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 The Young Adult novel is ordinarily characterized as a coming-of-age story, in which the narrative revolves around the individual growth and maturation of a character, but Roberta Trites expands this notion by chronicling the dynamics of power and repression that weave their way through YA books. Characters in these novels must learn to negotiate the levels of power that exist in the myriad social institutions within which they function, including family, church, government, and school.

Trites argues that the development of the genre over the past thirty years is an outgrowth of postmodernism, since YA novels are, by definition, texts that interrogate the social construction of individuals. Drawing on such nineteenth-century precursors as Little Women and Adventures of Huckleberry Finn, Disturbing the Universe demonstrates how important it is to employ poststructuralist methodologies in analyzing adolescent literature, both in critical studies and in the classroom. Among the twentieth-century authors discussed are Blume, Hamilton, Hinton, Le Guin, L'Engle, and Zindel.

Trites' work has applications for a broad range of readers, including scholars of children's literature and theorists of post-modernity as well as librarians and secondary-school teachers.

Disturbing the Universe: Power and Repression in Adolescent Literature by Roberta Seelinger Trites is the winner of the 2002 Children's Literature Association's Book Award. The award is given annually in order to promote and recognize outstanding contributions to children's literature, history, scholarship, and criticisim; it is one of the highest academic honors that can accrue to an author of children's literary criticism.

There are many ways of understanding the reality of the world we live in and experience. Science, philosophy, art all offer us ample descriptions, explanations and intuitions. But Christian believers go beyond all that, for they attempt to understand the origins of the universe in terms of the creation of the world by God. Revelation tells us what God had in mind when he made the world ex nihilo, without presuppositions of any kind. God’s Gift of the Universe attempts to present the principal elements and stages of creation theology. The doctrine is to be found fundamentally, of course, in Scripture, both Old and New Testament, which describes the world in the light of God’s word. Yet since God actually gave existence to the world, down to the last detail, our reflection on God’s word not only explains the reality of creation, how it works, its nature, as science does. It also explains how creation came into being in the mind and heart of the Triune God, and, ultimately, why God created the world. In God’s Gift of the Universe, a considerable effort has been spent throughout the book on the Christological and Trinitarian aspects of creation, particularly in the theology of Church Fathers. Creation is presented besides in a deeply eschatological key, for God created the world for purpose of making his glory eternally manifest. The book also considers the way God ‘intervenes’ in the life of the created world, through conservation in being and providence. The meaning of time, matter and spirit are considered. The need for ecological awareness is central. One aspect of the mystery of creation that receives special attention is the presence of evil in the world. This is of particular importance once we accept that God made the world, whole and entire, thus assuming responsibility for the world as it is. The origin of evil through the sin of spiritual creatures provides the ultimate though not the only explanation of the mystery of evil. Particular consideration is given to the reality of ‘original sin’.

How to Create a Universe helps you create and understand the universes that you love from books, films, TV series and games. Through ideas, reflections, drawings, conversations, theories and first-hand examples, the book takes the mystery out of universe building and provides new knowledge and methods for understanding and creating content for fictional universes. You can use the methods in the book to develop, conceptualize and devise universes whether you are a game creator, film producer, writer, TV series showrunner, designer, theatre director, artist, researcher, student or educator – or simply enjoy being a curious explorer wishing to understand the creative process of building a fictional universe. The book follows a similar approach to design research by focusing on methods and tools and, not least, interdisciplinary collaboration. Combining approaches from art research and the humanities with media studies and development processes, the book draws on extensive studies of works across different media, including film, TV series, games, computer games, theatre, literature and oral lore. We are inspired by explanations from narrative theory and biological evolution of the human urge to create and delve into fiction and fictive universes. Furthermore, we share the interest in methods, tools and collaboration models that characterizes design thinking.The book’s nine chapters contain insights into the process of universe building from idea to publication; interviews with some of the world’s leading universe thinkers and builders; practical exercises for developing universes across traditional, new and future media formats; and more than 200 drawings and illustrations of models and examples to provide support and inspiration. The authors draw on knowledge and information collected around the world over several years. In the book, you will meet people who have been involved in creating and developing the universes for Squid Game, Fight Club, The Terminal, Minority Report, Your Name, Suzume, Black Mirror, Mr. Turner, Wallace and Gromit, Pandemic Legacy, Dead of Winter, Dark, Lego, El Tigre, Avatar, Spiderman, Halo, Quirky Circuits, End of Night, The Guilty and Enforcement.

Jerusalem is the center of the universe, the hub of the three great monotheistic religions, yet how did a city located on the desert fringe, in the semi-arid southern highlands of Israel with little tillable land achieve such dominance? To provide answers to this enduring riddle, Israel Finkelstein has collected twenty-four of his best articles and essays covering the Middle Bronze Age to the late Hellenistic period. With critical and well-informed care, he analyzes archaeological evidence that often stands in tension with the biblical text. Topics of particular interest include the archaeology of the tenth century BCE; Saul, David, and Solomon in the Bible and archaeology; the first expansion of the city in the ninth century; its full growth in the late eighth to seventh centuries; Jerusalem and Judah under the Assyrian Empire; the days of King Josiah; and transformations in the Persian-Hellenistic era. Short addenda update the reader on recent developments.

Aristotle famously maintains in his treatise On the Soul that there are three kinds of living things-- plants, animals, and humans--and he speaks of each kind as having a soul. St. Thomas Aquinas adopts these same views. Nowadays, however, many thinkers reject them on the grounds that they are incompatible with modern science. Molecular biology is seen as affording a superior way of categorizing life forms. Evolutionary biology appears to have established that humans are simply primates with adaptations somewhat different from other primates. Plant physiology, uncovering plants’ directional responses to a wide variety of different stimuli, provides reason to think that plants sense light, pressure, odor, pathogens, etc., in which case plants are simply non-mobile animals, similar to coral. Neuroscience, by showing the dependency of thought, choice, perception, and emotion on the central nervous system, especially on the brain, seems to have eliminated any need to posit a soul. Plants, Animals, People, Aliens addresses these and a variety of other science-based claims about living things by bringing Aristotelian-Thomistic teachings to bear upon them. While not a systematic work, it both treats some of the most hotly debated philosophical questions concerning living things, such as what it means to be alive, as well as treating questions less often raised by philosophers, such as whether animals have a theory of mind. Though geared primarily to those conversant with the Aristotelian-Thomistic tradition, many of its key concepts are traced back to experiences that we all share in common, thus rendering these concepts intelligible, if not convincing, to those with scientific and other backgrounds who are curious about this philosophical approach to living things. The author strives to show how Aristotelian-Thomistic philosophy and science complement one another by sketching out the fuller understanding of the living realm that the two together provide. The book’s final section considers the possibility and the likelihood that embodied rational beings exist elsewhere in our universe. Here, theological arguments drawn from the Christian faith are presented alongside philosophical and scientific arguments. This section closes with a theological discussion of the disputed question of whether extraterrestrials, were they to exist, should be baptized.

Ask a random American what springs to mind about Sedona, Arizona, and they will almost certainly mention New Age spirituality. Nestled among stunning sandstone formations, Sedona has built an identity completely intertwined with that of the permanent residents and throngs of visitors who insist it is home to powerful vortexes—sites of spiraling energy where meditation, clairvoyance, and channeling are enhanced. It is in this uniquely American town that Susannah Crockford took up residence for two years to make sense of spirituality, religion, race, and class.

Many people move to Sedona because, they claim, they are called there by its special energy. But they are also often escaping job loss, family breakdown, or foreclosure. Spirituality, Crockford shows, offers a way for people to distance themselves from and critique current political and economic norms in America. Yet they still find themselves monetizing their spiritual practice as a way to both “raise their vibration” and meet their basic needs. Through an analysis of spirituality in Sedona, Crockford gives shape to the failures and frustrations of middle- and working-class people living in contemporary America, describing how spirituality infuses their everyday lives. Exploring millenarianism, conversion, nature, food, and conspiracy theories, Ripples of the Universe combines captivating vignettes with astute analysis to produce a unique take on the myriad ways class and spirituality are linked in contemporary America.
 

The landscape of this novel in stories—Joseph Cardinale’s first book-length work of fiction—is as familiar as childhood yet beguilingly surreal. The question of whether or not the child in the first fiction and the man in the last story are the same person—and whether any person is the same from one moment to the next—is perhaps the book’s main question.

In prose as spare as it is meticulous, The Size of the Universe conjures an elegant labyrinth of time, space, and memory, in which a wavering self, a self on the verge of becoming nothing, seeks a safe haven from the throes of near-religious ecstasy. It is a debut work that is inviting, perplexing, and bold.

See the Universe as astronomers do: These thirteen graphs distill the cutting-edge discoveries of the cosmos—from planets and stars to galaxies, to ripples in spacetime itself.

From the front page of newspapers to your favorite t-shirt, the visual language of the cosmos is pervasive. Yet while you may have seen stunning images of planets, nebulae, and even the shadow of a black hole, pretty pictures alone cannot reveal the universe. Whether you’re looking for planets outside our solar system, searching for dark matter, listening for ripples in spacetime, or looking back to very early times, to truly understand the cosmos you need graphs.

In this fully illustrated and engaging book, astronomers Chris Lintott and Jeffrey Grube and data scientist Daina Bouquin focus on thirteen graphs to offer a tour of the major astronomical discoveries of the last century. Meet the HR diagram, which tells us about stellar lives; marvel at the Hubble diagram’s evidence for the expansion of the Universe; understand special relativity through Minkowski spacetime; and turn back time to the earliest visible light of the cosmic microwave background. With fascinating stories of discovery and accessible science for understanding ongoing debates, this book proves that while a picture may be worth a thousand words, a graph can show you the universe.

A collection showcasing the latest poems of the Kurdish-Syrian maestro of Arabic style.

Salim Barakat, the captivating Kurdish-Syrian poet and novelist known for his mastery of Arabic style, is hailed as an enigmatic and intricate figure in contemporary Arabic literature. In The Universe, All at Once, he curates, in collaboration with translator Huda J. Fakhreddine, a selection from his later works, considering them the pinnacle of his poetic career. Drawn from pieces composed between 2021 and 2023, the poems in this collection vary from excerpts of an expansive book-length poem to concise, intense fragments. Fakhreddine expertly renders his writing in English, a courageous and praiseworthy attempt to challenge the barriers of the untranslatable.

This volume not only showcases the prolific author’s poetic evolution but also features a comprehensive interview with Barakat. Conducted by Fakhreddine, the interview delves into Barakat’s early influences, hobbies, talents, reader expectations, and reflections on displacement, childhood, and interpersonal connections. Together, The Universe, All at Once presents the best of Barakat’s latest poetry to his readers and allows invaluable insight into the writing processes and motivations of a visionary modern poet.

Combining the latest scientific advances with storytelling skills unmatched in the cosmos, an award-winning astrophysicist and popular writer leads us on a tour of some of the greatest mysteries of our universe.
 
In the constellation of Eridanus, there lurks a cosmic mystery: It’s as if something has taken a huge bite out of the universe. But what is the culprit? The hole in the universe is just one of many puzzles keeping cosmologists busy. Supermassive black holes, bubbles of nothingness gobbling up space, monster universes swallowing others—these and many other bizarre ideas are being pursued by scientists. Due to breathtaking progress in astronomy, the history of our universe is now better understood than the history of our own planet. But these advances have uncovered some startling riddles. In this electrifying new book, renowned cosmologist and author Paul Davies lucidly explains what we know about the cosmos and its enigmas, exploring the tantalizing—and sometimes terrifying—possibilities that lie before us.

As Davies guides us through the audacious research offering mind-bending solutions to these and other mysteries, he leads us up to the greatest outstanding conundrum of all: Why does the universe even exist in the first place? And how did a system of mindless, purposeless particles manage to bring forth conscious, thinking beings? Filled with wit and wonder, What’s Eating the Universe? is a dazzling tour of cosmic questions, sure to entertain, enchant, and inspire us all.