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Presenting experimental and boundary-breaking prose from women, people of color, and LGBTQ writers, Behind the Stars, More Stars imagines a more diverse and inclusive Luso-American and Portuguese-American literary scene, which has traditionally been dominated by male voices. Since its first “Writing the Luso Experience” workshops were held in 2011, Dzanc Books's Disquiet International Literary Program in Lisbon has aimed to break silences within today's Luso-American communities. Disquiet faculty Katherine Vaz and Frank X. Gaspar appear alongside up-and-coming writers from the workshops, such as Traci Brimhall, Megan Fernandes, Hugo Dos Santos, and previously unpublished women writers.

Longlisted for the 2022 Kraszna-Krausz Book Award, Moving Image Category

Despite their considerable presence in Hollywood, extras and working actors have received scant attention within film and media studies as significant contributors to the history of the industry. Looking not to the stars but to these supporting players in film, television, and, recently, streaming programming, Below the Stars highlights such actors as precarious laborers whose work as freelancers has critically shaped the entertainment industry throughout the twentieth and twenty-first centuries. By addressing ordinary actors as a labor force, Kate Fortmueller proposes a media industry history that positions underrepresented and quotidian experiences as the structural elements of the culture and business of Hollywood.

Resisting a top-down assessment, Fortmueller explores the wrangling of labor unions and guilds that advocated for collective action for everyday actors and helped shape professional norms. She pulls from archival research, in-person interviews, and firsthand observation to examine a history that cuts across industry boundaries and situates actors as a labor group at the center of industrial and technological upheavals, with lasting implications for race, gender, and labor relations in Hollywood.

An arresting, musical ode to the forgotten voyages and resilient identities of indentured peoples.

Cargo Hold of Stars gives voice to the millions of indentured men and women, mostly from India and China, who were brought to Mauritius between 1849 and 1923. Kept in close quarters in the ship’s cargo hold, many died; most never returned home. Here, Khal Torabully introduces the concept of “Coolitude,” echoing Aimé Césaire’s “Negritude” to imbue the term with profound dignity, pride, and a resilient cultural identity. Stating that ordinary language could not capture these diverse voices, Torabully develops a new “poetics of Coolitude”: a French peppered with Mauritian Creole, brilliant wordplay, and neologisms.

The humor in these linguistic acrobatics only underscores the violence in which these poems are steeped. Deftly translated by Nancy Naomi Carlson, Cargo Hold of Stars is the song of an uprooting, destruction, and reconstruction. Yet it also celebrates setting down roots, conjuring an ideal homeland of fraternity and reconciliation in which bodies, memories, and languages mingle—a compelling odyssey defining the essence of humankind.

"I hadn't, till I really started digging, gauged the fierce intensity of the need for myth in the human psyche, of any age, or sensed the variety of motives dictating that need," writes Peter Green in the introduction to this wide-ranging collection of essays on classical mythology and the mythic experience. Using the need for myth as the starting point for exploring a number of topics in Greek mythology and history, Green advances new ideas about why the human urge to make myths persists across the millennia and why the borderland between mythology and history can sometimes be hard to map.

Green looks at both specific problems in classical mythology and larger theoretical issues. His explorations underscore how mythic expression opens a door into non-rational and quasi-rational modes of thought in which it becomes possible to rewrite painful truths and unacceptable history—which is, Green argues, a dangerous enterprise. His study of the intersections between classical mythology and Greek history ultimately drives home a larger point, "the degree of mythification and deception (of oneself no less than of others) of which the human mind is capable."

Willard’s love of music combines with his love and respect for the natural world. Often rooted in, or coming out of, domestic encounters, the poems of this collection rise up (much like the clouds over his oft-traversed Rockies), as the speaker throws his attention to earth and sky, better to understand his own dynamic and shifting inner weather.

A Chicagoan’s coming-of-age memoir finds courage in the face of immense loss

In her early twenties, Maggie Andersen was a founding ensemble member of Chicago’s storied Gift Theatre with her then-boyfriend, Michael Patrick Thornton. But after a series of spinal strokes left Thornton paralyzed, Andersen made the heart-wrenching decision to leave him, along with their growing company and, later, her beloved city. No Stars in Jefferson Park alternates between two narratives: the energy and excitement of making art in Chicago’s thriving storefront theater scene and the devastating day-to-day realities of rehabilitation and rebuilding—and somewhere in the middle finding the courage to choose yourself.

Over the past twenty-plus years, the Gift—now performing in the working-class neighborhood of Portage Park—has become one of the most vital storefront theaters in Chicago, with Thornton’s career taking him to Hollywood and Broadway. But Andersen’s story has brought her back home. No Stars in Jefferson Park is a testament to lifelong friendship, a love letter to Chicago, and a profound coming-of-age story about the pain and necessity of putting yourself first.

An hourly guide that tracks twenty-four stars, stellar clusters, and constellations across the sky to reveal their luminous lives and lore.

Over the course of a day, the constellations slowly shift, rising in the east and setting in the west, due to Earth’s rotation. A full turn of the celestial sphere, that bowl above us where the stars seemingly appear fixed to the surface, is completed once every twenty-four hours. In fact, the stars inspired the twenty-four-hour day, and one star, our Sun, rules the circadian rhythms of all life on our planet. This short book sweeps through the celestial sphere hour by hour, introducing a remarkable cast of stellar characters with each chapter. Celebrated science writer Marcia Bartusiak and mathematician Stephen Lowe blend practical astronomy with fascinating history to share unique cosmological stories.  

This husband and wife team explain that observers have long split the sky into twenty-four hours of right ascension—a celestial equivalent of longitude and a universal scheme for locating cosmological objects. Each chapter of Star Day presents a single right ascension hour, from the stellar death of S Andromedae (zeroth hour)—an explosion that helped reveal the size of the universe—to Scheat (twenty-third hour), an aging red giant. Twice the mass of the Sun and some 1,500 times as bright, Scheat sometimes guides amateur astronomers to distant galaxies. In between, we learn about humans’ pole star, Polaris (second hour), and meet the supermassive black hole at the center of our Milky Way galaxy (seventeenth hour). By the end of our star day, we will appreciate both our own stellar origins and the fragile and deep connections between human civilizations and the ever-changing heavens. Star Day reminds us that wonder and discovery are easily available, all for the simple price of looking up.

For each chapter, artist Matthew Green has depicted these stellar scenes with entrancing pen-and-ink drawings. Working together to narrate and illustrate these stars' stories, Bartusiak, Lowe, and Green have created an engaging read that is a perfect way to spend an hour or two—and a true gift to both seasoned skywatchers and curious beginners. 

The inside account of how astronomers were able to build the world’s largest observatories on Hawai‘i’s most revered mountain.

In July 2019, a demonstration erupted on Hawai‘i Island to prevent the construction of the Thirty Meter Telescope, which, if built, would be one of the largest and most advanced ground-based telescopes in the world. For months, thousands of people camped on the access road leading to the proposed location: Mauna Kea, a dormant volcano, the highest point in Hawai‘i, and a sacred site for Native Hawaiians. The standoff in 2019 was not the first. For decades, activists had resisted attempts to build the TMT and its predecessors. Even so, many astronomers were startled by opposition to the TMT and the discoveries it promised. Astronomers were focused on the stars; Native Hawaiians and environmentalists were concerned about not only the sky, but also the land.

The Stars of Mauna Kea traces the history of astronomy on Hawai‘i Island, shedding new light on why scientists were granted access to the volcano in the first place. Beginning in 1959, when Hawai‘i became the fiftieth US state, it chronicles the ways astronomers benefited from Hawai‘i’s colonial past to gain free and exclusive land use rights on what had long been the archipelago’s most revered mountain. Drawing on unprecedented archival research and extensive interviews, Pascal Marichalar carefully charts the course of astronomical development on Mauna Kea. He describes the devastating tsunami that led a local businessman to contact scientists just as a renowned astronomer was scouting for places to observe the stars; the controversial authority the University of Hawai‘i assumed over the volcano after 1964; the environmental opposition to the first large international project, the Canada-France-Hawai‘i Telescope; and the resistance to telescope development that became a major focus of the Hawaiian sovereignty movement. Marichalar introduces readers to scientists working on Mauna Kea, as well as the people living in the mountain’s shadow, including key opposition figures involved in recent events.

Like the dark matter that holds together rotating galaxies, the colonial forces that have shaped Hawai‘i exert a gravitational pull on the science undertaken on the volcano’s summit. The Stars of Mauna Kea brings readers inside an ongoing debate over the morality of scientific research conducted on contested ground.