WINNER OF FC2’S CATHERINE DOCTOROW INNOVATIVE FICTION PRIZE
 
Stories haunted by the remains of the industrial Midwest, the opioid epidemic, and the technology of war
 
Located somewhere in the rust belt in the early twenty-first century, residents of the town of Whispering Dolls dream of a fabled and illusory past, even as new technologies reshape their world into something different and deeply strange. Dolls walk down the streets, cradling their empty heads and letting the wind turn them into flutes. A politician heads to Washington, DC, and leaves a toxic underground plume in his wake. A woman eats car parts instead of confronting the children who have forgotten her. A young woman falls in love with the robot who took her job at the candy factory.
 
In The Town of Whispering Dolls, it is usually the grandmothers and the children who grieve. Feeling invisible, in the story “Here,” a woman who has buried her children looks up at the sky where commercial and military jets fly overhead and tries to express her rage to the rich and powerful: “Keep flying above us in your planes. From one coast to the other, keep right on flying over us! We test your bombs and your beloved warriors. Here. Right here. Look down.”

 

Susan Neville is professor of creative writing and Demia Butler Chair in English at Butler University. She is author of Invention of Flight: Stories, winner of the Flannery O’Connor Award for Short Fiction, and In the House of Blue Lights, winner of the Richard Sullivan Prize in Short Fiction.

 

“What beauties these stories are. Susan Neville has an imagination not only rich and strange but also very much a moral imagination. How gentle and shocking is her view of what humans have done, and what a find this book is.”
—Joan Silber, author of Improvement
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"In Neville's bracing collection (after In the House of Blue Lights), residents of an unnamed Midwestern rust belt town develop unsettling relationships with dolls. In 'Here,' an older woman who's seen her town ravaged by factory automation and deaths from opioid addiction, describes the appearance of 'a plague of dolls,' humanlike and human-size figures who enter abandoned houses, filling the space of those who have left or died. In 'Resurrection,' one of the strongest stories, elementary school students assigned to take care of egg babies build homes for them in boxes with families peopled by paper dolls and toys from fast food restaurants. Their play-acting becomes eerily realistic when the students begin to worry about their egg children dying; one student opens a hospital for injured eggs and finds herself overwhelmed with patients—eggs, dolls, and the students themselves." —Publishers Weekly


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