A Preface: After the Fact
Contents
I. In the Beginning...
II. Christ As Tragic hero: Conrad's Lord Jim
III. Christ As Death-In-Life And Life-In-Death: Dostoyevsky's Crime and Punishment
IV. Christ As the Archetypal Son: Turgenev's Fathers and Sons
V. Christ as Artist and Lover: D.H. Lawrence's Sons and Lovers
VI. Christ as Doomed Youth: Remarque's All Quiet on the Western Front
VII. Christ As the Missing Orient: Fitzgerald's The Great Gatsby
VIII. Christ As Social Scapegoat: Faulkner's Light in August
IX. Christ As One Avatar: Forster's Passage to India
X. Christ As the Brother of Man: Steinbeck's Grapes of Wrath
XI. Christ As Marxist Variant: Silone's Bread and Wine, Malraux' Man's Fate, and Koestler's Darkness at Noon
XII. Christ As Existentialist Antichrist: Camus' The Stranger
XIII. Christ As the Old Champion: Hemingway's The Old Man and the Sea
XIV. The End is the Beginning...
A Bibliographical Index