“In her painstakingly researched and compellingly argued study, Vees-Gulani interrogates narratives of the Allied firebombing of Dresden. Contextualizing this event within the city’s longer history, she carefully documents the ways in which memory of the destruction has functioned as a singular flashpoint for political and cultural debates about culpability, suffering, and German national identity.”— Erin McGlothlin, Washington University in St. Louis
“Icon Dresden provides a rich and detailed account of its subject. Vees-Gulani has a remarkable eye for finding new directions from which to approach the history of the city and its controversies.”— Brad Prager, University of Missouri
“Susanne Vees-Gulani offers a definitive and multifaceted analysis of politicized mythologies about Dresden: a firebombed city whose memorialization and reconstruction have spurred tropes of seemingly singular victimhood. Vees-Gulani’s evocative monograph articulates how and why Dresden obtained its imaginary potential as a criminally destroyed Baroque cultural masterpiece—a vision crafted by the Nazis, embraced during the GDR, and perpetuated by rightwing activists today. Not least given Dresden’s central place in German, European, and global debates about how authoritarian actors reshape history for extremist agendas, this is a most timely book.”— Andrew Demshuk, American University
“Vees-Gulani has achieved the rare feat of writing an interdisciplinary book at the pinnacle of cultural and memory studies today that impresses with historical details. Icon Dresden is original, well written, and clearly structured. It is a completely new reading of the symbolic power of the self-representation of Dresden.”— Stephan Jaeger, University of Manitoba