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Hungry Heart reexamines the early literary career of Julia Ward Howe (1819–1910), best remembered as the author of "The Battle Hymn of the Republic." Combining biographical narrative with textual analysis, Gary Williams reconstructs Howe's emergence as a writer against the backdrop of her deeply troubled marriage to Boston philanthropist Samuel Gridley Howe. Among her early writings, Williams pays particular attention to Passion-Flowers, a celebrated yet controversial volume of poems published in 1854, as well as to an unpublished 400-page story that features a hermaphrodite as its protagonist. Williams shows how this latter work, startling in its bold exploration of sexual ambiguities, reflects Howe's effort to come to terms with her husband's intimate attachment to the prominent abolitionist Charles Sumner. The result is a fascinating cultural biography that not only enhances Howe's reputation as a writer but also enriches our understanding of the middle-class world of Victorian New England.

Philosophies of Sex: Critical Essays on The Hermaphrodite is the first collection of critical studies of Julia Ward Howe’s long-secret novel that, since its initial publication in 2004, has caused a seismic shift in how we understand gender awareness and sexuality in antebellum America. Howe figures in the history of the nineteenth-century American literature primarily as a poet, most famous for having written the lyrics to “Battle Hymn of the Republic.” Renée Bergland and Gary Williams have assembled a luminous array of essays by eminent scholars of the nineteenth-century American literature, providing fascinating—and widely differing—contexts in which to understand Howe’s venture into territory altogether foreign to American writers in her day.   An introduction by Bergland and Williams traces the (re)discovery of Howe’s manuscript and the beginnings of commentary as word spread about this remarkable text. Mary Grant, an early reader, invokes the excitement and frontier spirit of women’s history in the 1970s. Marianne Noble and Laura Saltz place the narrative within the frames of European and American Romanticism and of Howe’s other writings. Betsy Klimasmith, Williams, Bethany Schneider, and Joyce Warren explore connections between Howe’s novel and other ground-breaking nineteenth-century works on gender, sexuality, and relationship. Bergland and Suzanne Ashworth explore The Hermaphrodite’s suggestive invocations of two other kinds of “texts”: sculpture and theology.