of the impact of canonical criticism on the study of the Psalter
  • Sixteen essays from the Book of Psalms Consultation group and invited scholars
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cover of The Shape of Inca History: Narrative and Architecture in an Andean Empire

The Shape of Inca History

Narrative and Architecture in an Andean Empire

Susan A. Niles

University of Iowa Press, 1999

In The Shape of Inca History, Susan Niles considers the ways in which the Inca concept of history informed their narratives, rituals, and architecture. Using sixteenth-century chronicles of Inca culture, legal documents from the first generation of conquest, and field investigation of architectural remains, she strategically explores the interplay of oral and written histories with the architectural record and provides a new and exciting understanding of the lives of the royal families on the eve of conquest.
Niles focuses on the life of Huayna Capac, the Inca king who ruled at the time of the first European incursions on the Andean coast. Because he died just a few years before the Spaniards overturned the Inca world, eyewitness accounts of his deeds as recorded by the invaders can be used to separate fact from propaganda. The rich documentary sources telling of his life include extraordinarily detailed legal records that inventory lands on his estate in the Yucay Valley. These sources provide a basis—unique in the Andes—for reconstructing the social and physical plan of the estate and for dating its construction exactly.
Huayna Capac's country palace shows a design different from that devised by his ancestors. Niles argues that the radical stylistic and technical innovations documented in the buildings themselves can be understood by referring to the turbulent political atmosphere prevalent at the time of his accession. Illustrated with numerous photographs and reconstruction drawings, The Shape of Inca History breaks new ground by proposing that Inca royal style was dynamic and that the design of an Inca building can best be interpreted by its historical context. In this way it is possible to recreate the development of Inca architectural style over time.
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cover of The Shape of Life: Genes, Development, and the Evolution of Animal Form

The Shape of Life

Genes, Development, and the Evolution of Animal Form

Rudolf A. Raff

University of Chicago Press, 1996

Rudolf Raff is recognized as a pioneer in evolutionary developmental biology. In their 1983 book, Embryos, Genes, and Evolution, Raff and co-author Thomas Kaufman proposed a synthesis of developmental and evolutionary biology. In The Shape of Life, Raff analyzes the rise of this new experimental discipline and lays out new research questions, hypotheses, and approaches to guide its development.

Raff uses the evolution of animal body plans to exemplify the interplay between developmental mechanisms and evolutionary patterns. Animal body plans emerged half a billion years ago. Evolution within these body plans during this span of time has resulted in the tremendous diversity of living animal forms.

Raff argues for an integrated approach to the study of the intertwined roles of development and evolution involving phylogenetic, comparative, and functional biology. This new synthesis will interest not only scientists working in these areas, but also paleontologists, zoologists, morphologists, molecular biologists, and geneticists.
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cover of The Shape of Populism: Serbia before the Dissolution of Yugoslavia

The Shape of Populism

Serbia before the Dissolution of Yugoslavia

Marko Grdešic

University of Michigan Press, 2019

The Shape of Populism examines socialist Serbia, then part of Yugoslavia, which in the late 1980s witnessed popular mobilization and an emergence of a populist discourse that both constructed and celebrated “the people.” Author Marko Grdešić uses quantitative and qualitative analyses to show how “the people” emerge in the public sphere. This book examines over 300 protests and analyzes them in conjunction with elite events such as party sessions. It examines over 1,600 letters-to-the-editor and political cartoons to reveal the populist construction of “the people.” Grdešić also relies on interviews with participants in populist rallies in the late 1980s to examine the long-term legacies of populism.
 
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cover of The Shape of Utopia: The Architecture of Radical Reform in Nineteenth-Century America

The Shape of Utopia

The Architecture of Radical Reform in Nineteenth-Century America

Irene Cheng

University of Minnesota Press, 2023

How nineteenth-century social reformers devised a new set of radical blueprints for society

In the middle of the nineteenth century, a utopian impulse flourished in the United States through the circulation of architectural and urban plans predicated on geometrically distinct designs. Though the majority of such plans remained unrealized, The Shape of Utopia emphasizes the enduring importance of these radical propositions and their ability to visualize alternatives to what was then a newly emerging capitalist nation.

Drawing diagrammatic plans for structures such as octagonal houses, a hexagonal anarchist city, and circular centers of equitable commerce, these various architectural utopians applied geometric forms to envision a more just and harmonious society. Highlighting the inherent political capacity of architecture, Irene Cheng showcases how these visionary planners used their blueprints as persuasive visual rhetoric that could mobilize others to share in their aspirations for a better world.

Offering an extensive and uniquely focused view of mid-nineteenth-century America’s rapidly changing cultural landscape, this book examines these utopian plans within the context of significant economic and technological transformation, encompassing movements such as phrenology, anarchism, and spiritualism. Engaging equally with architectural history, visual culture studies, and U.S. history, The Shape of Utopia documents a pivotal moment in American history when ordinary people ardently believed in the potential to reshape society.

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cover of Urban Disorder and the Shape of Belief: The Great Chicago Fire, the Haymarket Bomb, and the Model Town of Pullman

Urban Disorder and the Shape of Belief

The Great Chicago Fire, the Haymarket Bomb, and the Model Town of Pullman

Carl Smith

University of Chicago Press, 1994

The Great Chicago Fire of 1871, the Haymarket bombing of 1886, and the making and unmaking of the model town of Pullman—these remarkable events in what many considered the quintessential American city forced people across the country to confront the disorder that seemed inevitably to accompany urban growth and social change. In this book, Carl Smith explores the imaginative dimensions of these events as he traces the evolution of beliefs that increasingly linked city, disorder, and social reality in the minds of Americans. Studying a remarkable range of writings and illustrations, as well as protests, public gatherings, trials, hearings, and urban reform and construction efforts, Smith argues that these three events—and the public awareness of the them—not only informed one another, but collectively shaped how Americans saw, and continue to see, the city.
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cover of Urban Disorder and the Shape of Belief: The Great Chicago Fire, the Haymarket Bomb, and the Model Town of Pullman, Second Edition

Urban Disorder and the Shape of Belief

The Great Chicago Fire, the Haymarket Bomb, and the Model Town of Pullman, Second Edition

Carl Smith

University of Chicago Press, 2007

The Great Chicago Fire of 1871, the Haymarket bombing of 1886, and the making and unmaking of the model town of Pullman—these remarkable events in what many considered the quintessential American city forced people across the country to confront the disorder that seemed inevitably to accompany urban growth and social change.

In Urban Disorder and the Shape of Belief, Carl Smith explores the imaginative dimensions of these events as he traces the evolution of interconnected beliefs and actions that increasingly linked city, disorder, and social reality in the minds of Americans. Examining a remarkable range of writings and illustrations, as well as protests, public gatherings, trials, hearings, and urban reform and construction efforts, Smith argues that these three events—and the public awareness of them—not only informed one another, but collectively shaped how Americans understood, and continue to understand, Chicago and modern urban life.

This classic of urban cultural history is updated with a foreword by the author that expands our understanding of urban disorder to encompass such recent examples as Hurricane Katrina, the Oklahoma City Bombing, and 9/11.

 “Cultural history at its finest.  By utilizing questions and methodologies of urban studies, social history, and literary history, Smith creates a sophisticated account of changing visions of urban America.”—Robin F. Bachin, Journal of Interdisciplinary History
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