22 books match the query 'Soviet Era'
Neil Faulkner
Pluto Press, 2017
Geoffrey Hosking
Central European University Press, 2025
Helene Carlback
Central European University Press, 2012
James F Gebhardt
University of Alaska Press, 2025
Pavel Gavrilov
Central European University Press, 2024
This memoir about the experiences of German occupation during the siege of Leningrad (now Saint Petersburg) was written by Moscow-born Evdokiia Vasil’evna Baskakova-Bogacheva (1888–1976), an émigré in Australia, at the age of eighty-one. The text had been forgotten in the Museum of Russian Culture in San Francisco since 1970 until the editors of this volume discovered it.
In the memoirs, after accounting on her youth spent against the background of the First World War and of the two Russian revolutions of 1917, Evdokiia describes the inferno of the Nazi occupation as experienced in a suburb of Leningrad in 1941-43. She survived for nearly two years almost on the front line, within a few kilometers of the blockade ring. As a medical practitioner, she became useful for the occupational authorities and the ever-shrinking town population, until her family was evacuated to the west in October 1943. Besides hunger, discord, disease, the hunt for food and firewood, along with violence and death, Evdokiia’s account deals with various forms of cooperation between Soviet citizens and the new authorities.
All the events she recalls can be confirmed through other sources. The introduction and the detailed notes to the text help the reader to locate Evdokiia’s recollections in time and place, and situate them in their historical context.
Viktoria Paranyuk
University of Wisconsin Press, 2025
R. Eugene Parta
Central European University Press, 2010
Jan Dvorák and Adam Hradilek
Karolinum Press, 2025
Yana Skorobogatov
University of Chicago Press, 2026
A striking examination of the death penalty in the Soviet Union that documents in heart-rending detail how its citizens, hopeful for a new life post-Stalin, lost faith that their transgressions could be forgiven.
From 1954 to 1991 in the Soviet Union, nearly forty thousand citizens were executed after the death penalty was reinstated as a punishment for homicide. Fate in My Hands introduces readers to the many citizens in this period—women and men of all ages and backgrounds—who found themselves on death row and tried to escape it in the only way available to them: asking for forgiveness.
Examining the letters and objects the dead left behind, Skorobogatov recovers their voices and allows them to speak anew. She offers a striking portrait of life in the Soviet Union and the citizens who dreamed of new possibilities even as they faced their tragic end. Using a corpus of never-before-accessed criminal court records, Fate in My Hands brings readers not just into the police interrogation rooms, courthouses, and cells where the condemned awaited their fates, but into the homes, workplaces, and psychiatric hospitals where families and friends alike came together to pursue an elusive, bitter justice in the wake of violent tragedy.
Cosmin Minea
Central European University Press, 2026
Adam Broner, with a foreword by Antony Polonsky
University of Alabama Press, 2007
A poignant account of the perils and fortunes of an indomitable survivor of violence in Eastern Europe during World War II.
In 1939, to escape Nazi occupation, 14-year-old Adam Broner and his older brother Sam left their home and family in Lodz, Poland, and made their way to the Soviet Union. Adam enlisted in the Red Army to join the fight against the Nazis but was sent to work in a Siberian coal mine instead when his nationality was discovered. After a bold and daring escape from Siberia, Broner reached the Soviet Polish Kosciuszko Army, joined the struggle against the Nazis, participated in the liberation of Poland, and rode victorious into Berlin in 1945. He later learned that his parents, siblings (except Sam), and all other close relatives had perished during the war.
Broner rebuilt his life, established a family, returned to Moscow for a degree in economics, and then went back to Poland, where he accepted a job in the Polish central planning agency. Eventually fed up with the growing anti-Semitism of the Communist government there, the author emigrated to the United States in 1969. He earned a doctorate from Princeton University and served as an economic adviser to New Jersey governors and the state legislature. In retirement, Broner learned portrait painting and reproduced the likenesses of his parents and siblings from memory, which are presented along with their biographies in this book.
In recounting his struggle for survival during some of the most dramatic upheavals of the 20th century— the Great Depression, Nazism, World War II, and the spread of Communism in Central Europe— Broner reveals a life dedicated to the ultimate goal of freedom, which he achieved through a combination of arduous effort and fortunate circumstance.
David Owen
Haus Publishing, 2022
Jeanmarie Rouhier-Willoughby
University of Wisconsin Press, 2026
Edited by Marina Rojavin and Tim Harte
University of Wisconsin Press, 2027
Following Stalin’s death, Soviet film—like Soviet culture—changed in meaningful ways. Emerging from a system that had stymied individual, creative voices, prominent directors now found their own respective styles, as they embraced their personal visions to produce works that diverged significantly from the mainstream. Grounded in auteur theory, this volume explores how these filmmakers expressed themselves through creative cinematic means rather than through a narrow emphasis on narrative or in accordance with popular—and governmental—whims.
Each chapter focuses on a specific filmmaker, from well-known auteurs Aleksei German Sr., Kira Muratova, Andrei Tarkovsky, Sergei Parajanov, and Larisa Shepit’ko, to others less familiar in the West: Sergei Solovyov, Roman Balayan, Otar Iosseliani, Tengiz Aduladze, and Ali Khamraev. Hailing from a range of Soviet republics, they all impacted the Soviet cinematic sphere despite harsh censorship and the repression of artists throughout the nation. By integrating cinematic and theoretical perspectives into a discussion of auteur Soviet films, this volume illuminates the significance of a cinematic trend that took place in both Soviet culture and international film history.
Contributors: Robert Efird, Tim Harte, Lilya Kaganovsky, David Gomiero Molina, Lida Oukaderova, Elizabeth A. Papazian, Marina Rojavin, Rita Safariants, Sydney Stotter, Sergey Toymentsev
László Borhi
Central European University Press, 2015
Rita Safariants
University of Wisconsin Press, 2026
Miklós Kun
Central European University Press, 2003
Dassia N. Posner
Northwestern University Press, 2027
Reclaims the lost history of one of the twentieth century’s most innovative theaters
The Moscow Kamerny Theatre created stage worlds of movement, color, and light. Cofounded in 1914 by Alexander Tairov, a Jewish director from Ukraine, and Alisa Koonen, a Moscow-born actress from an immigrant family, the company celebrated the actor’s virtuosic inventiveness during an era when most theaters imitated daily life or prioritized the autocratic director’s vision. By the 1920s, it had become the most famous Soviet theater in the world, renowned for its actors’ acrobatic grace, its bold collaborations with avant-garde artists, and its revolutionary redefinition of what theater can be. But the accusations of Soviet disloyalty that were used to destroy the Kamerny during Stalin’s post–World War II antisemitic purge have rendered it little known outside Russia today and frequently misunderstood even there.
The Actor’s Revolution vividly reclaims this lost history by reconstructing the theater’s most illustrious premieres, analyzing them within the turbulent artistic and political context of the early Soviet era. Drawing on a decade of archival research, Dassia N. Posner restores Tairov’s legacy as one of history’s most significant directors and celebrates Koonen’s liberatory creative expressiveness as a vital alternative to Konstantin Stanislavsky’s better-known acting system. Building on rich archival sources, from unpublished memoirs to vibrant scenic and costume designs, this timely volume grapples with the entangled histories of art, politics, and erasure and celebrates the radical power of human creativity under—and in spite of—totalitarianism.
Victoria Hallinan
University of Massachusetts Press, 2023
During the Cold War, dancers and musicians from the United States and the USSR were drawn into the battle for hearts and minds, crossing the Iron Curtain to prove their artistic and ideological prowess. After the passage of the Lacy-Zarubin Agreement, direct cultural exchange between the two superpowers opened up, and the Moiseyev Dance Company arrived in the United States in 1958. The first Soviet cultural representatives to tour America, this folk-dance troupe’s repertoire included dances from territories controlled or influenced by the USSR, including Uzbekistan, Crimea, and Poland.
Drawing on contemporary personal and published accounts, Victoria Hallinan explores why the dancers garnered overwhelming acclaim during their multicity tour and Ed Sullivan Show appearance. The “boy-meets-girl” love stories of the dances, and their idealized view of multiple Soviet cultures living together in harmony, presented a comforting image of post–World War II gender norms and race relations for audiences. Americans saw the dancers—their supposed enemies—as humans rather than agents of communist contagion.
Pavel Khazanov
University of Wisconsin Press, 2023
Antonella Salomoni, Translated by Antony Shugaar
University of Wisconsin Press, 2025

Sophia Bogatyreva
Central European University Press, 2027