Contents
Preface
Acknowledgments
Part I - Establishing Shots
1. Toward a History of Social Documentary | Julianne Burton
2. Rediscovering Documentary: Cultural Context and Intentionality | Michael Chanan
3. Democratizing Deocumentary: Modes of Address in the New Latin America Cinema, 1958-1972 | Julianne Burton
Part II - Wide Angles
4. The Voice of the Other: Brazilian Documentary in the 1970s | Jean-Claude Bernardet
5. Chilean Documentary: Continuity and Disjunction | Zuzana M. Pick
6. Santiago Alvarez: From Dramatic Form to Direct Cinema | John Mraz
7. Left, Right and Center: El Salvador on Film | Pat Aufderheide
8. Collective Experience, Synthetic Forms: El Salvador's Radio Venceremos | John Hess
9. On the Trail of Independent Video | Karen Ranucci with Julianne Burton
Part III - Texts in Close-Up
10. The Voice of the Present over Images of the Past: Historical Narration in Memories of a Mexican | Margarita de Orellana
11. The Sociological Model or His Master's Voice: Ideological Form in Viramundo | Jean-Claude Bernardet
12. Cuba's Latin American Weekly Newsreel: Cinematic Language and Political | Jorge Fraga
13. The Hour of the Furnaces and the Two Avant-Gardes | Robert Stam
14. The Battle of Chile: Documentary, Political Process, and Representation | Ana M. Lopez
15. Nicaraguan Reconstruction Documentary: Toward a Theory and Praxis of Particiatory Cinema and Dialogic Address | John Ramirez
16. Women Make Media: Three Modes of Production | Julia Lesage
Part IV - Beyond the Documentary / Fiction Dichotomy
17. Bay of Pigs: Bertolt Brecht Meets John Wayne | John Hess
18. Iracema: Transcending Cinema Verite | Ismail Xavier
19. Transitional States: Creative Complicities with the Real in Man Marked to Die: Twenty Years Later and Patriamada | Julianne Burton
20. At the Limits of Documentary: Hypertextual Transformation and the New Latin American Cinema | Ana M. Lopez
Guide to Distributors
Index to Films, Videos, Filmmakers, and Video Producers
Notes on Contributors