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In 2002, Judy Cook discovered a packet of letters written by her great-great-grandparents, Gilbert and Esther Claflin, during the American Civil War. An unexpected bounty, these letters from 1862–63 offer visceral witness to the war, recounting the trials of a family separated. Gilbert, an articulate and cheerful forty-year-old farmer, was drafted into the Union Army and served in the Thirty-Fourth Wisconsin Infantry garrisoned in western Kentucky along the Mississippi. Esther had married Gilbert when she was fifteen; now a woman with two teenage sons, she ran the family farm near Oconomowoc, Wisconsin, in Gilbert’s absence.

In his letters, Gilbert writes about food, hygiene, rampant desertions by drafted men, rebel guerrilla raids, and pastimes in the daily life of a soldier. His comments on interactions with Confederate prisoners and ex-slaves before and after the Emancipation Proclamation reveal his personal views on monumental events. Esther shares in her letters the challenges and joys of maintaining the farm, accounts of their boys Elton and Price, concerns about finances and health, and news of their local community and extended family. Esther’s experiences provide insight into family, farm, and village life in the wartime North, an often overlooked aspect of Civil War history.

Judy Cook has made the letters accessible to a wider audience by providing historical context with notes and appendixes. The volume includes a foreword by Civil War historian Keith S. Bohannon.

Demonstrates the role of Beirut’s postwar graffiti and street art in transforming the cityscape and animating resistance.

Over the last two decades in Beirut, graffiti makers have engaged in a fierce “war of colors,” seeking to disrupt and transform the city’s physical and social spaces. In A War of Colors, Nadine Sinno examines how graffiti and street art have been used in postwar Beirut to comment on the rapidly changing social dynamics of the country and region. Analyzing how graffiti makers can reclaim and transform cityscapes that were damaged or monopolized by militias during the war, Sinno explores graffiti’s other roles, including forging civic engagement, commemorating cultural icons, protesting political corruption and environmental violence, and animating resistance. In addition, she argues that graffiti making can offer voices to those who are often marginalized, especially women and LGBTQ people. Copiously illustrated with images of graffiti and street art, A War of Colors is a visually captivating and thought-provoking journey through Beirut, where local and global discourses intersect on both scarred and polished walls in the city.

Paul Rogers is one of the world's leading security experts. Since the 11 September attacks, he has been a regular guest on TV news channels throughout America and Britain, where he has offered expert advice on the real implications of 9/11 and Bush's 'war on terror'. His articles in newspapers around the world, and in the web journal Open Democracy, have become essential reading for many thousands of people, including government officials, senior military, heads of UN agencies, opinion formers, journalists and peace activists. 

A War on Terror is Paul Roger's radical assessment of Bush's new policy, the way it has affected world security and the grave implications that it holds for future peace, not only in the Middle East but throughout the world. Moving from the war in Afghanistan and its aftermath to the Israeli/Palestinian conflict, the continuing development of al-Qaida and its associates through to the war on Iraq, Rogers presents a uniquely cogent analysis of these rapid and traumatic events.

In a world in which the US and other states of the Atlantic community are increasingly speaking a different language to that of the majority of the world, Paul Rogers offers a vital critical assessment of the language of dominance and control as 'the New American Century' unfolds.

For the US, in particular, the post-9/11 world is one in which it is essential to maintain firm control of international security, extending to pre-emptive military action. In this book, Rogers demonstrates how futile, mistaken and deeply counter-productive that belief is, and points the way to more effective routes to a more just and secure world.

Foreign policies and diplomatic missions, combined with military action, were the driving forces behind the growth of the early United States. In an era when the Old and New Worlds were subject to British, French, and Spanish imperial ambitions, the new republic had limited diplomatic presence and minimal public credit. It was vulnerable to hostile forces in every direction. The United States could not have survived, grown, or flourished without the adoption of prescient foreign policies, or without skillful diplomatic operations.

An Independent Empire shows how foreign policy and diplomacy constitute a truly national story, necessary for understanding the history of the United States. In this lively and well-written book, episodes in American history—such as the writing and ratification of the Constitution, Henry Clay’s advocacy of an American System, Pinckney’s Treaty with Spain, and the visionary but absurd Congress of Panama—are recast as elemental aspects of United States foreign and security policy.

An Independent Empire tells the stories of the people who defined the early history of America’s international relationships. Throughout the book are brief, entertaining vignettes of often-overlooked intellectuals, spies, diplomats, and statesmen whose actions and decisions shaped the first fifty years of the United States. More than a dozen bespoke maps illustrate that the growth of the early United States was as much a geographical as a political or military phenomenon.

 

Anthropologists have a long tradition of prescient diagnoses of world events. Possessing a knowledge of culture, society, and history not always shared by the media's talking heads, anthropologists have played a crucial role in educating the general reader on the public debates from World War I to the second Gulf War.

This anthology collects over fifty commentaries by noted anthropologists such as Margaret Mead, Franz Boas, and Marshall Sahlins who seek to understand and explain the profound repercussions of U.S. involvement in the Middle East, Asia, Africa, and Latin America. Frequently drawing on their own fieldwork, the anthropologists go beyond the headlines to draw connections between indigenous cultures, corporate globalization, and contemporary political and economic crises. Venues range from the op-ed pages of internationally renowned newspapers such as the New York Times and the Washington Post to magazine articles and television interviews. Special sections entitled "Prelude to September 11" and "Anthropological Interpretations of September 11" include articles that provided many Americans with their first substantial introduction to the history of Islam, Central Asia, and the Middle East. Each article includes a brief introduction contextualizing the commentary.

The memory of the American Civil War took many forms over the decades after the conflict ended: personal, social, religious, and political. It was also remembered and commemorated by poets and fiction writers who understood that the war had bequeathed both historical and symbolic meanings to American culture. Although the defeated Confederacy became best known for producing a literature of nostalgia and an ideological defensiveness intended to protect the South's own version of history, authors loyal to the Union also confronted the question of what the memory of the war signified, and how to shape the literary response to that individual and collective experience.

In Ashes of the Mind, Martin Griffin examines the work of five Northerners—three poets and two fiction writers—who over a period of four decades tried to understand and articulate the landscape of memory in postwar America, and in particular in that part of the nation that could, with most justification, claim the victory of its beliefs and values. The book begins with an examination of the rhetorical grandeur of James Russell Lowell's Harvard Commemoration Ode, ranges across Herman Melville's ironic war poetry, Henry James's novel of North-South reconciliation, The Bostonians, and Ambrose Bierce's short stories, and ends with the bitter meditation on race and nation presented by Paul Laurence Dunbar's elegy “Robert Gould Shaw.” Together these texts reveal how a group of representative Northern writers were haunted in different ways by the memory of the 
conflict and its fraught legacy.

Griffin traces a concern with individual and community loss, ambivalence toward victory, and a changing politics of commemoration in the writings of Lowell, Melville, James, Bierce, and Dunbar. What links these very different authors is a Northern memory of the war that became more complex and more compromised as the century went on, often replacing a sense of justification and achievement with a perception of irony and failed promise.

The great Arab singer Asmahan was the toast of Cairo song and cinema in the late 1930s and early 1940s, as World War II approached. She remained a figure of glamour and intrigue throughout her life and lives on today in legend as one of the shaping forces in the development of Egyptian popular culture. In this biography, author Sherifa Zuhur does a thorough study of the music and film of Asmahan and her historical setting.

A Druze princess actually named Amal al-Atrash, Asmahan came from an important clan in the mountains of Syria but broke free from her traditional family background, left her husband, and became a public performer, a role frowned upon for women of the time.

This unique biography of the controversial Asmahan focuses on her public as well as her private life. She was a much sought-after guest in the homes of Egypt's rich and famous, but she was also rumored to be an agent for the Allied forces during World War II.

Through the story of Asmahan, the reader glimpses not only aspects of the cultural and political history of Egypt and Syria between the two world wars, but also the change in attitude in the Arab world toward women as public performers on stage. Life in wartime Cairo comes alive in this illustrated account of one of the great singers of the Arab world, a woman who played an important role in history.

At the VA offers an unflinching and deeply humane portrait of combat veterans—primarily from the Vietnam era—as they seek care within Veterans Affairs hospitals. These imagistic, lyrical pieces focus not on the battlefield but on its aftermath. 

Author H. Lee Barnes, a veteran himself, addresses familiar wounds such as PTSD, moral injury, and survivor’s guilt while also bringing attention to underexamined experiences, including those of women veterans who have survived sexual assault. The collection honors sacrifice without sentimentality and resilience without oversimplifying the challenges veterans face.

At its center is a quiet irony: the VA can be frustrating and imperfect, yet to be there at all is to have survived. In that tension, Barnes finds a measured sense of hope that will resonate with readers who understand any type of trauma and recovery. Thoughtful and timely, At the VA asks what we owe our veterans long after their service ends.