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9 books match the query 'Twenty-first century'

cover of A Civil Economy: Transforming the Marketplace in the Twenty-First Century

A Civil Economy

Transforming the Marketplace in the Twenty-First Century

Severyn T. Bruyn

University of Michigan Press, 2000

A civil society is one in which a democratic government and a market economy operate together. The idea of the civil economy--encompassing a democratic government and a market economy--presumes that people can solve social problems within the market itself. This book explores the relationship between the two, examining the civil underpinnings of capitalism and investigating the way a civil economy evolves in history and is developed for the future by careful planning.
Severyn T. Bruyn describes how people in three sectors--government, business, and the Third Sector (nonprofits and civil groups)--can develop an accountable, self-regulating, profitable, humane, and competitive system of markets that could be described as a civil economy. He examines how government officials can organize markets to reduce government costs; how local leaders deal with global corporations that would unfairly exploit their community resources; and how employees can become coparticipants in the development of human values in markets.
A Civil Economy is oriented to interdiciplinary studies of the economy, assisting scholars in diverse fields, such as business management, sociology, political science, and economics, in developing a common language to examine civic problems in the marketplace.
As an undergraduate text, it evokes a mode of thought about the development of a self-accountable system of markets. Students learn to understand how the market economy becomes socially accountable and self-reliant, while remaining productive, competitive, and profitable.
Sveryn T. Bruyn is Professor of Sociology, Boston College.
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cover of A Short History of the Future

A Short History of the Future

W. Warren Wagar

University of Chicago Press, 1992

A dazzling and imaginative combination of fiction and scholarship, this speculative history of the future is a memoir of postmodern times. This second edition shows how the events of 1989 and their aftermath reinforce Wagar's predictions of the future. "A breathtaking future history in the manner of Wells and Stapledon, unnerving in its mixture of facts, fiction, and personal perspectives."—George Zebrowski, New York Review of Science Fiction
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cover of A Short History of the Future

A Short History of the Future

W. Warren Wagar

University of Chicago Press, 1999

W. Warren Wagar's A Short History of the Future is a memoir of postmodern times, cast as a history. This powerful and visionary book is narrated by a far-future historian, Peter Jensen, who leaves this account of the world from the 1990s to the opening of the twenty-third century as a gift to his granddaughter. A combination of fiction and scholarship, this third edition of Wagar's speculative history of the future alternates between descriptions of world events and intimate glimpses of his fictive historian's family into the first centuries of the new millennium.

"Thanks to Wagar's magisterial command of futurist information and theory, his extrapolated near-term future is an incisive, dynamic vision of where we may indeed be heading."—H. Bruce Franklin, Washington Post

"A comprehensive, massively detailed script of a possible near future. . . . Intriguing."—San Francisco Chronicle

"A Short History of the Future reads with ease, raises provocative possibilities and presents challenging occasions for thought and argument."—Chicago Tribune

"A breathtaking future history in the manner of Wells and Stapledon, unnerving in its mixture of fact, fiction, and personal perspectives."—George Zebrowski, New York Review of Science Fiction
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cover of A Short History of the Future

A Short History of the Future

W. Warren Wagar

University of Chicago Press, 1989

In the tradition of H. G. Wells's The Shape of Things to Come, W. Warren Wagar's A Short History of the Future is a memoir of postmodern times. Cast in the form of a history book, the narrative voice of the book's powerful vision is that of a far-future historian, Peter Jensen, who leaves this account of the world from the 1990s to the opening of the twenty-third century as a gift to his granddaughter. A dazzling and imaginative combination of fiction and scholarship, Wagar's speculative history of the future alternates between descriptions of world events and intimate glimpses of his fictive historian's family through the ages.

Jensen's tale traces the flow of the future from the early twenty-first-century reign of a megacorporate global economy, to its sudden collapse in 2044, when nuclear catastrophe envelops the world. In the traumatic aftermath, a socialist world commonwealth comes into being in the year 2062, followed by a lengthy transition to a decentralized order of technologically mature autonomous societies, many located in outer space. The riveting literary interludes that follow each chapter take the form of letters and documents from the history of Jensen's family, evoking the everyday lives of people in the midst of these global-historical events. Here we meet a woman in Brazil whose son is dying from a new immuno-deficiency disease, two brothers comparing life on earth with life in a space colony, and many more.

Neither fiction nor nonfiction, Wagar's brilliantly creative work is not meant to forecast the future, but rather to draw attention to possibilities and alternatives for humankind and planet Earth. In doing so, it also serves as an unforgettable reminder that the future is being made now.
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cover of Composition in the Twenty-First Century: Crisis and Change

Composition in the Twenty-First Century

Crisis and Change

Edited by Lynn Z. Bloom, Donald A. Daiker, and Edward M. White

Southern Illinois University Press, 1997

The essays in this book, stemming from a national conference of the same name, focus on the single subject required of nearly all college students—composition.

Despite its pervasiveness and its significance, composition has an unstable status within the curriculum. Writing programs and writing faculty are besieged by academic, political, and financial concerns that have not been well understood or addressed.

At many institutions, composition functions paradoxically as both the gateway to academic success and as the gatekeeper, reducing access to academic work and opportunity for those with limited facility in English. Although writing programs are expected to provide services that range from instruction in correct grammar to assisting—or resisting—political correctness, expanding programs and shrinking faculty get caught in the crossfire. The bottom line becomes the firing line as forces outside the classroom determine funding and seek to define what composition should do.

In search of that definition, the contributors ask and answer a series of specific and salient questions: What implications—intellectual, political, and institutional—will forces outside the classroom have on the quality and delivery of composition in the twenty-first century? How will faculty and administrators identify and address these issues? What policies and practices ought we propose for the century to come?

This book features sixteen position papers by distinguished scholars and researchers in composition and rhetoric; most of the papers are followed by invited responses by other notable compositionists. In all, twenty-five contributors approach composition from a wide variety of contemporary perspectives: rhetorical, historical, social, cultural, political, intellectual, economic, structural, administrative, and developmental. They propose solutions applicable to pedagogy, research, graduate training of composition teachers, academic administration, and public and social policy. In a very real sense, then, this is the only book to offer a map to the future of composition.

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cover of Imagining America in 2033: How the Country Put Itself Together after Bush

Imagining America in 2033

How the Country Put Itself Together after Bush

Herbert J. Gans

University of Michigan Press, 2008

In the spirit of great utopian writing that dares to hope for a better world, Imagining America in 2033 takes place in a fictional yet achievable future America—a time when progressive, liberal ideals inform politics and citizens alike.

At the heart of Herbert J. Gans's utopian narrative is the vision of progress with fairness on which the best of American idealism has been built. Part utopia, part realism, Imagining America in 2033 is also a liberal's dream of life after Bush and a set of progressive yet practical guidelines for restoring sanity and intelligence to nearly every aspect of public and political life post-Bush.

Herbert J. Gans, one of the most influential and prolific sociologists and social commentators of our time, achieves a realistic utopia set mostly in the second and third decades of the century. In Gans's imagined future, elected officials, policymakers, activists, and citizens have transformed America into a much more humane and effective democracy. The book features three Democratic presidents; the major new domestic, foreign, and social policies their administrations pursue; and the political battles they fight.

Gans provides chapters on an exhaustive list of social, political, and economic policy issues: jobs; war; tax reform; global warming; economic, racial, gender, and religious equality; family policies; the creation of affordable housing and energy saving communities; education reform; and more. While hopeful and idealistic, many of Gans's proposals---such as the concept of the nurse-doctor, in which nurses increasingly take on tasks previously handled only by medical doctors within a framework of national health care---are ideas innovative enough that they should be taken seriously by actual policymakers.

Imagining America in 2033 is lively and accessible, with an appeal for general readers, policy hounds, and the politically savvy alike.

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cover of Preview 2001+: Popular Culture Studies in the Future

Preview 2001+

Popular Culture Studies in the Future

Ray B. Browne

University of Wisconsin Press, 1995

The essays in this collection, written by some of the leading scholars in Popular Culture Studies, turn the page on the new millennium to see what are the directions of approach and the opportunities to be gained in recognition of the compelling need for studies in everyday cultures.

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cover of The Fabulous Future?: America and the World in 2040

The Fabulous Future?

America and the World in 2040

Morton Schapiro and Gary Saul Morson

Northwestern University Press, 2015

Will the future be one of economic expansion, greater tolerance, liberating inventions, and longer, happier lives? Or do we face economic stagnation, declining quality of life, and a techno­logically enhanced totalitarianism worse than any yet seen? The Fabulous Future? America and the World in 2040 draws its inspi­ration from a more optimistic time, and tome, The Fabulous Fu­ture: America in 1980, in which Fortune magazine celebrated its twenty-fifth anniversary by publishing the predictions of thought leaders of its time.

In the present volume, the world’s leading specialists from di­verse fields project developments in their areas of expertise, from religion and the media to the environment and nanotechnology. Will we be happier, and what exactly does happiness have to do with our economic future? Where is higher education heading and how should it develop? And what is the future of prediction itself? These exciting essays provoke sharper questions, reflect unexpectedly on one another, and testify to our present anxieties about the surprising world to come.

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cover of The Town of Whispering Dolls: Stories

The Town of Whispering Dolls

Stories

Susan Neville, Foreword by Shelley Jackson

University of Alabama Press, 2020

WINNER OF FC2’S CATHERINE DOCTOROW INNOVATIVE FICTION PRIZE

Stories haunted by the remains of the industrial Midwest, the opioid epidemic, and the technology of war

Located somewhere in the rust belt in the early twenty-first century, residents of the town of Whispering Dolls dream of a fabled and illusory past, even as new technologies reshape their world into something different and deeply strange. Dolls walk down the streets, cradling their empty heads and letting the wind turn them into flutes. A politician heads to Washington, DC, and leaves a toxic underground plume in his wake. A woman eats car parts instead of confronting the children who have forgotten her. A young woman falls in love with the robot who took her job at the candy factory.

In The Town of Whispering Dolls, it is usually the grandmothers and the children who grieve. Feeling invisible, in the story “Here,” a woman who has buried her children looks up at the sky where commercial and military jets fly overhead and tries to express her rage to the rich and powerful: “Keep flying above us in your planes. From one coast to the other, keep right on flying over us! We test your bombs and your beloved warriors. Here. Right here. Look down.”

 

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