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22 books match the query 'Soviet Era'

cover of A People's History of the Russian Revolution

A People's History of the Russian Revolution

Neil Faulkner

Pluto Press, 2017

The Russian Revolution may be the most misunderstood and misrepresented event in modern history, its history told in a mix of legends and anecdotes. In A People's History of the Russian Revolution, Neil Faulkner sets out to debunk the myths and pry fact from fiction, putting at the heart of the story the Russian people who are the true heroes of this tumultuous tale. In this fast-paced introduction, Faulkner tells the powerful narrative of how millions of people came together in a mass movement, organized democratic assemblies, mobilized for militant action, and overturned a vast regime of landlords, profiteers, and warmongers.
 
Faulkner rejects caricatures of Lenin and the Bolsheviks as authoritarian conspirators or the progenitors of Stalinist dictatorship, and forcefully argues that the Russian Revolution was an explosion of democracy and creativity—and that it was crushed by bloody counter-revolution and replaced with a form of bureaucratic state-capitalism.
 
Grounded by powerful first-hand testimony, this history marks the centenary of the Revolution by restoring the democratic essence of the revolution, offering a perfect primer for the modern reader.
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cover of Aleksandr Tvardovskii: Memory and Truth in the Soviet Union

Aleksandr Tvardovskii

Memory and Truth in the Soviet Union

Geoffrey Hosking

Central European University Press, 2025

Aleksandr Tvardovskii was not only one of the finest, most popular and most important poets of his epoch, but also the editor of Novyi mir, the most prominent Soviet literary journal of the postwar period until the 1970s. This book is a detailed biography of the writer and journal editor who probably changed the literary culture of the Soviet Union more than any other person in the two decades after Stalin's death. Geoffrey Hosking shows how Tvardovskii gradually evolved from being an ardent Stalinist who renounced his own so-called “kulak” family to becoming a convinced advocate of tolerance, an all-human morality, civil rights, and free literary creativity.
By giving a balanced account of his strengths and weaknesses, his achievements and failures, the author succeeds in giving the fullest picture available anywhere of a controversial man who turns out to be more complex than he has been portrayed so far. To understand him better is to understand why the Soviet intelligentsia changed so fundamentally in the USSR’s final decades, a change that helps to explain the rise of Gorbachev twenty years later. The study—which includes an in-depth analysis of Tvardovskii’s major works—also helps to better understand the fate of culture under an authoritarian regime and the intricacies of the struggle against censorship.
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cover of And They Lived Happily Ever After: Norms and Everyday Practices of Family and Parenthood in Russia and Eastern Europe

And They Lived Happily Ever After

Norms and Everyday Practices of Family and Parenthood in Russia and Eastern Europe

Helene Carlback

Central European University Press, 2012

Takes a comparative perspective on family life and childhood in the past half century in Russia and Eastern Europe, highlighting similarities and differences. Focuses on the problematic domains of the institutions and laws devised to cope with family difficulties, and discusses the social strains created by the transition from communist to post-communist national systems. In addition to the substantial historic analysis, actual challenges are also discussed. The essays examine the changing gender roles, alterations in legal systems, the burdens faced by married and unmarried women who are mothers, the contrasts between government rhteoric and the implementation of policies toward marriage, children and parenthood. By addressing the specifics of welfare politics under the Communist rule and the directions of their transformation in 1990–2000s, this book contributes to the understanding of social institutions and family policies in these countries and the problems of dealing with the socialist past that this region face.
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cover of Arctic Naval Combat in Support of Ground Operations: Soviet Naval Support of the Petsamo-Kirkenes Operation, October 1944

Arctic Naval Combat in Support of Ground Operations

Soviet Naval Support of the Petsamo-Kirkenes Operation, October 1944

James F Gebhardt

University of Alaska Press, 2025

Translated to English from the original Soviet General Staff report, this is an account of the naval support of the Petsamo-Kirkenes Operation in October 1944—the only large-scale ground/naval and air operation ever fought in the Arctic. With additional contemporary supporting material on wider-scale Arctic combat including descriptions of combat tactics and weaponry from noted Soviet military scholar James Gebhardt, this book provides a comprehensive and detailed description of the tactics and strategies employed by both Soviet and German forces during the operation from the official Soviet perspective.

The largest Arctic battle on record, involving 133,500 Soviets and 45,000 Germans and Quisling Norwegians, the Petsamo-Kirkenes Operation sought to liberate the northernmost part of Norway from German occupation during World War II. The Soviet navy played a previously unrecognized crucial role in the operation by providing fire support and transportation, as well as conducting raids and combat landings on the enemy-held coast. The harsh Arctic environment, including extreme cold, ice, and limited daylight, posed significant challenges to the Soviet and German forces. Despite these hardships, the Soviet forces achieved their objectives, defeated the German Army, and successfully liberated the area.

Arctic Naval Combat in Support of Ground Operations is a powerful companion to Gebhardt’s previous translation, The Petsamo-Kirkenes Operation: Soviet Breakthrough and Pursuit in the Arctic, October 1944, which details this operation’s ground offensive. Providing a starting point for the study and understanding of combined arms and services combat in the Arctic, an increasingly important and accessible part of the planet where military concerns are rapidly expanding, this work is a valuable addition to the literature of World War II military history and a significant additional perspective on the Soviet military.
 
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cover of Beyond the Siege of Leningrad: One Woman’s Life during and after the Occupation: The Recollections of Evdokiia Vasil’evna Baskakova-Bogacheva

Beyond the Siege of Leningrad

One Woman’s Life during and after the Occupation: The Recollections of Evdokiia Vasil’evna Baskakova-Bogacheva

Pavel Gavrilov

Central European University Press, 2024

This memoir about the experiences of German occupation during the siege of Leningrad (now Saint Petersburg) was written by Moscow-born Evdokiia Vasil’evna Baskakova-Bogacheva (1888–1976), an émigré in Australia, at the age of eighty-one. The text had been forgotten in the Museum of Russian Culture in San Francisco since 1970 until the editors of this volume discovered it.

In the memoirs, after accounting on her youth spent against the background of the First World War and of the two Russian revolutions of 1917, Evdokiia describes the inferno of the Nazi occupation as experienced in a suburb of Leningrad in 1941-43. She survived for nearly two years almost on the front line, within a few kilometers of the blockade ring. As a medical practitioner, she became useful for the occupational authorities and the ever-shrinking town population, until her family was evacuated to the west in October 1943. Besides hunger, discord, disease, the hunt for food and firewood, along with violence and death, Evdokiia’s account deals with various forms of cooperation between Soviet citizens and the new authorities.

All the events she recalls can be confirmed through other sources. The introduction and the detailed notes to the text help the reader to locate Evdokiia’s recollections in time and place, and situate them in their historical context. 

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cover of Cinema of Sincerity: Soviet Films and Culture During the Thaw

Cinema of Sincerity

Soviet Films and Culture During the Thaw

Viktoria Paranyuk

University of Wisconsin Press, 2025

Following Stalin’s death in 1953 and Khrushchev’s acknowledgment of Stalin’s crimes in 1956, “sincerity” emerged as a cultural imperative in the Soviet Union. The cinema of this period turned inward, insisting on ordinary characters and creating a sense of spontaneity through particular staging methods and cinematic techniques, such as interior monologue and the close-up. These changes shifted the understanding of what “realism” meant and allowed Soviet cinema to reestablish with its audiences the trust that had been corrupted by serving Stalin’s cult of personality.

Using both theory and close readings of specific films produced in the Soviet Union during the Thaw, a period known for its relative political and cultural liberalization, Cinema of Sincerity treats sincerity as both a concept and an aesthetic strategy. Viktoria Paranyuk argues that Soviet cinema’s use of sincerity was a reworking of a trend in global cinema that sought to bridge the gap between reality and the filmed image. This period saw increased accessibility to world cinematic traditions, new voices in criticism, and, above all, the multigenerational effort in filmmaking that developed and thrived in centers outside Moscow. Paranyuk demonstrates how these changes allowed Soviet cinema to renew its visual language and use film as a space for collective self-examination.
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cover of Cold War Broadcasting: Impact on the Soviet Union and Eastern Europe

Cold War Broadcasting

Impact on the Soviet Union and Eastern Europe

R. Eugene Parta

Central European University Press, 2010

The book examines the role of Western broadcasting to the Soviet Union and Eastern Europe during the Cold War, with a focus on Radio Free Europe and Radio Liberty. It includes chapters by radio veterans and by scholars who have conducted research on the subject in once-secret Soviet bloc archives and in Western records. It also contains a selection of translated documents from formerly secret Soviet and East European archives, most of them published here for the first time.
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cover of Czechoslovak Jewish Refugees in the Gulag: Soviet Labour and POW Camps during World War II as Recollected by Jewish Refugees from Czechoslovakia

Czechoslovak Jewish Refugees in the Gulag

Soviet Labour and POW Camps during World War II as Recollected by Jewish Refugees from Czechoslovakia

Jan Dvorák and Adam Hradilek

Karolinum Press, 2025

Containing meticulous research of a long under-represented part of the Holocaust, this book provides a rich pictorial documentation of the Gulag environment as told by Jewish refugees.

While millions of Soviet slaves awaited liberation from the Nazi troops, millions of German concentration camp victims put their last bit of hope in the Red Army.

An in-depth look into the Soviet persecution of Jewish refugees, this book offers twenty-one different interviews with Czechoslovak Jewish refugees who found themselves in Soviet labor and prison camps between 1939 and 1941. They represent around two thousand Czechoslovak Jews who escaped persecution from German and Hungarian occupational forces and Slovak fascists by fleeing to the East. The Soviets sentenced most of them to long stints of forced labor in the Gulags for illegal immigration, espionage, and other arbitrary accusations. A specific group was formed by the Jews from the Hungarian labor service who either defected to or were captured by the Soviets.

Dvořák and Hradilek chronicle four waves of escape—those from the Protectorate of Bohemia and Moravia, the Nisko concentration camp, Carpathian Ruthenia, and the aforementioned labor service. Thorough and clear, every interview coincides with supplementary documents and photographs found in the NKVD archives, sourced from Ukraine.
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cover of Fate in My Hands: The Death Penalty in the Soviet Union

Fate in My Hands

The Death Penalty in the Soviet Union

Yana Skorobogatov

University of Chicago Press, 2026

A striking examination of the death penalty in the Soviet Union that documents in heart-rending detail how its citizens, hopeful for a new life post-Stalin, lost faith that their transgressions could be forgiven.

From 1954 to 1991 in the Soviet Union, nearly forty thousand citizens were executed after the death penalty was reinstated as a punishment for homicide. Fate in My Hands introduces readers to the many citizens in this period—women and men of all ages and backgrounds—who found themselves on death row and tried to escape it in the only way available to them: asking for forgiveness.

Examining the letters and objects the dead left behind, Skorobogatov recovers their voices and allows them to speak anew. She offers a striking portrait of life in the Soviet Union and the citizens who dreamed of new possibilities even as they faced their tragic end. Using a corpus of never-before-accessed criminal court records, Fate in My Hands brings readers not just into the police interrogation rooms, courthouses, and cells where the condemned awaited their fates, but into the homes, workplaces, and psychiatric hospitals where families and friends alike came together to pursue an elusive, bitter justice in the wake of violent tragedy.

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cover of Inherited Empire in East European Architectural Conservation: Appropriating Ottoman, Habsburg and Russian/Soviet Past

Inherited Empire in East European Architectural Conservation

Appropriating Ottoman, Habsburg and Russian/Soviet Past

Cosmin Minea

Central European University Press, 2026

Rather than a mere technical matter, the restoration of built monuments is a process through which societies promote their vision of history and cultural identity. The reasons why many monuments survive to this day are to be found in the nineteenth century, when modern practices of heritage preservation began. This book addresses the emergence and practices of architectural conservation in the case of the heterogeneous, disputed, fragmented and controversial heritage of Eastern and Central Europe from ca. 1800 to 1990. Thirteen chapters, an introduction and an afterword, follow the transformation and preservation of monuments, many of which are little known internationally, and their present legacy, from Georgia to Estonia, from Dalmatia and Galicia to the Russian Far North. With a focus on regions within and around the former Habsburg, Ottoman, Russian and Soviet empires, the volume contributes to decolonising this field of historical research by investigating the imperial and post-imperial architectural legacies, including how they enforced social, racial or ethnic inequalities.
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cover of My War against the Nazis: A Jewish Soldier with the Red Army

My War against the Nazis

A Jewish Soldier with the Red Army

Adam Broner, with a foreword by Antony Polonsky

University of Alabama Press, 2007

A poignant account of the perils and fortunes of an indomitable survivor of violence in Eastern Europe during World War II.

In 1939, to escape Nazi occupation, 14-year-old Adam Broner and his older brother Sam left their home and family in Lodz, Poland, and made their way to the Soviet Union. Adam enlisted in the Red Army to join the fight against the Nazis but was sent to work in a Siberian coal mine instead when his nationality was discovered. After a bold and daring escape from Siberia, Broner reached the Soviet Polish Kosciuszko Army, joined the struggle against the Nazis, participated in the liberation of Poland, and rode victorious into Berlin in 1945. He later learned that his parents, siblings (except Sam), and all other close relatives had perished during the war. 


 Broner rebuilt his life, established a family, returned to Moscow for a degree in economics, and then went back to Poland, where he accepted a job in the Polish central planning agency. Eventually fed up with the growing anti-Semitism of the Communist government there, the author emigrated to the United States in 1969. He earned a doctorate from Princeton University and served as an economic adviser to New Jersey governors and the state legislature. In retirement, Broner learned portrait painting and reproduced the likenesses of his parents and siblings from memory, which are presented along with their biographies in this book.

In recounting his struggle for survival during some of the most dramatic upheavals of the 20th century— the Great Depression, Nazism, World War II, and the spread of Communism in Central Europe— Broner reveals a life dedicated to the ultimate goal of freedom, which he achieved through a combination of arduous effort and fortunate circumstance.

 

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cover of Riddle, Mystery, and Enigma: Two Hundred Years of British–Russian Relations

Riddle, Mystery, and Enigma

Two Hundred Years of British–Russian Relations

David Owen

Haus Publishing, 2022

A history of relations between Britain and Russia from the nineteenth century to the present.
 
With Riddle, Mystery, and Enigma, statesman and author David Owen tells the story of Britain’s relationship with Russia, which has been surprisingly underexplored. Through his characteristic insight and expertise, he depicts a relationship governed by principle as often as by suspicion, expediency, and necessity.
 
When the two nations formed a pragmatic alliance and fought together at the Battle of Navarino in Greece in 1827, it was overwhelmingly the work of the British prime minister, George Canning. His death brought about a drastic shift that would see the countries fighting on opposite sides in the Crimean War and jostling for power during the Great Game. It was not until the Russian Revolution of 1917 that another statesman had a defining impact on relations between Britain and Russia: Winston Churchill, who opposed Bolshevism yet never stopped advocating for diplomatic and military engagement with Russia. In the Second World War, he recognized early on the necessity of allying with the Soviets against the menace of Nazi Germany. Bringing us into the twenty-first century, Owen chronicles how both countries have responded to their geopolitical decline. Drawing on both imperial and Soviet history, he explains the unique nature of Putin’s autocracy and addresses Britain’s return to “blue water” diplomacy.  Newly revised, this paperback edition features extended chapters on Putin’s Russia and the future of British–Russian relations after the Russo-Ukrainian War.
 
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cover of Sacred Springs in the Camps: Gulag Memory, Legend, and Place

Sacred Springs in the Camps

Gulag Memory, Legend, and Place

Jeanmarie Rouhier-Willoughby

University of Wisconsin Press, 2026

Former Gulag sites—operating theaters of terror during the Stalinist period—are scattered across western Siberia, where memories of the purges run deep. The camps represent some of the most horrific events of the Soviet past, and yet their current role is complicated. Focusing on three former prison camps, folklorist Jeanmarie Rouhier-Willoughby untangles a surprising nexus of memory, legend, and vernacular religious practice afforded by the sacred springs located at each of these sites.

Grounded by detailed ethnography, Sacred Springs in the Camps explores how legend creates, negotiates, and challenges collective memory; how lived religious practices intersect with the current revival of the Russian Orthodox Church; how politics intertwine with belief; and how the social construction of sacred places affects folk narratives, faith, and local identity. These unlikely holy waters thus reflect important facets of contemporary Russian religion, politics, and society, refracting and reframing memories of the socialist past even as they offer important lessons for the present moment.
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cover of Soviet Auteur Cinema After the Thaw

Soviet Auteur Cinema After the Thaw

Edited by Marina Rojavin and Tim Harte

University of Wisconsin Press, 2027

Following Stalin’s death, Soviet film—like Soviet culture—changed in meaningful ways. Emerging from a system that had stymied individual, creative voices, prominent directors now found their own respective styles, as they embraced their personal visions to produce works that diverged significantly from the mainstream. Grounded in auteur theory, this volume explores how these filmmakers expressed themselves through creative cinematic means rather than through a narrow emphasis on narrative or in accordance with popular—and governmental—whims.

Each chapter focuses on a specific filmmaker, from well-known auteurs Aleksei German Sr., Kira Muratova, Andrei Tarkovsky, Sergei Parajanov, and Larisa Shepit’ko, to others less familiar in the West: Sergei Solovyov, Roman Balayan, Otar Iosseliani, Tengiz Aduladze, and Ali Khamraev. Hailing from a range of Soviet republics, they all impacted the Soviet cinematic sphere despite harsh censorship and the repression of artists throughout the nation. By integrating cinematic and theoretical perspectives into a discussion of auteur Soviet films, this volume illuminates the significance of a cinematic trend that took place in both Soviet culture and international film history.

Contributors: Robert Efird, Tim Harte, Lilya Kaganovsky, David Gomiero Molina, Lida Oukaderova, Elizabeth A. Papazian, Marina Rojavin, Rita Safariants, Sydney Stotter, Sergey Toymentsev

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cover of Soviet Occupation of Romania, Hungary, and Austria 1944/45–1948/49

Soviet Occupation of Romania, Hungary, and Austria 1944/45–1948/49

László Borhi

Central European University Press, 2015

This book compares the various aspects – political, military economic – of Soviet occupation in Austria, Hungary and Romania. Using documents found in Austrian, Hungarian, Romanian and Russian archives the authors argue that the nature of Soviet foreign policy has been misunderstood. Existing literature has focused on the Soviet foreign policy from a political perspective; when and why Stalin made the decision to introduce Bolshevik political systems in the Soviet sphere of influence. This book will show that the Soviet conquest of East-Central Europe had an imperial dimension as well and allowed the Soviet Union to use the territory it occupied as military and economic space. The final dimension of the book details the tragically human experiences of Soviet occupation: atrocities, rape, plundering and deportations.
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cover of Soviet Rock on Screen: The Life, Death, and Resurrection of a Film Genre

Soviet Rock on Screen

The Life, Death, and Resurrection of a Film Genre

Rita Safariants

University of Wisconsin Press, 2026

As the Iron Curtain fell and Cold War suspicions thickened in the second half of the twentieth century, the quintessentially American genre of rock and roll, seen as a potent symbol and product of an enemy ideology, quickly became a clandestine import in the USSR. The Soviet underground embraced the forbidden sounds, despite official propaganda that called rock stars social parasites and corrupting sluggards. Contrary to the regime’s desires, the genre grew in popularity until it could no longer be ignored. In the Soviet Union’s last decade, a flailing film industry, controlled by and dependent on an increasingly unstable central government, seized on the rock star as a central figure—and the Soviet rock film was born.

In Soviet Rock on Screen, Rita Safariants chronicles the birth, life, death, and resurrection of a genre that rapidly became one of the most readily recognized cultural signifiers of the perestroika era and which continues to reflect and codify Russian culture. During their initial heyday in the 1980s, rock films were influenced by and encouraged the cultural shifts of perestroika and the incipient political storm. Today, Safariants argues, the reemergence and reconfiguration of the genre indicates the extent to which Soviet-era cultural emblems inform Russian national identity and obliquely support the current political repression under Putin.
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cover of Stalin: An Unknown Portrait

Stalin

An Unknown Portrait

Miklós Kun

Central European University Press, 2003

This exceptional volume contains exciting new information about Stalin's actual and political "family", the Kremlin Mafia and the clans around him. The author has interviewed key politicians who survived the Stalin era, including officials of the KGB and the Party, as well as people who had personal contact with the dictator as secretaries or interpreters. Kun's special expertise and his access to archival sources in Russia have resulted in a work revealing jealously guarded secrets. In addition to the interviews and hitherto unpublished correspondence between Stalin, Molotov, Voroshilov, Mikoyan, Zhdanov and others, the book also contains a fascinating collection of over 300 photos of Stalin, his family members, and various political actors of the period. Extensive notes, a bibliography, and an index of names add to the value of the volume.
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cover of The Actor’s Revolution: Art and Politics at the Moscow Kamerny Theatre

The Actor’s Revolution

Art and Politics at the Moscow Kamerny Theatre

Dassia N. Posner

Northwestern University Press, 2027

Reclaims the lost history of one of the twentieth century’s most innovative theaters

The Moscow Kamerny Theatre created stage worlds of movement, color, and light. Cofounded in 1914 by Alexander Tairov, a Jewish director from Ukraine, and Alisa Koonen, a Moscow-born actress from an immigrant family, the company celebrated the actor’s virtuosic inventiveness during an era when most theaters imitated daily life or prioritized the autocratic director’s vision. By the 1920s, it had become the most famous Soviet theater in the world, renowned for its actors’ acrobatic grace, its bold collaborations with avant-garde artists, and its revolutionary redefinition of what theater can be. But the accusations of Soviet disloyalty that were used to destroy the Kamerny during Stalin’s post–World War II antisemitic purge have rendered it little known outside Russia today and frequently misunderstood even there.

The Actor’s Revolution vividly reclaims this lost history by reconstructing the theater’s most illustrious premieres, analyzing them within the turbulent artistic and political context of the early Soviet era. Drawing on a decade of archival research, Dassia N. Posner restores Tairov’s legacy as one of history’s most significant directors and celebrates Koonen’s liberatory creative expressiveness as a vital alternative to Konstantin Stanislavsky’s better-known acting system. Building on rich archival sources, from unpublished memoirs to vibrant scenic and costume designs, this timely volume grapples with the entangled histories of art, politics, and erasure and celebrates the radical power of human creativity under—and in spite of—totalitarianism.

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cover of The Moiseyev Dance Company Tours America: "Wholesome" Comfort during a Cold War

The Moiseyev Dance Company Tours America

"Wholesome" Comfort during a Cold War

Victoria Hallinan

University of Massachusetts Press, 2023

During the Cold War, dancers and musicians from the United States and the USSR were drawn into the battle for hearts and minds, crossing the Iron Curtain to prove their artistic and ideological prowess. After the passage of the Lacy-Zarubin Agreement, direct cultural exchange between the two superpowers opened up, and the Moiseyev Dance Company arrived in the United States in 1958. The first Soviet cultural representatives to tour America, this folk-dance troupe’s repertoire included dances from territories controlled or influenced by the USSR, including Uzbekistan, Crimea, and Poland.

Drawing on contemporary personal and published accounts, Victoria Hallinan explores why the dancers garnered overwhelming acclaim during their multicity tour and Ed Sullivan Show appearance. The “boy-meets-girl” love stories of the dances, and their idealized view of multiple Soviet cultures living together in harmony, presented a comforting image of post–World War II gender norms and race relations for audiences. Americans saw the dancers—their supposed enemies—as humans rather than agents of communist contagion.

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cover of The Russia That We Have Lost

The Russia That We Have Lost

Pavel Khazanov

University of Wisconsin Press, 2023

In 1917, Bolshevik revolutionaries overthrew the tsar of Russia and established a new, communist government, one that viewed the Imperial Russia of old as a righteously vanquished enemy. And yet, as Pavel Khazanov shows, after the collapse of Stalinism, a reconfiguration of Imperial Russia slowly began to emerge, recalling the culture of tsarist Russia not as a disgrace but as a glory, a past to not only remember but to recover, and to deploy against what to many seemed like a discredited socialist project.

Khazanov’s careful untangling of this discourse in the late Soviet period reveals a process that involved figures of all political stripes, from staunch conservatives to avowed intelligentsia liberals. Further, Khazanov shows that this process occurred not outside of or in opposition to Soviet guidance and censorship, but in mainstream Soviet culture that commanded wide audiences, especially among the Soviet middle class. Excavating the cultural logic of this newly foundational, mythic memory of a “lost Russia,” Khazanov reveals why, despite the apparently liberal achievement of the collapse of the Soviet Union in 1991, Boris Yeltsin (and later, Vladamir Putin) successfully steered Russia into oligarchy and increasing autocracy. The anti-Soviet memory of the pre-Soviet past, ironically constructed during the late socialist period, became and remains a politically salient narrative, a point of consensus that surprisingly attracts both contemporary regime loyalists and their would-be liberal opposition.
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cover of The Secret Protocol: The Molotov-Ribbentrop Pact and the Falsification of History

The Secret Protocol

The Molotov-Ribbentrop Pact and the Falsification of History

Antonella Salomoni, Translated by Antony Shugaar

University of Wisconsin Press, 2025

In 1939, the Soviet Union and Germany agreed to a nonaggression treaty named for its signatories, foreign ministers Vyacheslav Molotov and Joachim von Ribbentrop. Kept hidden from the public was an addendum to the Molotov-Ribbentrop Pact, a “secret protocol” whose existence was denied by the Soviet Union until 1992. It defined new borders for German and Soviet spheres of influence, effectively preparing for the partition of Poland, the Baltic states, and Bessarabia. Shortly after signing on August 23, 1939, both the USSR and Nazi Germany invaded Poland. In this volume, Antonella Salomoni scrutinizes this consequential document and its afterlives, focusing predominantly on the discourse that surrounded it.

From the moment of the secret protocol’s inception—and the near-instantaneous rumors of its existence—it generated friction and competing narratives. The document became public during the Nuremberg trials, but the USSR declared it a fabrication evidencing the West’s willingness to falsify history. It continues to be relevant to the reconfiguration of history currently advanced by Vladimir Putin. By centering the rumors, accusations, and propaganda the pact precipitated, Salomoni illuminates how political actors can use and abuse history, how they create and disseminate truths and falsehoods, and how they can blur the boundary between facts and fictions even in the glaring face of black-and-white documentation.
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cover of The Silver Age in Our Home: A Memoir of Russian Literary Life in the 20th Century

The Silver Age in Our Home

A Memoir of Russian Literary Life in the 20th Century

Sophia Bogatyreva

Central European University Press, 2027

Before emigrating to the United States, Sophia Bogatyreva was a prominent literary editor and a part of Moscow and Leningrad literary circles that included Joseph Brodsky, Konstantin Bogatyrev, Korney Chukovsky, Nadezhda Mandelshtam, Lilya Brik and many other celebrities. Her memoirs, written in a brilliantly lucid and humorous style, represent several generations of Soviet literary intelligentsia. Her focus is on those segments of Soviet intelligentsia that preserved their living connections with traditions of modernism and avant-garde despite ideological control and political repressions, while at the same not retreating into the “underground” but rather being well-published and well-read. Bogatyreva’s memoirs convey the complex and multi-layered atmosphere uniting those writers who had to discover ingenious and frequently brilliant ways to use their remarkable talents in the narrow space of the permissible. Angela Brintlinger and Catherine O’Neil’s translation excellently conveys the original style, lucidity and humor of Bogatyreva’s book.

These memoirs read as a significant contribution to scholarship, full of important facts and characterizations. At the same time, they become an original intellectual novel with real-life protagonists seen from the point of view of a child, teenager and young woman. The position of the narrator creates a “defamiliarizing” effect similar to the one about which the Formalists and first and foremost Viktor Shklovsky wrote. However, this powerful effect is “hidden in plain view” – the style of Bogatyreva’s memoirs is strikingly transparent and non-pretentious, which makes her book available even for an unprepared reader.

Mark Lipovetsky, Columbia University
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