cover of book
 

Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919
by Tim Brooks
University of Illinois Press, 2004
Cloth: 978-0-252-02850-2 | Paper: 978-0-252-07307-6 | eISBN: 978-0-252-09063-9
Library of Congress Classification ML3479.B76 2004
Dewey Decimal Classification 781.641490899607

ABOUT THIS BOOK | AUTHOR BIOGRAPHY
ABOUT THIS BOOK
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved.
 
Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces––both black and white––that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws.
 
Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
 

See other books on: 1890 - 1919 | African Americans | Birth | Blacks | Sound recording industry
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