edited by Sophie Fuller and Lloyd Whitesell
contributions by Eva Rieger, Gillian M Rodger, Sherrie Tucker, Sherrie Tucker, Lloyd Whitesell, Lloyd Whitesell, Byron Adams, Philip Brett, Malcolm Hamrick Brown, Mitchell Morris, Ivan Raykoff and Fiona Richards
University of Illinois Press, 2001
Cloth: 978-0-252-02740-6 | Paper: 978-0-252-07578-0
Library of Congress Classification ML63.Q44 2002
Dewey Decimal Classification 780.8664

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK

Exploring the relationship between queer sexuality and music in the late nineteenth and early twentieth century


Queer Episodes in Music and Modern Identity approaches modern sexuality by way of music. Through the hidden or lost stories of composers, scholars, patrons, performers, audiences, repertoires, venues, and specific works, this intriguing volume explores points of intersection between music and queerness in Europe and the United States in the years 1870 to 1950--a period when dramatic changes in musical expression and in the expression of individual sexual identity played similar roles in washing away the certainties of the past. Pursuing the shadowy, obscured tracks of queerness, contributors unravel connections among dissident identities and concrete aspects of musical style, gestures, and personae.


Contributors are Byron Adams, Philip Brett, Malcolm Hamrick Brown, Sophie Fuller, Mitchell Morris, Jann Pasler, Ivan Raykoff, Fiona Richards, Eva Rieger, Gillian Rodger, Sherrie Tucker, and Lloyd Whitesell.