234 books match the query 'Technological innovations' and 23 start with a

cover of A Century of Brazilian Documentary Film: From Nationalism to Protest

A Century of Brazilian Documentary Film

From Nationalism to Protest

Darlene J. Sadlier

University of Texas Press, 2022

Since the late nineteenth century, Brazilians have turned to documentaries to explain their country to themselves and to the world. In a magisterial history covering one hundred years of cinema, Darlene J. Sadlier identifies Brazilians’ unique contributions to a diverse genre while exploring how that genre has, in turn, contributed to the making and remaking of Brazil.

A Century of Brazilian Documentary Film is a comprehensive tour of feature and short films that have charted the social and political story of modern Brazil. The Amazon appears repeatedly and vividly. Sometimes—as in a prize-winning 1922 feature—the rainforest is a galvanizing site of national pride; at other times, the Amazon has been a focus for land-reform and Indigenous-rights activists. Other key documentary themes include Brazil’s swings from democracy to dictatorship, tensions between cosmopolitanism and rurality, and shifting attitudes toward race and gender. Sadlier also provides critical perspectives on aesthetics and media technology, exploring how documentaries inspired dramatic depictions of poverty and migration in the country’s Northeast and examining Brazilians’ participation in streaming platforms that have suddenly democratized filmmaking.

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cover of A Critical History of Poverty Finance: Colonial Roots and Neoliberal Failures

A Critical History of Poverty Finance

Colonial Roots and Neoliberal Failures

Nick

Pluto Press, 2022

A comprehensive historical tracing of how the contemporary finance-poverty-development nexus emerged.

'The definitive account of the history of poverty finance' - Susanne Soederberg

Finance, mobile, and digital technologies - or 'fintech' - are being heralded in the world of development by the likes of the IMF and World Bank as a silver bullet in the fight against poverty. But should we believe the hype?

A Critical History of Poverty Finance demonstrates how newfangled 'digital financial inclusion' efforts suffer from the same essential flaws as earlier iterations of neoliberal 'financial inclusion.' Relying on artificially created markets that simply aren't there among the world's most disadvantaged economic actors, they also reinforce existing patterns of inequality and uneven development, many of which date back to the colonial era.

Bernards offers an astute analysis of the current fintech fad, contextualized through a detailed colonial history of development finance, that ultimately reveals the neoliberal vision of poverty alleviation for the pipe dream it is.

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cover of A Dirty History of Photography: Chemistry, Fog, and Empire

A Dirty History of Photography

Chemistry, Fog, and Empire

Michelle Henning

University of Chicago Press, 2025

An environmental history of chemical photography through the lens of its deep connections to empire and industry.
 
Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Michelle Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water.
 
Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.
 
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cover of A Few Good Books

A Few Good Books

Stephanie L. Maatta

American Library Association, 2010

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cover of A New Map of Wonders: A Journey in Search of Modern Marvels

A New Map of Wonders

A Journey in Search of Modern Marvels

Caspar Henderson

University of Chicago Press, 2017

We live in a world that is known, every corner thoroughly explored. But has this knowledge cost us the ability to wonder? Wonder, Caspar Henderson argues, is at its most supremely valuable in just such a world because it reaffirms our humanity and gives us hope for the future. That’s the power of wonder, and that’s what we should aim to cultivate in our lives. But what are the wonders of the modern world?

Henderson’s brilliant exploration borrows from the form of one of the oldest and most widely known sources of wonder: maps. Large, detailed mappae mundi invited people in medieval Europe to vividly imagine places and possibilities they had never seen before: manticores with the head of a man, the body of a lion, and the stinging tail of a scorpion; tribes of one-eyed men who fought griffins for diamonds; and fearsome Scythian warriors who drank the blood of their enemies from their skulls. As outlandish as these maps and the stories that went with them sound to us today, Henderson argues that our views of the world today are sometimes no less incomplete or misleading. Scientists are only beginning to map the human brain, for example, revealing it as vastly more complex than any computer we can conceive. Our current understanding of physical reality is woefully incomplete. A New Map of Wonders explores these and other realms of the wonderful, in different times and cultures and in the present day, taking readers from Aboriginal Australian landscapes to sacred sites in Great Britain, all the while keeping sight questions such as the cognitive basis of wonder and the relationship between wonder and science.
           
Beautifully illustrated and written with wit and moral complexity, this sequel to The Book of Barely Imagined Beings is a fascinating account of the power of wonder and an unforgettable meditation on its importance to our future.
 
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cover of A Small World: Smart Houses and the Dream of the Perfect Day

A Small World

Smart Houses and the Dream of the Perfect Day

Davin Heckman

Duke University Press, 2007

Conceived in the 1960s, Walt Disney’s original plans for his Experimental Prototype Community of Tomorrow (EPCOT) outlined a utopian laboratory for domestic technology, where families would live, work, and play in an integrated environment. Like many of his contemporaries, Disney imagined homes that would attend to their inhabitants’ every need, and he regarded the home as a site of unending technological progress. This fixation on “space-age” technology, with its promise of domestic bliss, marked an important mid-twentieth-century shift in understandings of the American home. In A Small World, Davin Heckman considers how domestic technologies that free people to enjoy leisure time in the home have come to be understood as necessary parts of everyday life.

Heckman’s narrative stretches from the early-twentieth-century introduction into the home of electric appliances and industrial time-management techniques, through the postwar advent of television and the space-age “house of tomorrow,” to the contemporary automated, networked “smart home.” He considers all these developments in relation to lifestyle and consumer narratives. Building on the tension between agency and control within the walls of homes designed to anticipate and fulfill desires, Heckman engages debates about lifestyle, posthumanism, and rights under the destabilizing influences of consumer technologies, and he considers the utopian and dystopian potential of new media forms. Heckman argues that the achievement of an environment completely attuned to its inhabitants’ specific wants and needs—what he calls the “Perfect Day”—institutionalizes everyday life as the ultimate consumer practice.

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cover of AIoT Technologies and Applications for Smart Environments

AIoT Technologies and Applications for Smart Environments

Mamoun Alazab

The Institution of Engineering and Technology, 2022

Although some IoT systems are built for simple event control where a sensor signal triggers a corresponding reaction, many events are far more complex, requiring applications to interpret the event using analytical techniques to initiate proper actions. Artificial intelligence of things (AIoT) applies intelligence to the edge and gives devices the ability to understand the data, observe the environment around them, and decide what to do best with minimum human intervention. With the power of AI, AIoT devices are not just messengers feeding information to control centers. They have evolved into intelligent machines capable of performing self-driven analytics and acting independently. A smart environment uses technologies such as wearable devices, IoT, and mobile internet to dynamically access information, connect people, materials and institutions, and then actively manages and responds to the ecosystem's needs in an intelligent manner.
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cover of Accelerating Energy Innovation: Insights from Multiple Sectors

Accelerating Energy Innovation

Insights from Multiple Sectors

Edited by Rebecca M. Henderson and Richard G. Newell

University of Chicago Press, 2011

Accelerating energy innovation could be an important part of an effective response to the threat of climate change. Written by a stellar group of experts in the field, this book complements existing research on the subject with an exploration of the role that public and private policy have played in enabling—and sustaining—swift innovation in a variety of industries, from agriculture and the life sciences to information technology. Chapters highlight the factors that have determined the impact of past policies, and suggest that effectively managed federal funding, strategies to increase customer demand, and the enabling of aggressive competition from new firms are important ingredients for policies that affect innovative activity.

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cover of Acquisitions: Core Concepts and Practices

Acquisitions

Core Concepts and Practices

Jesse Holden

American Library Association, 2016

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cover of Adapting Performance Between Stage and Screen

Adapting Performance Between Stage and Screen

Victoria Lowe

Intellect Books, 2020

Provides a new foundation for discussions about theater, film, and translations between the two mediums.

Adapting Performance Between Stage and Screen provides an introduction to adaptations between theater and film, establishing a framework for considering these as distinct from literary adaptation. The book places emphasis on performance and event, opening new avenues of exploration to include non-literary issues such as the treatment of space and place, mis en scène, acting styles, and star personas. The recent growth of digital theater is examined to foreground the “events” of theater and cinema—largely ignored in adaptation studies—with phenomena such as National Theatre Live analyzed for the different ways that “liveness” is adapted.

Drawing from case studies that explore distinct periods in British film and theater history, the volume looks at issues surrounding theatrical naturalism and cinematic realism and illustrates the principle that adaptations can't be divorced from the historical and cultural moment in which they are produced. Adapting Performance Between Stage and Screen explores how cultural values can be articulated in the act of translating between media, providing a new framework for the discussion of theater and film as dramatic works.

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cover of All Edge: Inside the New Workplace Networks

All Edge

Inside the New Workplace Networks

Clay Spinuzzi

University of Chicago Press, 2015

Work is changing. Speed and flexibility are more in demand than ever before thanks to an accelerating knowledge economy and sophisticated communication networks. These changes have forced a mass rethinking of the way we coordinate, collaborate, and communicate. Instead of projects coming to established teams, teams are increasingly converging around projects. These “all-edge adhocracies” are highly collaborative and mostly temporary, their edge coming from the ability to form links both inside and outside an organization. These nimble groups come together around a specific task, recruiting personnel, assigning roles, and establishing objectives. When the work is done they disband their members and take their skills to the next project.

Spinuzzi offers for the first time a comprehensive framework for understanding how these new groups function and thrive. His rigorous analysis tackles both the pros and cons of this evolving workflow and is based in case studies of real all-edge adhocracies at work. His provocative results will challenge our long-held assumptions about how we should be doing work.
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cover of Alternative Realities

Alternative Realities

Carl Plantinga

Rutgers University Press, 2021

From their very inception, movies have served two seemingly contradictory purposes. On one hand, they transport us to fantastical worlds and display mind-boggling special effects. On the other, they can document actual events and immerse us in scenarios that feel so realistic, we might forget we are watching a work of fiction. 
 
Alternative Realities explores how these distinctions between cinematic fantasy and filmic realism are more porous than we might think. Through a close analysis of CGI-heavy blockbusters like Wonder Woman and Guardians of the Galaxy, it considers how even popular fantasies are grounded in emotional and social realities. Conversely, it examines how mockumentaries like This is Spinal Tap satirically call attention to the highly stylized techniques documentarians use to depict reality.
 
Alternative Realities takes us on a journey through many different genres of film, from the dream-like and subjective realities depicted in movies like Eternal Sunshine of the Spotless Mind and Memento, to the astonishing twists of movies like Shutter Island and The Matrix, which leave viewers in a state of epistemic uncertainty. Ultimately, it shows us how the power of cinema comes from the unique way it fuses together the objective and the subjective, the fantastical and the everyday.
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cover of Analog Hunger in a Digital World: Confronting Today's Identity Crisis

Analog Hunger in a Digital World

Confronting Today's Identity Crisis

Paul Vitz

St. Augustine's Press, 2024

Renowned psychologist Paul Vitz addresses the troubling fact that scientific progress is no longer making human beings happy. In fact, the reverse trend is taking hold: individuals are more distressed and struggle with overwhelming confusion regarding personal identity and the meaningfulness of life as technology makes daily life more 'manageable.' Vitz asserts there is a noteworthy connection between the sense of personal identity and flourishing, and the connection between well-being and technological progress has been largely severed because 'progress' in this sense encourages various ways 'losing sight of oneself.'

Vitz argues that the "special digital way in which technology is destroying our well-being will require some new vocabulary… [while] making the case that analog experience is the only reliable source of meaning in our lives and that its loss has led to the growth of meaninglessness and especially to the loss of [personal identity."  This book is written for those who are enthralled by the digital realm and tech advancements, but also for those who are affected by contemporary crises in culture and identity. Vitz's approach is far-reaching and concise. "After describing the nature of analog and digital codes in chapters 1 and 2, I then note the great importance of the right and left brain hemispheres to analog and digital differences in chapters 3 and 4. Chapter 5 introduces the cultural crisis of today as analog hunger in a digital world. Chapters 6 and 7 identify the problem as extreme uncontrolled digitalism, with a focus on transhumanism. Chapter 8 presents ways to recover analog life and chapter 9 makes clear we need both codes. Chapter 10 provides a solution involving the integration of the two codes in the service of the analog from a distinctly religious perspective."
 
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cover of Analog Superpowers: How Twentieth-Century Technology Theft Built the National Security State

Analog Superpowers

How Twentieth-Century Technology Theft Built the National Security State

Katherine C. Epstein

University of Chicago Press, 2024

A gripping history that spans law, international affairs, and top-secret technology to unmask the tension between intellectual property rights and national security.
 
At the beginning of the twentieth century, two British inventors, Arthur Pollen and Harold Isherwood, became fascinated by a major military question: how to aim the big guns of battleships. These warships—of enormous geopolitical import before the advent of intercontinental missiles or drones—had to shoot in poor light and choppy seas at distant moving targets, conditions that impeded accurate gunfire. Seeing the need to account for a plethora of variables, Pollen and Isherwood built an integrated system for gathering data, calculating predictions, and transmitting the results to the gunners. At the heart of their invention was the most advanced analog computer of the day, a technological breakthrough that anticipated the famous Norden bombsight of World War II, the inertial guidance systems of nuclear missiles, and the networked “smart” systems that dominate combat today. Recognizing the value of Pollen and Isherwood’s invention, the British Royal Navy and the United States Navy pirated it, one after the other. When the inventors sued, both the British and US governments invoked secrecy, citing national security concerns.
 
Drawing on a wealth of archival evidence, Analog Superpowers analyzes these and related legal battles over naval technology, exploring how national defense tested the two countries’ commitment to individual rights and the free market. Katherine C. Epstein deftly sets out Pollen’s and Isherwood’s pioneering achievements, the patent questions raised, the geopolitical rivalry between Britain and the United States, and the legal precedents each country developed to control military tools built by private contractors.
 
Epstein’s account reveals that long before the US national security state sought to restrict information about atomic energy, it was already embroiled in another contest between innovation and secrecy. The America portrayed in this sweeping and accessible history isn’t yet a global hegemon but a rising superpower ready to acquire foreign technology by fair means or foul—much as it accuses China of doing today.
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cover of Applying Library Values To Emerging Technology: Pub #72

Applying Library Values To Emerging Technology

Pub #72

Peter D. Fernandez

Assoc of College & Research Libraries, 2018

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cover of Architecture, Means and Ends

Architecture, Means and Ends

Vittorio Gregotti

University of Chicago Press, 2010

Vittorio Gregotti—the architect of Barcelona’s Olympic Stadium, Milan’s Arcimboldi Opera Theater, and Lisbon’s Centro Cultural de Belém, among many other noted constructions—is not only a designer of international repute but an acclaimed theorist and critic. Architecture, Means and Ends is his practical and imaginative reflection on the role of the technical aspects of architectural design, both as part of the larger process of innovation and in relation to the mythic opposition between vision and construction.

Interweaving the seemingly irreconcilable concerns of aesthetics, meaning, and construction,  Architecture, Means and Ends reflects Gregotti’s overarching claim that buildings always have a symbolic, cultural content. In this book, he argues that by making symbolic expression a primary objective in the design of a project, the designer will produce a practical aesthetic as well as an ethical solution. Architecture, Means and Ends embraces that philosophy and will appeal to those, like Gregotti, working at the intersections of the history of design, art criticism, and architectural theory.

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cover of Arms and Innovation: Entrepreneurship and Alliances in the Twenty-First Century Defense Industry

Arms and Innovation

Entrepreneurship and Alliances in the Twenty-First Century Defense Industry

James Hasik

University of Chicago Press, 2008

With many of the most important new military systems of the past decade produced by small firms that won competitive government contracts, defense-industry consultant James Hasik argues in Arms and Innovation that small firms have a number of advantages relative to their bigger competitors. Such firms are marked by an entrepreneurial spirit and fewer bureaucratic obstacles, and thus can both be more responsive to changes in the environment and more strategic in their planning. This is demonstrated, Hasik shows, by such innovation in military technologies as those that protect troops from roadside bombs in Iraq and the Predator drones that fly over active war zones and that are crucial to our new war on terror.

For all their advantages, small firms also face significant challenges in access to capital and customers. To overcome such problems, they can form alliances either with each other or with larger companies. Hasik traces the trade-offs of such alliances and provides crucial insight into their promises and pitfalls.

This ground-breaking study is a significant contribution to understanding both entrepreneurship and alliances, two crucial factors in business generally. It will be of interest to readers in the defense sector as well as the wider business community.
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cover of Artificial Intelligence for Biometrics and Cybersecurity: Technology and applications

Artificial Intelligence for Biometrics and Cybersecurity

Technology and applications

Ahmed A. Abd El-Latif

The Institution of Engineering and Technology, 2023

The integration of new technologies is resulting in an increased demand for security and authentication in all types of data communications. Cybersecurity is the protection of networks and systems from theft. Biometric technologies use unique traits of particular parts of the body such facial recognition, iris, fingerprints and voice to identify individuals' physical and behavioural characteristics. Although there are many challenges associated with extracting, storing and processing such data, biometric and cybersecurity technologies along with artificial intelligence (AI) are offering new approaches to verification procedures and mitigating security risks.
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cover of Asian American Connective Action in the Age of Social Media: Civic Engagement, Contested Issues, and Emerging Identities

Asian American Connective Action in the Age of Social Media

Civic Engagement, Contested Issues, and Emerging Identities

James S. Lai

Temple University Press, 2022

Social media provides ethno-racial immigrant groups—especially those who cannot vote due to factors such as lack of citizenship and limited English proficiency—the ability to mobilize and connect around collective issues. Online spaces and discussion forums have encouraged many Asian Americans to participate in public policy debates and take action on social justice issues. This form of digital group activism serves as an adaptive political empowerment strategy for the fastest-growing and largest foreign-born population in America. Asian American Connective Action in the Age of Social Media illuminates how associating online can facilitate and amplify traditional forms of political action.  

James Lai provides diverse case studies on contentious topics ranging from affirmative action debates to textbook controversies to emphasize the complexities, limitations, and challenges of connective action that is relevant to all racial groups. Using a detailed multi-methods approach that includes national survey data and Twitter hashtag analysis, he shows how traditional immigrants, older participants, and younger generations create online consensus and mobilize offline to foment political change. In doing so, Lai provides a nuanced glimpse into the multiple ways connective action takes shape within the Asian American community.

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cover of Assembly Codes: The Logistics of Media

Assembly Codes

The Logistics of Media

Matthew Hockenberry, Nicole Starosielski, and Susan Zieger, editors

Duke University Press, 2021

The contributors to Assembly Codes examine how media and logistics set the conditions for the circulation of information and culture. They document how logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—has substantially impacted the production, distribution, and consumption of media. At the same time, physical media, such as paperwork, along with media technologies ranging from phone systems to software are central to the operations of logistics. The contributors interrogate topics ranging from the logistics of film production and the construction of internet infrastructure to the environmental impact of the creation, distribution, and sale of vinyl records. They also reveal how logistical technologies have generated new aesthetic and performative practices. In charting the specific points of contact, dependence, and friction between media and logistics, Assembly Codes demonstrates that media and logistics are co-constitutive and that one cannot be understood apart from the other.

Contributors
Ebony Coletu, Kay Dickinson, Stefano Harney, Matthew Hockenberry, Tung-Hui Hu, Shannon Mattern, Fred Moten, Michael Palm, Ned Rossiter, Nicole Starosielski, Liam Cole Young, Susan Zieger
 
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cover of Assessing Liaison Librarians: Documenting Impact For

Assessing Liaison Librarians

Documenting Impact For

Daniel Mack

American Library Association, 2014

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cover of Assessing Liaison Librarians: Documenting Impact for Positive Change

Assessing Liaison Librarians

Documenting Impact for Positive Change

Daniel C. Mack

Assoc of College & Research Libraries, 2014

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cover of Atmospheric Things: On the Allure of Elemental Envelopment

Atmospheric Things

On the Allure of Elemental Envelopment

Derek P. McCormack

Duke University Press, 2018

In Atmospheric Things Derek P. McCormack explores how atmospheres are imagined, understood, and experienced through experiments with a deceptively simple object: the balloon. Since the invention of balloon flight in the late eighteenth century, balloons have drawn crowds at fairs and expositions, inspired the visions of artists and writers, and driven technological development from meteorology to military surveillance. By foregrounding the distinctive properties of the balloon, McCormack reveals its remarkable capacity to disclose the affective and meteorological dimensions of atmospheres. Drawing together different senses of the object, the elements, and experience, McCormack uses the balloon to show how practices and technologies of envelopment allow atmospheres to be generated, made meaningful, and modified. He traces the alluring entanglement of envelopment in artistic, political, and technological projects, from the 2009 Pixar movie Up and Andy Warhol’s 1966 installation Silver Clouds to the use of propaganda balloons during the Cold War and Google's experiments with delivering internet access with stratospheric balloons. In so doing, McCormack offers new ways to conceive of, sense, and value the atmospheres in which life is immersed.
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